Still one of the best gifts I’ve gotten from a student.
Just a brief note to let folks know the blog is taking the week off for Thanksgiving. We’ll be back early if something earth-shattering happens that needs our attention.
Otherwise, enjoy your week and we’ll catch you for the final run to the end of the semester.
Robert F. Kennedy Jr. wrote disgraced political reporter Olivia Nuzzi an outrageously raunchy “poem,” which was dramatically revealed by her ex-fiancé and reporter Ryan Lizza in the second part of his series exposing the secrets of his ethics-challenged ex.
“Yr open mouth awaiting my harvest,” Kennedy Jr., the current Secretary of Health and Human Services, wrote to Nuzzi in undated texts recounted by Lizza in a piece published on his Substack early Saturday.
The poem was included in Lizza’s second part of his series about the affair between his former fiancee and the current Health and Human Services secretary. The post titled “Part 2: She did it again” is available on Lizza’s Substack.
I’m not linking to it here for three specific reasons:
The piece is behind a paywall and I can’t in good conscience promote this as journalism or something worth spending $10 on. I would rather set fire to a ten dollar bill than pay for whatever the hell is back there.
The teaser paragraphs alone introduced enough “explicit content” that would have my editors at Sage literally having aneurysms.
My mother reads this blog and I don’t know what would be worse if she clicked that link: Having her asking me what certain sexual terms Lizza uses mean or having her tell tell me she completely understood everything and didn’t need a translator.
Either way, it’d feel like this:
THE BACKGROUND: Oh, hell, where to begin?
Nuzzi was booted from her job with New York magazine after her “inappropriate relationship” with RFK Jr. came to light. Nuzzi had written a glowing profile of the Kennedy offspring, while also finding herself infatuated with him to the point of having a long-distance-messaging-with-sexy-photos-but-we-pinky-swear-we-didn’t-bang relationship.
Both mercifully dropped off the map until this month, when Nuzzi’s “American Canto” book hit the shelves, leading to a “little girl lost” style profile on her by the NY Times. In response to some of the stuff in the book, Lizza took to his Substack to publish a response titled, “Part 1: How I found out.” In that post, he pulled a “Sixth Sense” twist at the end to reveal his whole “I can’t believe she’s cheating on me” build up wasn’t about RFK, but instead about former South Carolina Gov. Mark Sanford.
Meanwhile, Nuzzi is now working for Vanity Fair, and media folks are a-flutter discussing this situation.
DOCTOR OF PAPER HOT TAKE: It’s too easy to crap all over Nuzzi, Lizza and everyone else involved in this situation. Right now, this feels like staring at a multiple-vehicle car wreck on the interstate. Instead of taking the easy path, consider the following difficult advice:
BASIC ADVICE TO FELLOW EDUCATORS AND MEDIA PROS: We need to be honest with ourselves, the public and our students, even though it really sucks.
Whenever a situation like Nuzzi-gate (as we’re apparently calling it now) pops up, a common refrain that emerges is, “Female journalists don’t sleep with sources.” I know a number of professors, former journalists and current journalists who hate it when this kind of thing happens, because it reinforces thread-bare stereotypes about women and it debases the work quality female journalists have done.
Here’s the problem: Lousy examples exist in almost every field and they create misery for the rest of the folks in that field. I don’t like it any more than you do, but it’s the reality of our surroundings.
Trust me, every time some jagwad professor decides to treat his undergraduates like a sexual charcuterie board, I want to die inside a little. I hate that I find myself second-guessing every interaction I have with students for at least two weeks, wondering if they think I might be “one of those.”
That said, I can’t tell students, “Professors don’t sleep with students,” because despite the ever-present blank stares they give me in class, I know they aren’t completely unaware of reality. I’ve even overheard students I know talking among themselves about skeezy professors hitting on them or their friends.
I also can’t just say, “Well, I don’t do that…” because that’s just really creepy to make them think that I’m thinking that I have to tell them that and too damned specific to make anyone feel better about it. It’s usually why I just shake my head and say, “What the hell is wrong with people?”
In regard to journalism, I’ve met multiple former and current journalists who “engaged in inappropriate sexual relationships” with people they cover. In one case, a local reporter who also worked at a local university was accused of sleeping with someone she had profiled. A friend told me that his wife worked with her years earlier, so I asked what she recalled about the reporter. The response: “Tell Vince she was a whore who occasionally wrote stuff.”
Another friend who worked with this journalist in another newsroom told me the majority of the staff knew about multiple similar indiscretions, so they referred to her by a nickname that merged part of her last name with the word “rabbit.”
In another case, one guy confessed to me that as a student journalist he “accidentally” slept with a student athlete while he was a sports reporter and editor at the student newspaper. The following is my recollection of the conversation:
Him: “Um…” Blank stare. “This is not good, right?”
Me: “Well, I wouldn’t add it to my resume… I don’t get how you “accidentally” slept with her. Did you trip and fall on something?”
Him: “No, I mean I didn’t know she was on the team until just before we… you know…”
Me: “I’ve got so many questions, not the least of which would be, ‘How did her athletic affiliation come up at that exact moment?’ ‘How little did you know about her before you decided to sleep with her that this nugget of information didn’t come up?’ and ‘Did you maybe think about not doing this when you became aware of this situation?'”
It went downhill from there…
I don’t think I’m that special that I knew at least a handful of people who had violated this basic tenet of journalism, so I imagine more than a few other folks reading this have a “Hooo boy…. not good…” story of this nature.
We need to stop pretending that this kind of thing doesn’t happen and be more on point about what we want to say here:
Most journalists do not sleep with sources period, let alone to gain special access for stories. A small number of journalists are bad actors, but to paint all journalists with a wide brush because of them is unfair to those who aren’t.
None of us who don’t violate the rules are thrilled by the people who do, particularly when their actions reinforce negative stereotypes against people who have already had to work harder than they should to make it in the field.
Those of us who take this job seriously are not going to pretend that those people don’t exist, but we are going to make damned sure you know we aren’t like them.
I’m sure there’s a better way to say this, but at least we’re being honest and letting people we aren’t thrilled by this, either.
BASIC ADVICE FOR STUDENT JOURNALISTS: I can’t stress this enough, but for every situation like this, where it seems like the world turns out great by flouting the rules, there are dozens more that are just god-awful disasterbacles that never get a book deal.
Colby Hall of Media-ite made the case that Nuzzi, his DM buddy, really just learned how to play the game based on the way the system has shifted, so we can’t really hold it against her:
The glamorous photo shoots, the Lana Del Rey cosplay with the white Mustang convertible on PCH, the literary ambiguity about Kennedy’s identity in her book, the defiant framing that positions her as a victim bearing witness to power.
But here’s what I’ve come to understand: This isn’t tone-deaf. It’s the only move that makes economic sense in 2025.
Nuzzi has correctly read our current media ecosystem. There is no path back to institutional credibility for her—those institutions are dying anyway, and they were never going to reward rule-following in the first place. But there IS a path forward through celebrity, through controversy, through the monetization of scandal itself.
The Vanity Fair job. The book deal. The rehabilitation tour that’s a Klieg light away from what it really wants to be. She’s not trying to rebuild her reputation as a journalist—she’s building a different kind of brand entirely, one where being interesting matters more than being ethical, where attention is the only currency that still spends.
