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How to cope with stress and burnout as student journalists and journalism students (A Throwback Post)

Today’s throwback post is kind of a four-parter, in that I’m bringing back the series I did five years ago on stress and burnout. The reason is pretty simple: I’m seeing it all around me at school.

I’ve got kids with mono trying to make it to “draft day” for their papers, while also staying committed to their school sports. I’ve got students who found out that the university didn’t quite count their credits they way they did, thus forcing them to jam an extra 7-week class into their schedule to graduate on time. I’ve got kids lining up for fewer and fewer seats in classes that more and more of them need.

To paraphrase Ethan Hawke from “Reality Bites,” if I could bottle the tension around here, I could solve the energy crisis.

I’m guessing I’m not alone in seeing this, unless, of course, your spring break happens earlier than mine. Either way, neither stress nor burnout is going away any time soon, so I hope this helps.

 

 

Stress and Burnout, Part IV: Hints and tips for slowing the burn

Editor’s Note: This week, we’re doing a deep dive into the topic of stress and burnout among student journalists and journalism students. The issues addressed here are part of a larger set of research articles I’ve done with colleagues, outside work done by those colleagues (as well as other researchers) and presentations I’ve done over the years at student media conventions. If you are interested in learning more, please hit me up on the contact page.

In case you missed the earlier posts:

First and foremost, I want to be clear that if you are experiencing severe burnout, either based on the scores you tallied from the Maslach Burnout Inventory or based on intuition after reading the previous posts, you should seek help. Most campuses I know of have mental health professionals who can assist you in whatever concerns you while many others have programs that seek to take care of students who feel like they’re breaking down.

I am not “that kind of doctor,” so please find someone who is.

That said, if you’re feeling a bit crispy around the edges or you want to knock your MBI scores down a few pegs, here are some lower-end suggestions that can assist you in mellowing out a bit, consider these options:

TAKE CARE OF YOURSELF: If there’s one good thing the pandemic has provided people, it’s the realization that illness can’t be overcome with gumption. I can’t count the number of times I’ve pushed myself past my limits while sick because, “I don’t have time to be sick.” That phrase is so ingrained in the mentality of journalism folks that we should have it translated into Latin and carved above the door of every student newsroom.

We often had students in the newsroom or the classroom looking like something out of “Dawn of the Dead,” pumping orange juice, cold meds and throat lozenges into themselves like they were stuffing a turkey. They wanted to write “just one more” story or edit “just one more” page, as they sounded like they were hacking up a lung. The idea is that being there at 50% (OK, maybe more like 25%) is better than not being there at all.

The truth of the matter is, if we just took care of ourselves a bit better, we wouldn’t get sick as often (usually). If we did get sick, we would recover to full strength better if we took the break when we needed it.

You can’t do anything when you’re sick or dead, as both tend to diminish productivity.

Early and regular coping techniques are good to keep yourself from dropping off: daily exercise, regular meals that include several parts of the food pyramid and quality sleep.

Now, let’s make something clear here. Walking briskly to the vending machine three times a day does not count for exercise and a regular meal schedule. Sleep isn’t well had passing out on the floor of the newsroom with a coat over your head. You need real versions of each of these elements.

(If you can’t sleep because you’re too worried, that’s another warning sign. You’ll want to see the student health folks for some recommendations.)

 

FIND YOUR HAPPY PLACE (OUTSIDE OF YOUR JOURNALISM LIFE): I was always amused when I worked in the newsroom and students decided they had finally had ENOUGH of whatever was bothering them that week.

“I need to get out of here,” they’d mutter. “I gotta leave the newsroom and get away from these people.”

Then, they’d get together with all of the same people they were grousing about and go to a bar or a party where they’d continue to discuss whatever was bothering them in the newsroom. It had the same internal logic of celebrating your first day of sobriety with a bottle of tequila.

There is nothing wrong with loving your job, your newsroom, your classes, your clubs or anything else. However, you eventually need a break from all of those “joyful” activities to just relax and actually enjoy something. You need to find something that brings you to your “happy place.”

Happiness can come from a variety of areas. One adviser I heard from told me she brought her dog into the newsroom on occasion. “You can’t be stressed out when you’re petting a dog,” she said. That’s pretty true. Little kids can also be amazing in this regard. Many years ago, I would bring my 2-year-old daughter into the newsroom. She’d dress up in princess clothes or build block towers with the editors. She’d draw with them and in the end they’d feel better.

The simple and small pleasures have been known to stave off stressful situations. After a particularly stressful day, several of us in a newsroom used to agree to meet online to play a game in which we were in “arena combat” and the goal was to blow each other up until the timer ran out. These days, I force myself to play a game of pinball or two to wind down and get away from the stress of the day.

 

PRIORITIZE AND SET LIMITS: This sounds easier said than done, but it’s like going on a diet or committing to an exercise regiment: Once you get into the groove, it becomes part of what you do.

Prioritizing can help you figure out which things you should focus on and in what order, thus eliminating the feeling of being overwhelmed. For some people, it’s about writing out things that HAVE TO happen in a given day on a list and taking pleasure in crossing them off. For others, it’s about learning how to determine which things need their attention and what things can be ignored, refused or delegated.

An approach I saw once used a color coding system to list off a bunch of things: Red meant it needed to be done before the end of business that day/week/hour/whatever. Yellow meant once the reds were done, a couple of these things could really use some attention. Green meant it got done when it got done and could be ignored for the foreseeable future.

Eventually when the list got pretty much crossed off, the person would make another list and re-evaluate the pieces that were left. Some of those greens needed to become yellows. A couple yellows might be red at this point. In addition, new stuff would fill in here and there in varying colors as well. It worked for that person, which was all it had to do.

Setting limits can be numerical, like, “Once the first five things on this list get done, I’m getting lunch,” or “I owe six emails today and that’s all I’m doing unless there’s a hostage situation that requires me to respond via email.” The limits could also be time-based, like deciding you’re going to turn off the computer by X time at night or you won’t work from A to B times during the day. One particularly clever way of doing this is to charge your laptop to full capacity and then leave your power cord at home. Once you run out of battery juice, you’re done for the day. Everyone else will just have to cope.

If you’re like me, (read: having grown up Catholic or in some other guilt-based system of existence) this can be really tough because you don’t want to feel like you’re letting people down or that you disappointed someone by not doing what they needed. This is how I end up writing letters of