As much as it might seem like a great idea to be that rule-breaking, cool-as-hell rebel in the moment, these things don’t end well. As someone who has watched almost every VH1’s “Behind the Music” episode, I can pretty much guarantee short-term career thinking leads to some long-term misery. And unlike video games, you can’t just hit the reset button once things start going bad.
Follow the rules, behave better than the attention-seeking toddler at the grocery store and do the job to the best of your ability. You might not become famous, but that’s likely to be a good thing.
BASIC ADVICE TO PROFESSIONAL MEDIA OUTLETS: Watching Vanity Fair hire Nuzzi is like watching pro sports teams picking up troubled players who have talent, arguing that, in their system, the player will thrive. What they fail to realize is that even if the talent is in there somewhere, the human foibles are going to massively undercut it and you’re essentially just buying trouble.
With that in mind, I’m begging you. Stop buying trouble.
First, the juice is rarely ever worth the squeeze. Everyone is out there thinking they are buying the next Hunter S. Thompson. Instead, they’re buying the next Ruth S. Barrett. Hiring people like this has the same internal logic of cashing in your 401K and using it to buy lottery tickets to secure your retirement.
Second, you’ll make my job a lot easier as a professor because I won’t have explain to students that to get their dream job, they should work hard, play by the rules, and then pray they don’t lose out to someone who banged a source and now has 2.3 million followers on Instagram.
I’m having a hard enough time getting them avoid bias in their writing, abide by grammar rules and attribute the hell out of things, what with all the god-awful crap that’s passing journalism these days. I don’t want to have this conversation:
ME: You can’t write a profile story about your best friend. It’s not ethically sound.
STUDENT: So, why can (REPORTER X) sleep with a profile subject and land a job with a six-figure salary?
ME: Go read your AP style book.
Third, you need to understand the “Cockroach Theory of Terrible Behavior.” When you see one cockroach in a house, rest assured it’s not the only one around, like he’s on vacation or something. For every one you see, there are several more just waiting to show up.
I remember being at my college newspaper during an editor election, where one candidate was trying to justify some bad behavior, explaining, “Oh, that was an isolated incident.” Once we retired to debate his candidacy, the one guy piped up with, “I counted 10 or 11 ‘isolated incidents.’ How many does it take to make a trend?”
Vanity Fair is already playing defense on the hiring, as they were “take by surprise” at Lizza’s accusations about Nuzzi’s nuzzling with Sanford. The magazine is “looking at all the facts” in this situation as it decides how the hell it’s going to get out of this situation before another cockroach comes crawling out of the corner.
If you want to see the best of journalism, hire good quality people. Promote and showcase them as what’s worth doing in the field. Let us in the classroom highlight the good work done in the right circumstances.
None of this will stop another Nuzzi situation, but at least you can help us point to this as a cautionary tale and not a smooth career move.
A few days prior, he barked “Quiet! Quiet, Piggy!” at a BBC reporter while she was trying to ask him a question on Air Force One.
The journo-folks in my orbit have poked at this in a lot of ways. Some are arguing the media outlets didn’t do enough to defend these journalists. Some have pointed out that with both journalists being women, this was another case of sexism rearing its ugly head. Some have said it’s another case of “Trump being Trump” so why are we surprised.
Truth be told, if you’ve worked in this field for more than about 20 minutes, you’ve likely found yourself on the end of the ugly stick, with someone swinging it wildly at you.
Even before Trump, politicians were railing against reporters and their work. If you covered education, parents, teachers and school administrators were likely to be upset with something you covered and weren’t afraid of telling you about it. If you spent time in business, entertainment or sports, you probably had a few run-ins with people who didn’t like what you wrote.
In covering crime, I got more than a few irate calls over the years, including one person screaming at me about how we made her son look bad by reporting his role in a shooting. A sentence I’ve never said before came out of my mouth: “Ma’am, it’s not my fault your son was shooting at people in a Taco Bell drive thru.”
I guess part of the umbrage we’re feeling in regard to these current outbursts is because we’d like to expect more out dignity and decorum out of the president of the United States than we got out of an angry mother of some guy who just landed in jail for the umpteenth time, despite her insistence he’s “such a good boy.”
With that in mind, here’s a throwback to a post about the beatings we all seem to take in the media and why it is good reporters stick with it:
Scummy weasels and death peddlers: What some people think about journalism (and why we tolerate their ignorance.)
“Your mother didn’t raise you right.”
I forget the context of that comment, but I know a woman yelled it at me over the phone once when I had the temerity to ask her a question about something someone she knew had done that landed that guy in jail. The implication was that I had nothing better to do than make people miserable and that if my mother had raised me properly, I’d know how sleazy I was being at this very moment.
“Many in legacy media love mass shootings. You guys love it,” Dana Loesch said Thursday. “Now I’m not saying that you love the tragedy. But I am saying that you love the ratings. Crying white mothers are ratings gold to you and many in the legacy media in the back (of the room).”
As someone who spent a good amount of time in a newsroom and even more time teaching budding journalists, it’s a little hard to swallow that statement. (I’m not alone in that regard, as multiple journalists have called out Loesch for her statements at CPAC.) The point here, however, isn’t to poke at Loesch but rather to let you know that although the statement is a bit more hyperbolic than most of those made about the media, it’s not rare that people think about journalists this way.
Former college basketball coach Bobby Knight turned hating the media into an art form and a cottage industry. Here are 10 of Knight’s most “memorable” soundbites, about half of which involve him fighting with the press. (Number 8 is my favorite, in which he compares journalism to prostitution.)
Knight isn’t the only person to hate the media for being the media. The clip of CNN’s Jim Acosta battling Donald Trump:
And he wasn’t the first president to rip on the media in front of a large group of people:
However, perhaps the greatest diatribe regarding how journalists react to disasters came not from a politician, but rather from musician Don Henley. His 1982 release of “Dirty Laundry” was No. 1 on the charts that year and really picked apart the way in which TV journalists appeared to enjoy “disaster porn.”
Personally, I’ve been called words I’ve been asked to avoid using on the blog. I think “scum” was the most user-friendly word I could include here. I’ve been accused of having vendettas against people for reporting that the caller’s son got involved in a shooting some place. I’ve been told to get a real job. I’m sure if you asked any of your professors who worked in the field, any one of them could tell you similar stories in which people took out their gripes on a journalist or two.
Still, as Allison Sansone noted earlier, you are serving readers who need you to get them information, even if that information is unpleasant. Of all the things I’ve seen that were nauseating, destructive or worse, I’ve never felt particularly happy about them. Sure, the adrenaline is pumping and the anxiety goes through the roof, so I can see how people would think I was “up” a bit while on the scene of something. However, I was never happy to see a dead guy, a fire-scarred woman or a flaming house full of dead dogs (all things I had to witness.).
This field can be a rough one to enter, especially if you enjoy people liking you or your work being positively appreciated on a universal scale. (I remember somebody once remarking about this idea, “If you want to be loved, go plan kids’ birthday parties for a living.” Personally, I find that more terrifying than covering a lot of the stuff I covered.) However, if you read through the responses the reporters gave to Loesch’s statement, you’ll find that they felt the job was worth it and the experiences associated with some of these traumatic events led to a greater sense of self.
I can’t think of many careers that will get you all of that. Even if it means you have to apologize to your mother for what people think of her child-rearing skills.
We covered this back when the raid happened, but as a brief recap: City and county law enforcement executed a search warrant at the Marion County Record in search of information that a reporter had illegally searched criminal records. The raid was a blatant violation of the First Amendment and led to a series of lawsuits.
Suits against the city and other individuals are ongoing.
“QUIET PIGGY” IS GOING TO BE THE NAME OF MY “FASTER PUSSYCAT” COVER BAND:
President Donald Trump went 2-for-2 in reminding me I lack the proper restraint to be a reporter any more. On Tuesday, he went into a tirade against ABC journalist Mary Bruce for asking questions about the release of the Epstein files and the murder of journalist Jamal Khashoggi.
Aside from calling her a “terrible journalist,” he noted that she asked a “horrible, insubordinate and just a terrible question.” I’d argue that’s not possible, in that to be insubordinate, she’d have to be working for him or for Saudi Crown Prince Mohammed bin Salman, who was the target of the question.
In both cases, the journalists and their institutions refused to counter punch, with the BBC issuing a statement about its commitment to “asking questions without fear or favor,” while ABC remained silent.
Neither journalist has made a fuss about the situation, speaking either to their amazing professionalism, the way they’ve gotten used to these temper tantrums or both. If that happened to me, I’d probably be in the middle of a Secret Service-led cavity search due to my lack of decorum.
HEY CHATGPT, WRITE A CATCHY SUBHEAD HERE FOR ME BECAUSE I’M AS LAZY AS THIS SOURCE IN THE NEXT SEGMENT:
A former student sent me this one with a note: “This has gotta be up there with your students’ terrible chatgpt emails asking for extra credit and leaving [Enter Professor Name] at the start.”
STOP TRYING TO MAKE “FETCH” HAPPEN:
When are people going to get the message that simply repeating a phrase doesn’t make it a thing? President Donald Trump often starts a trend in how he refers to something in a weird way, only to have a bunch of imitators jump on the bandwagon, making it awkward for those of us trying to write about his stuff.
“We are running under the lines lawfully passed by the Big Beautiful map and the courts will not thwart the will of Texas voters and their Representatives,” Cain said. “We are confident this temporary court obstruction will be swiftly overcome.”
<SNIP>
Texas Attorney General Ken Paxton, a Republican
“The radical left is once again trying to undermine the will of the people. The Big Beautiful Map was entirely legal and passed for partisan purposes to better represent the political affiliations of Texas. For years, Democrats have engaged in partisan redistricting intended to eliminate Republican representation.”
I’m not commenting on the intent, actions or outcome of either of these things, but I can say I feel for the reporters who have to ask questions using this nomenclature. It sounds either like we’re trying to engage a small child (“Who’s my big, beautiful boy?”) or it’s part of a particularly niche fetish site (“Click Here for Hot Videos of Big, Beautiful Bill!”)
This clearly must stop.
PERHAPS THEY’LL RELOCATE TO NEW JERERSEY:
And finally…
A student who was doing a survey in my Writing for the Media course was chatting with me about a few things when she said she was going to be taking that class next semester.
“People who have taken this class are like, ‘Good luck with that,'” she said.
She then explained that she heard the class is hard, it requires a ton of writing and that a lot of people fail it.
I wasn’t entirely sure what to think about that, so I told the student this:
“Go back to the people who said they failed the class and ask them two questions: “Did you turn in every assignment on time?” and “Did you ask for help when you were confused?” I’d bet my house that the answer to one, if not both, of those questions is ‘No.'”
She also said something that kind of broke my brain a little bit:
“What’s weird is all the people I know who failed your class said they loved it and thought you were a great professor. They said it was really hard but they enjoyed it. It’s usually not what I hear from my friends about a class. It’s usually, ‘I got an A. It was a great class.’ or ‘I failed and the professor was an asshole.'”
So… Thanks? I guess… for whatever that says about me and my teaching acumen.
While driving home from Milwaukee this weekend, I could see a haze of smoke in the distance that just kept getting bigger the closer I got to the house. I first spotted it about 20 miles south of where I exit I-41 and about 30 miles to the east of the farm.
Smoke like this isn’t rare out by us, as farmers and land owners will often burn brush piles the size of a Winnebago, but this seemed like it might be something more than an average Sunday burn after the Packers game.
When I pulled up to the intersection about three-tenths of a mile from my house, the road was blocked with barricades and squad cars. I managed to weasel my way past the blockade and pull into my drive way, all along wondering, “What in the hell is going on out here?”
A quick check on social media filled me in a bit:
On Facebook and Instagram (at least), a number of people were posting bits of information about what they saw or what they heard:
Even after reading all of the posts I could get my hands on and scouring the local media for more than what the local EMS folks put out, I found myself thinking about the pros and cons of how we get information these days. According to a 2025 study by the Reuters Institute, 54% of Americans get their news from social media today, pushing it past all forms of traditional legacy media. The discussion of partisanship, limited focus and the waning of traditional media power on the national or global level are assessed in this thing, which is great for the big picture.
That said, most of the time, we are likely more concerned with what’s going on around us, which falls to a lot of local media outlets or people around you with internet access. With that in mind, here are a few ways in which that can be a good thing or a bad thing on the local level like what I was dealing with Sunday:
THE PROS:
TONS OF INFORMATION: To be fair to the local social media folks, I got far more, volumewise, out of their work than I ever would have received from TV, radio or a newspaper. The videos, the photos and even the mapping gave me a lot to consume:
I also heard from people who were actively being evacuated from their homes in real time:
These are just a few screen shots of the hundreds of messages that were being shared at this time. Granted, a lot of stuff was repetitive, but I could pick up little nuggets here and there with a careful read of these forums.
CONTINUAL COVERAGE: The local media did the quick check in, put out some information and moved on. The local folks were a lot more interested in keeping an eye on things. At one point, a news outlet noted that everything was under control, but the social media folks (and my own eyeballs) pushed back on that. It seemed as though the wind (which we get a lot of out in our area) had stoked some of the fire in a part of the marsh that wasn’t fully extinguished, and things kicked up again.
By relying on the info from the fire folks, neighborly chatter and nosy folks like me who were willing to ask a cop at a cross street a thing or two, we all kept up to date on how risky things were and what was really going on. Those bits of info were continuing to be posted and shared on social media, as were some updates on when Highway 21 reopened, if the fire had moved any farther south and if additional fire folks were being called to the scene.
When I was a reporter, I found that I did a lot of “hit-and-run” journalism, in that I saw the disaster, wrote about the disaster and moved on from the disaster in a relatively short period of time. That’s kind of the nature of trying to cover everything in a large geographic area. These folks were more concerned about a specific disaster in a specific area and they could dedicate more resources to keeping people up to date.
MINOR NEWS FOR MOST, MAJOR CONCERNS FOR SOME: Social media has the ability to help niche audiences in the ways that traditional media never could. In the case of this fire, that came to the forefront in a few key ways.
For starters, as a lot of people were being driven from their homes and farms, some folks had concerns related to what to do with their pets. A local business up the road from us posted on this topic to help people who were in need:
Other folks felt it important to recognize the people doing the work to keep their homes safe:
These and a lot of other somewhat tangential issues were addressed on the social media platforms that were providing coverage on the fire. From a news-outlet perspective, a lot of these would be somewhat minor concerns, as they don’t impact the entirety of the circulation area or media market. However, to the people who were in the middle of all of this, keeping animals safe and finding ways to help each other in a time of crisis was the No. 1 priority.
This is really where social media, with its niche-level connections, really shines.
CONS:
SAYS WHO? One of the things I’ve found myself scrawling on news stories a lot these days is, “Says who?” My students know that this means they failed to attribute important content that is not a “water is wet” kind of fact to a particular source.
In this case, I found that some issues really didn’t matter to me in terms of who was posting. The videos and photos were relatively similar, so I was pretty sure that they all weren’t the work of AI trying to blame some political policy for a wildfire. In addition, I could triangulate some issues, using multiple platforms to get a handle on the situation.
For example, I knew where Highway 21 was closed by me, I had a couple maps from social media that represented where the fire had spread and I used my map app to look for specific areas where traffic was either light, heavy or prohibited.
However, when I saw this post, I found myself really wondering about source credibility:
My concerns on resharing this on social media (with the guy’s name attached) or believing what he had to say were as follows:
He’s essentially stating on social media that he started this fire. I don’t know if what he did was criminal, in that it sounds like an accidental ignition, but there might be rules about using ATVs in that area or during certain time periods. In making this public, he could not only open himself up to some legal issues, but also let some potentially irate folks know who he is, thus leading to some possible online harassment or worse.
I have no way of knowing if he is telling the truth. In journalism, we tell you that, “If your mother says she loves you, go check it out.” I did some minor sleuthing on this guy’s social media and didn’t find any terrible red flags that he was a bot or a troll, but that’s conjecture, not facts. Given my experiences with people who liked to insert themselves into dramatic police events, I’m erring on the side of caution. (One day, I’m going to write a post about “Whacko Wayne,” but until, then you can feel free to trust me as much as you normally do…)
I have no way of knowing if this guy is who he says he is. This might be someone using this guy’s account to make a statement or it might be some troll deciding it would be hilarious to mess with people. As we found out during the Las Vegas shooting, some people are completely fine using a tragedy for “the likes.”
There are a dozen other things I am paranoid about here, as I am someone who was held to account for what appeared under my byline. In the case of social media, this kind of paranoia is unlikely to exist.
Which brings us to another big concern…
UNTRAINED, UNREADY AND UNAFRAID: The concept of the Dunning-Krueger Effect has become exceptionally popular in the past decade or so. The broader theoretical and sociological aspects of it are often beyond what most of us consider discussion-worthy, but the long and short of it is that people who have a little experience in an issue are irrationally overconfident in what they are doing:
It took me a lot of time and a lot of disasters to become good at covering things like this fire, and even now, I’m not entirely sure I have it nailed down perfectly. That said, the people on social media have access to the same kinds of broad-based communication tools as I would have back in the day, and are completely untrained as to what kinds of things they can/can’t or should/shouldn’t say for legal, professional or ethical reasons.
They’re also completely fine in sharing information without thinking twice about those things, because they were never trained in the way we train media students, who then become media professionals. For example, I don’t know if the guy who said he started the fire actually did it, nor do I know how much consideration he gave to “outing” himself. However, a media professional with experience in this area would have considered those things and had discussions with other professionals before putting that information into the public sphere.
Beyond this issue, I find a lot of accusations on social media that have me breaking out into hives, not because of the accused’s alleged actions, but because of the legal hell-scape that can befall the accuser if things aren’t dead-on accurate. I keep hearing Cliff Behnke’s voice in my head as I see this stuff and imagine what he’d do to me if I just kind of spit-balled things like these people seem to be doing in some cases.
If you don’t know what the risks are when you do something, you tend to be unafraid of those risks. That doesn’t mean those risks aren’t real and can’t hurt you. That’s why we train students to be aware and prepared for these things.
In the end, I’m sure I missed a few more negatives and positives, but the bigger issue is that this kind of approach to locally newsworthy events is likely to continue to slide more toward the social media end and away from the legacy media. I’m not sure what can be done to prepare folks for this or to help them stay out of trouble, but I’d love to hear your thoughts on this.
Around this time of year, we tend to cover ethics in a few of my classes. Granted, we talk about the importance of ethics all year in various ways, but this is when we hunker down and say, “OK. Let’s really dig into this.”
One assignment I’d given for years involved a scenario in which you are a reporter at your college newspaper and you get leaked some documents about an arrest earlier in the year. The football team’s star running back was picked up for driving under the influence and a search of the car found illegal marijuana (I’ve been doing this for so long now, I have to qualify that this weed is illegal…).
You know the documents are legit, so you go through the process of calling sources. The player pleads with you, the coach threatens you and basically you have a story if you want one. The editor leaves it up to you.
The variety of answers of what they would do always amazes me. The one thing at least one student tries to do is “split the baby,” even though it’s stated this can’t be done: You either run it or you don’t in what is the last publication before winter break. They always seem to think there’s a way to finesse the situation so they don’t have to make a hard choice.
Others make a stand that says the people have the right to know, while even more sympathize with the athlete, seeing themselves as college students with potentially problematic pasts that run parallel to this kid. The one answer that always bothers me is the decision not to run it because “It might hurt our football program.” They essentially see themselves as part of the “football tribe” more than the “journalist tribe” in all of this.
Still, it’s fun watching them come to grips with various ways of seeing a situation when it’s more about “should or shouldn’t” than “can or can’t.” To that end, here’s a throwback post that outlines an ethics assignment that turned out even better than the one noted above, although I don’t know if you can replicate it.
Enjoy.
The Accidentally Awesome Ethics Assignment
Trying to make ethics real to students isn’t always easy. Fictional scenarios only go so far, as students can be unrealistically brave (“I’d tell my editor to kiss my grits and I’d quit!”) or fall into “Lebowski mode.”
In my freelance class, we talked about the various elements of ethics (honesty, integrity etc.) as well as some of the crucial aspects of what makes life a little different for freelancers (You only eat what you kill. You might have differing standards for different editors. etc.)
That said, I think I accidentally bumped into one of the more engaging assignments of the entire class. Here’s the story:
I have no attendance policy for the freelancing class, other than to say, “If you skip class, you’re losing out on whatever important thing we’re doing that day.” I figure, hell, they’re paying for the class through their tuition. If they want to treat my class like that Planet Fitness membership they haven’t cancelled over the past six years, despite never actually going to Planet Fitness, well, fine by me.
Only half of the students dragged themselves to the 8 a.m. class in the bitter cold on the day we had the ethics lecture. After we mulled the ethics of ethics and so forth, I asked them to consider the following:
“How would you feel ethically if I decided to just give you 100 percent on the third (final) story you have for this class because you showed up today?” In other words, I waive the assignment, you get the points. It’s like you showed up and you got a free cookie for doing so.
It was like pulling teeth to get them to discuss it at first. Some were happy to take it, others said, “Well, I’d feel a little guilty, but…” Eventually, they kind of settled in with the, “Gee, I don’t know but it sounds nice in theory” outcome.
So, I told them, “I’m going to leave the room. You have 15 minutes to come to a conclusion on if this should happen or not for real. If you don’t all agree, nothing happens. If you all agree on getting the freebie, it will happen. Go for it.”
As I sat in my office, I could hear the arguing, the overlapping voices and the frequent of yelling of “YEAH, BUT, WAIT…” After the 15 minutes, the appointed spokesperson of the group tossed open the door and yelled, “UNNNNGGHHH! FILAK! WE’RE READY!”
They explained that they were going to take the freebie and why they thought it was OK. Some justified it as they were always there and other people tended to skip a lot. (“One of the people not here just Snapchatted me a picture of themself in bed, so I don’t feel bad at all about this…” one student noted.)
Some said they figure life is a lot of luck of the draw, so they just got the lucky draw. Others said the benefit didn’t technically hurt anyone, as it wasn’t like the people who DIDN’T get the free pass had to do MORE than they would have otherwise.
I then said that they had really touched on all the areas except for one that seemed a little obvious. I asked a student if she had covered a vintage clothing event she was paid to do as a freelancer. When she said she did, I asked, “So, what if, after you published this piece, the person who organized the event came up to you and thanked you for such a nice story and gave you a $100 gift certificate to her vintage clothing store? Is that OK? I mean, you’re getting a benefit for something you would have done anyway, right?”
The student just stared at me. The young lady next to her said, “I think I want to change my vote.”
Then one kid asked me, “Is this real? I mean… some of us weren’t really sure that you meant it.”
“No,” I said. “This is real. You get the freebie.”
“My stomach kind of hurts,” another kid said. “This just feels weird now.”
I dismissed the class and they kept talking about it as they walked down the hall, some arguing while others trying to reassure themselves this was fine.
I hadn’t planned this at all, nor did I really think of how it would pan out, but here are a couple things this exercise ended up emphasizing:
REAL LIFE ETHICS ARE HARD: In life, there are a number of decisions I’ve made that I look back on and think, “What if I’d gone the other way?” Almost all of them are ones in which ethics are deeply ingrained.
I’ve never been a fan of debating ethics in a classroom setting because it feels like a false front to me. It’s the same reason I have trouble teaching crime reporting in a classroom: I could do a fake press conference about a fatal accident or have kids “role play” a terrible scenario, but in the end, it’s not real. While ethical debates give the students some things to consider, the impact isn’t there.
The thing that made this situation hard for them was that there were real consequences. They got something for free, which they likely felt they didn’t earn. It was an all-or-nothing situation, which I have found many students don’t like, as they prefer to hedge their bets as opposed to putting it all on 23 Red and spinning the wheel. It was something they really wanted, but they also felt guilty about their good fortune when compared to that of their missing colleagues. Which leads to point two…
GUILT IS A BITCH: One of my favorite discussions ever happened during the weekend I got married. My best man, Adam, came from a traditional Jewish family, while I and the rest of my kin were mostly in the Catholic realm. During the downtime before the wedding, Adam sidled up to me and said, “You’re on to something about Catholic guilt.”
Over the years, we’d had these great debates over whose faith had the bigger slice of the guilt pie. He argued that the stereotypical “Jewish mother” guilt was both real and unrelenting when it came from people within one’s family, while I argued that the less-direct Catholic guilt was like the smell generated from one of those plug-in oil things: It is everywhere and it just hangs there all around you.
In the end, we kind of came to the agreement that this was like arguing Hank Aaron vs. Willie Mays or Mickey Mantle vs. Joe DiMaggio: It all depends on how you slice the argument, but both are more than worthy of greatness. Guilt, be it Catholic guilt, Jewish guilt or other similar guilt is really a pain.
The situation in class drove that home for me. These kids were literally getting stomach aches and headaches as they tried to wrap their brains around the idea of what was being offered and if they should take it. The emotion most of them came back to was one of guilt.
I’m not saying that’s good or bad, although guilt has led me to both good and mediocre decisions in life, but to have so many people from so many different backgrounds have their mental state coalesce around one emotion really says something.
THERE IS NO GOOD DECISION: One of the things I tell students a lot is that if you end up dealing with an ethical dilemma and you feel perfect at the end of your decision-making process, you really didn’t have an ethical dilemma. Dealing with these kinds of things in journalism is a lot like this scene from “Argo:”
There can be situations where you feel better or worse about the choices and the outcomes, but at the end of the day, you really don’t get to feel like everything is perfect. The key is to learn from each situation and make better bad decisions as you move forward.
The shutdown has been the longest work stoppage of its kind in the history of the federal government and it’s interesting to see how various media outlets have chosen to explain this.
Today’s exercise is a simple one: How did the media you consume frame the end of the shutdown? Some obvious approaches include Republican victory and Democratic caving, but there are more and more “think” pieces rolling out recently that look for a “silver lining” on this issue.
Find five or six stories on various media sites and look for stories about the shutdown. What do you see as the prominent issues emphasized in each of these? Do they match your personal viewpoint on this issue or not? What benefits and drawbacks do you see for each frame presented here?
Once you’re done, it’d be a good time for a class discussion about this.
(I’ve done a number of dumb things with tools. This one, thankfully, has never occurred to me.)
On a relatively frequent basis, I find myself with a new cut, ding, gash, burn or other similar wound as a result of my hobbies. I nearly clipped the top of my thumb off with a Dremel, put a nice slice through the back of my calf with a carpet cutter and slammed my hand onto a piece of sheet metal so hard, Amy could see the tendon that manipulates my thumb.
I’m not alone in my quest for inadvertent body modification, as two of my uncles managed to saw off their thumbs while reaching across table saws. One got his reattached, while the other ended up being only able to count to 9.5 for the rest of his life.
These and other similar moments remind me of something my father told me that his father told him about needing to respect the tools of our trades: The tool doesn’t know it’s hurting you.
In other words, a sander is going to sand when you power it up, regardless of if it’s sanding off a layer of wood or a layer of your fingers. The drill is going to drill a hole through something, whether it’s helping you remove a spot weld on a piece of sheet metal or giving your hand the look of stigmata. And saws are going to cut, and they won’t really know the difference between a tree limb or one of your limbs.
That’s why you always have to understand the purpose of the tool, treat the tool with respect and protect yourself from the harm that the tool can do to you, because it really doesn’t have any skin in the game, unless it’s cutting through yours.
In teaching media writing, I’ve often made the analogy that every skill we cover is another tool that the students get to put in their toolbox. The more tools they have and the better they practice with them, the stronger their work output will become. In covering AI this week, I reinforced that concept with the the analogy outlined above: AI is a tool, neither good nor bad, and you need to understand what it does or doesn’t do before you start playing around with it.
To that end, here are a few suggestions I gave to the students regarding the proper use of AI that I hope might help your folks as well:
USE THE TOOL AS INTENDED: I’ve had a number of bad breaks along the way when it came to trying to use a tool in a way other than it was intended. I’ve broken countless drill bits when I used them on material that was too strong for their composition or tried to widen a hole by rocking the drill around. Neither of these moves were very bright, as I knew better.
That said, I’ve also used tools without thinking twice about how they were actually supposed to be used. For example, it took me a while to figure out why the glass kept breaking in some cabinets I’d refinished before I understood the point of using push-points instead of epoxy.
When someone develops a tool, that tool usually has a specific intended use. When you try to outstrip that purpose or make the tool operate in a way it was never intended to operate, bad things can happen. This is why it’s important to understand what each AI tool is intended to do.
When you are building content for consumption as a media professional, AI tools can be great things, but you have to understand what each one does and doesn’t do, lest you find yourself doing more harm than good.
USE THE TOOL, DON’T RELY ON THE TOOL: My great-grandfather was a carpenter and he actually built the house he lived in for the majority of his life. The ability to do this boggles my mind, as I can’t cut on a straight line worth a damn.
The even more incredible thing is that he did it in the early 1920s without the benefit of power saws, battery-powered drills or air-driven nail guns.
If he had those items, I’m quite certain he could have done the job even faster, but he was still skilled without them, making his work less about reliance on a tool.
As with most technological advances, AI can make things easier on us when we want to get things done. People who have mastered tasks like writing, photography, graphic development and more can now do things faster and better thanks to AI, but that’s mainly due to applying their underlying skills to these new tools
The folks who have mastered these tasks without AI are concerned about what will happen to people who CAN’T function without the AI doing the work for them. These are reasonable concerns, in that it’s never a good thing to become completely dependent on a tool of any kind, lest that tool become unavailable or in some other way problematic.
The best thing you can do in learning media skills is to use AI as one of your many tools, but not let it do the work for you. You need to pair your human nature with those tools to create things that go beyond whatever AI can spit out.
Learn the way in which you can make the tool work for you, and then apply it appropriately.
DO DIFFERENT WORK, NOT LESS OF IT: One of the most tedious tasks for me as a reporter was transcribing recorded notes. It seemed to take forever to get through a small section of an interview and I found myself having to go back repeatedly to get the quotes exactly right. When I learned of true transcription AI, like Otter.ai and others, I found myself falling in love.
The technology was great, it did a reasonably decent job and it took away a task that wasn’t really at the core of what my job entailed. That didn’t mean, however, that I saved myself from doing any work related to this task.
On more than a few occasions, the translation wasn’t perfect. Fortunately, I was able to play the recording again as I watched the text, so I could make changes to the quotes. In other cases, the quotes didn’t pan out as well as I thought, because they weren’t as pure as they likely would have been if I’d have been scrawling text and guessing at a few words. Thus, I had to find better quotes to fit the bill, knowing as I did what was and wasn’t entirely accurate. Although the net benefit was heavily in my favor, it wasn’t a 100-0 sum game.
AI tools do some forms of work for you, which is great, but it doesn’t absolve you of all responsibility. In many cases, it just shifts the work you have to do to something else. Think about moving from being a reporter to an editor in a student newsroom: You are no longer out there gathering facts or bugging people for interviews. Instead, you are asking questions of the reporter, poking holes in the story and generally making sure the reporter is sure.
Take the same approach to AI when you are employing a tool: Check the transcript carefully to be sure it wrote what someone actually said. Check each fact the same way you would if Johnny or Janie Freshman wrote it in their first story for the paper. Scour the material for holes based on your own understanding of the concept, rather than accepting the AI version as gospel.
There are obviously more things you can do to keep yourself on the right side of AI, but like the application of most tools, practice will improve performance and care will limit unintended consequences.
And probably save your credibility from needing a bandage or two.
The Washington football franchise seems to have the worst luck with the worst injuries for its best quarterbacks. On Sunday night, Jayden Daniels became the latest casualty in the “gruesome” category when a Seahawk defender fell on his left arm and bent it back about 90 degrees the wrong way.
It was clear he was in significant pain at first, but it was unclear why, as it seemed to me that it might be a leg injury, given how he fell and how his lower body was posed. Only after a replay did the arm issue become apparent, with an official report calling it a dislocated elbow.
However, that wasn’t the only replay we saw. It seemed like they kept playing it over and over, to the point I woke up the dog when I instinctively screamed, “For the love of God! STOP SHOWING THIS!”
This brought me back to thinking about another similar injury and a post about the ethics of showing stuff like this on TV. However, I’m wondering about the relevance of this kind of discussion these days.
As I’ve frequently told my students, not everyone in the media game plays by the same basic set of rules anymore. The democratization of content collection and dissemination has really changed the way in which we deal with things like this as professionals and as viewers.
(I remember using a textbook that showed two photos of Dwyer that we were to debate using for a newspaper’s front page: One with Dwyer holding the gun in both hands, the other with the barrel of the revolver in his mouth. That still messes with me…)
Flash forward almost 40 years and the moment Charlie Kirk was killed, dozens of videos popped up with the entirety of his final moments. Some people added slow motion, while others did zooms. Some even had some sort of sound track of sorts on there. I’m not linking to any of them, but I’m sure you can find them if you want.
That might be the bigger concern: Even as some came down, more went up. The reason was both the cash-grabbing click-baiting end of the deal, along with the basic prurient interests that many people apparently had for seeing a man literally die in front of us.
Thus, the chicken-or-the-egg thing: Is it that we now have more access to more content that allows us to see things, so we go see them? Or is it that we always wanted to see these things and we now have people who are more capable of providing them?
In either case, this throwback post might help spark a discussion or two about how we handle things as professional media folk and what that might mean going forward.
Breaking Dak: The ethics of broadcasting injuries in sports
TRIGGER WARNING: There are some graphic videos here of traumatic injuries. Watch at your own discretion. -VFF
Prescott was scrambling for a first down when his body went one way and a sizeable portion of his lower leg went the other way.
(Here is the video if you want to see it. If you don’t want to watch this, I don’t blame you. My wife, Amy, a nurse who loves to talk about brain surgery over dinner and is an avid watcher of “Doctor Pimple Popper,” was really disturbed when she saw this.)
Tony Romo, who was in the booth doing color commentary for CBS, immediately realized something was horrible, proclaiming, “Oh no… Oh NO!” As a former QB, Romo has been on the turf for Dallas a few times with severe injuries. However, he seemed to almost want to magically wish this one away by saying, “You almost gotta hope it’s a cramp right there…” After about three replays, he knew that wasn’t the case.
As fascinating as this was, much like other things that are odd, chaotic and disturbing, I found myself watching it a few times and yet hating that I could see what had happened.
When it comes to gruesome sports injuries, the question for journalists is, “What is enough coverage?” The answer seems to vary from situation to situation and announcer to announcer.
As blood began hitting the ice, the announcers immediately implored the camera operator to stop showing the injury. Malarchuk actually skated off the ice after he received assistance from Pizzutelli and that was the only other shot of him. No replays, no slow-motion blood gushing. After that, the camera stayed in a distance shot of the ice until everything was cleaned up and play was ready to resume.
I remember watching this game on TV and the announcers kept showing it over and over and over again, going in slow motion to show each frame worth of knee distortion. Each time they did it, it was accompanied by an announcer saying, “Oh… You hate to see that” or “You might not want to watch this…” And yet, they kept showing it.
Perhaps the most famous Monday Night Football injury involved Washington Football quarterback Joe Theismann, who saw his career end on the field. Linebacker Lawrence Taylor, who made a career out of having no regard for his own body or that of quarterbacks, snapped Theismann’s leg in half. Immediately, Taylor popped up and started waving for the trainer as he held his head in his hands in disbelief.
As the officials tried to figure out what to do about this mangled man, ABC kept looking for the best possible angle to figure out what had happened, finally finding a reverse angle that will never leave your head if you see it once. To its credit, once ABC got there, the station didn’t show it again.
So, the question remains, “How much is too much?”
There might be an official code that outlines this, but I’m having difficulty finding one. Thus, what you see below is kind of a patchwork of various codes that could provide some guidance:
Journalism provides enormous benefits to self-governing societies. In the process,it can create inconvenience, discomfort and even distress. Minimizing harm, particularly to vulnerable individuals, should be a consideration in every editorial and ethical decision.
The Football Writers Association of America, which deals more with college sports coverage, lists of elements within its code of ethics to deal with issues happening on the field. Under “Minimize Harm,” it notes the following elements:
Show compassion for those who may be affected adversely by news coverage. Use special sensitivity with children or inexperienced sources or subjects.
Be sensitive when seeking or using photographs of those affected by tragedy or grief.
Recognize that gathering and reporting information may cause harm or discomfort. Pursuit of the news is not a license for arrogance.
(For reasons past my understanding, I can’t find the code of ethics for the pro version of these folks. Maybe it’s buried in the “members only” section.)
In contrast, the Society of Professional Journalists, digs into the ethics of the field at length in its code. Along with the minimize harm stuff that was in the other codes, here was an interesting add:
Obviously “pandering” and “lurid” are in the eye of the beholder, but it does provide the “If your friends all jumped off a bridge, would you?” line of logic on this one.I always go back to the line I remember hearing at the State Journal, where we employed “The Breakfast Test.” If someone were picking up our paper and reading it over breakfast, would the images (or in some cases EXTREMELY vivid writing) make that person puke in their Cheerios?
And, yet, again, this is variable in a lot of ways. Papers up by us have no problem running photos of people who have “cleaned” deer and pose next to the gutted, skinned carcasses hanging from trees. The hunting community is used to that. For a lot of other folks, that’s going to be a breakfast showstopper.
In any case, the unfortunate answer to the question, “How much is too much?” when it comes this kind of coverage is like most ethical or “taste” situations: It depends.
The audience you serve, the expectations they have, the previous things you’ve shown them with or without problem and more come into this. However, even if you don’t have a concrete answer, it helps to discuss this to find ways to understand what to do when you find yourself in a situation like this. The more you can gain collective knowledge in advance, the better prepared you will be to make your choice.
As much as I would like to call this a win, it’s clear to anyone with half a brain that this isn’t over by a damned sight and that there are still significant problems with the leadership at the IU Media School. I know you know this and I know you’ll remain vigilant against the next stupid thing these folks try to pull on you. They clearly can’t help themselves, so I hope you know that all the people who have your back now will continue to do so.
But the main reason for this open letter is that I want you to know is how grateful I am for your strength and courage at time in which media operations all around us seem to be folding like cheap tents in the rain and so-called adults are more willing to quietly acquiesce to outrageous demands than to stand up for what’s right.
There is a concept in finance that one reporter told me about called “F— You Money.” It basically meant that some people are so rich, they literally don’t have to care about what anyone thinks and they can do whatever they want, regardless of the cost.
For example, if two people in an auction setting want the same thing, the person with “F— You Money” can radically overpay to get the item, even if doing so makes no sense. Another example would be what a lot of us thought would happen when Jeff Bezos bought the Washington Post: The paper could courageously cover anyone and everyone because Bezos had “F— You Money,” and he didn’t need to worry about ad revenue or currying political favor.
However, a funny thing happened on the way to fiscal freedom. A lot of people with “F— You Money” decided it would be easier to just give up and pay off whatever loud idiot seemed to want to start a fuss rather than using it to stick up for what was right. It was ABC kicking in $15 million to avoid a lawsuit regarding who was mean to whom in a TV show, YouTube ponying up even more for suspending accounts after the Jan. 6 riots, Paramount paying $16 million for exercising editorial discretion on “60 Minutes” in a way that displeased Donald Trump and more.
This is the reason we owe the IDS staff a debt of gratitude. You did what others refused to do and stood up for what’s right, even though you were at a decided disadvantage in this power dynamic. You chose not to think about all the scary things that might happen if didn’t cow tow to the powers that be. You fought for your rights, even if it meant you might get crushed by the academic behemoth that is the IU Media School, because you couldn’t live with yourselves if you didn’t.
You told the bully, “F— you. You’re not getting my lunch money. Not today. Not tomorrow. Not ever.”
The reason so many people came running to your aid and voicing support for you wasn’t just because you are right, which you are. It wasn’t just because what was happening to you is unadulterated bullying, which it is. In so many ways, we appreciate you for one simple fact:
You help us remember who we used to be, so many years ago, and what we wish we could be again.
In all honesty, I don’t miss my sleep-deprived college years of subsisting on ramen and cheap beer. I also don’t miss the rundown apartments, the anxiety-driven dating scene or cobbling together several part-time jobs to make ends meet. What I do miss, however, is the courage that all of those experiences seemed to embolden in me, a courage I feel I lost somewhere along the way to middle age.
When I was in college, I was working at the Daily Cardinal student newspaper, trying to dig the place out of $137,700 in debt with nothing but a few bucks in the checking account and a gung-ho iguana’s attitude about my odds. We did some truly adorably naive things, like asking banks for loans against future advertising sales, negotiating debts for pennies on the dollar and sending out hundreds of billing statements with a “we think this is right” letter attached.
Some of those things worked, while other failed, but we were as unrelenting as a toothache and as stubborn as an ink spot on white carpeting. As time went on, we won more than we lost, after we kind of figured out how the game itself worked. Basically, we realized that the adult on the other end of whatever we were trying to do had a job that came with a boss who had bigger bosses and nobody wanted to get in trouble. It was much easier for that person to just go along with us, make some concessions, spin it for their boss and move on.
(SIDE NOTE: Rodenbush is suing the university over his termination and I’m pulling for him all the way. If I were running things at IU, I’d pay the man rather than have all of the blatant illegality and stupidity that happened here laid bare in the public. Then again, if I were running things at IU, this situation wouldn’t have happened in the first place…)
I don’t know if I’m the only one who does this, but sometimes I look at myself and think, “This is a heck of a good life you’ve built here. Don’t screw it up.” I love so much of what I do and what I’ve been lucky enough to accomplish, that it feels like any risk of upsetting that apple cart might not be worth it, even if I know I’m right or even if I see something wrong happening.
The cliche of how “with age comes wisdom,” is a hollow platitude that gives us a pass when we decide not to put ourselves on the line and call out wrongdoing. The winds of time erode our certainty of purpose and wear away our willingness to fight. We learn to self-censor, rather than be censored. We bite our tongues, nod along and keep the trains running on time. It’s easier that way and guarantees less of a personal cost.
You folks at the IDS are special because you don’t just fight the fights you can win. You fight the fights that need to be fought, regardless of outcome. You understand absolute right and absolute wrong, and refuse to convince yourself that the juice isn’t worth the squeeze when it comes to standing up for what matters. You say, “I know what’s happening here. I can’t stand by and let it happen. This is the hill I’m willing to die on if that’s what it takes to fix this situation.”
When people like me see this, we can’t help but rush right in and do our best to help. We admire the hell out of your courage and wonder if we were ever that young and that brave, or if it was just a hazy bit of self-mythologizing that puts us in your company. We are grateful to see that what we really liked about ourselves back then is alive and well in this oft-maligned generation of students.
We do this for you, because we support you, but we also do it because you give us something much more important in return. You help us reach back to a time where we didn’t politely apologize and then go stand in the corner, awaiting our punishment. You help us remember that the best of us isn’t gone for good. It’s just waiting for the inspiration you provide.
As a lot of students around here are signing up for their final semester’s worth of classes, we’ve been hearing the “Should I consider grad school?” question a lot more often. In some cases, it’s about trying to extend the life of a college student, while in others, it’s based on fear of the unknown.
As I’ve said a million times before, if you want a good example of how to find yourself entering and exiting grad school, don’t look at me. That said, I have managed to pull together a number of good thoughts on the topic based on stuff that did or didn’t work out for me or others. Thus, the theme of today’s throwback post.
Hope these will help someone in your area.
How to answer the question “Should I go to Grad School?” when your journalism students ask it
The question in the headline has come up a lot recently, both on the Filak Furlough Tour and from my own students. The way some folks talk about grad school, it sounds like a way to delay life a bit more, or at least push back some of those student loans. For others, it’s an opportunity to become part of a cadre of lifelong learners, who will some day become the “sage of the stage” themselves at a fine institution of higher learning. Reality, as is usually the situation, will vary on a case by case basis.
As I have told my students repeatedly about so many things, you don’t want to look at me for an example when it comes to making a decision about grad school.
At the time, I had about a year’s experience under my belt as a part-time night desk reporter at the Wisconsin State Journal. When I asked if that position could become a full-time job, the answer was less than encouraging. Even more, every job that I wanted to apply for required about three years of newsroom experience.
The job market stunk and I had one actual offer from a newspaper in Kirksville, Missouri, which would have paid me less than I was making as a cashier and grease monkey back home at the Mobil station. Even worse, the paper was terrible, the publisher was chain-smoking during my interview and the job came with no insurance benefits.
At the time, if you kept up with school and didn’t stop being a full-time student, you could stay on your parents’ insurance until you were 25. Also, my boss at the State Journal offered to kind of weld two part-time positions together and give me nearly full-time hours, but not the benefits or a true salary. Add that with the potential to teach a college class, already knowing the area and figuring that I’d finish a master’s in two years, I went for it. It turned out fine in the end, but to explain the whole process requires several beers and a non-disclosure agreement.
Based on what I’ve seen others do over the years, here are some helpful questions you might want to consider if you’re thinking of grad school or to ask anyone who asks if they should consider this path:
ARE YOU CHANGING FIELDS? This is the easiest one to figure out. If you got your degree in journalism, but you took a class in computer coding, psychology or biomedical engineering and found your muse, grad school makes sense. The goal of any form of education that you are going to pay ridiculous money for is to teach you something of value that you can use somehow. Usually that means it helps you get a job. I wouldn’t hire a welder to do journalism or a journalist to do welding, so making sure you have field-specific education makes sense.
IS THERE A SPECIALTY YOU DIDN’T GET IN YOUR UNDERGRAD? In some cases, you find that you want to really dig into a specific area of a field. A “regular” journalism degree might include one class on graphic design or 3D rendering or something that really piques your interest and you only have a base-level understanding of that topic. Going to a different place for grad school where they specialize in that might make a lot of sense. I often make the case that students who go here and find that they really like design or graphic arts in media might do well to get a master’s in that area at Ball State, which has a TON of great profs and resources in this area.
IS THERE A FINANCIAL BENEFIT TO THE EXTRA DEGREE? The question of if a higher-level degree helps or hurts a candidate varies widely based on the field and the employer. However, if there is a clear-cut financial value to getting this upper-level degree, it makes sense to bite the bullet now and go for it.
Case in point, when my mom was teaching, salary bumps were determined in “steps” and “lanes.” If I recall correctly, each step was based on years of experience while the lanes were determined by level of education. Hopping into a higher-ed “lane” got you more money faster. Mom still had to take credits to keep up with something else related to her contract, but she never got a master’s, despite probably having more credits than I have now with a Ph.D. She mentioned more than once if she had just gone for it earlier in her career, the master’s would have really turbocharged her earning power.
If you know that’s the case, or if your company is paying for it in hopes of paying you more when you get it, go for the grad gusto.
DO YOU WANT TO TEACH COLLEGE AT SOME POINT? When I got my master’s it meant I could teach at a college or university in my area of expertise. Many of my family members were teachers and I thought I would like to be like them and help people learn, so the master’s was a smart call. That said, my boss in Missouri told me that the Ph.D. was basically the “union card” for getting a stable, tenure-worthy job, so if I wanted to do this for the rest of my life, I probably should bite the bullet and get the doctorate done.
Today, master’s degrees are fine for both adjunct teaching and a lot of universities have opened up teaching faculty roles that don’t require the full collection of alphabet soup after your name. That said, the master’s is the “you must be at least this tall to ride the ride” measurement, so if standing in front of a room trying to explain the difference between “farther” and “further” or why you spell the word “lead” L-E-D-E, grad school makes sense.
ARE YOU RUNNING TO SOMETHING OR AWAY FROM SOMETHING? This gets a bit deeper on the personal end, but it’s an important question to ask. I often ask this of the kids who come back to see me when they’re about 25 and they say something like, “I think I’m going to grad school” or “I think I should change jobs” or “Do you think the circus is hiring?” When a quarter-life crisis hits, a massive change in life seems like the best idea, which is why I ask them this question.
Change bothers me a lot, just because of who I am and how I feel about it. That said, I know some changes are better than others. I can also attest to the importance of understanding WHY you’re changing something, which comes down to the question above. If you are running toward something (pay raise, new educational opportunities) and the grad school question comes up, that is a good change. If you’re running away from something (I don’t want to be an adult, I’m scared of getting a job that I’ll hate) and the grad school question comes up, it’s probably not a great idea.
It never hurts to ask, “Why are you considering doing this?” and then try to figure out which way you’re running.
ARE YOU GAINING MOMENTUM OR BURNING YOURSELF TO A CRISP? When I was growing up, taking a break anywhere before the completion of all of your schooling was considered verboten. The thinking was, “If you don’t go straight from high school to college (or college to master’s or whatever), you’re never going to go back.” And for a lot of people I know, that turned out to be true.
That said, concepts like “a gap year” never really existed as a positive opportunity to plan and recharge. The “keep moving ahead” approach also conflated the idea of continual motion with positive outcomes.
I truly believe in momentum, and if you don’t, go watch this recap of the 1993 Bills/Oilers game. Thus, if you’re in the zone when it comes to studying, learning and knocking out homework, great. Keep rolling. I also believe in the concept of burnout, so if school to this point has turned you into a charcoal briquette, pouring more work on top of yourself for meager/no pay while adding to your student loan debt and living in what passes for student housing these days makes no sense.
WHAT IS THE FLIP SIDE OF THE GRAD SCHOOL COIN? Instead of saying “Should I go to grad school?” consider asking “What will I do if I DON’T go to grad school?” In other words, what’s the other side of the coin on this one.
I’m a big fan of pro-con lists in making big life decisions and I’m also a big fan of not getting myopic on a choice being either/or. It’s not “grad school or no grad school” but rather “grad school or (OTHER PLAN).” In approaching it this way, you can figure out what else might be out there and avoid thinking of grad school as the only lifeboat off the Titanic.
I’m sure there are many other good questions to ask, but these should comfortably get you out of the “deer in the headlights” mode and toward making a solid decision, or helping someone else make a solid decision.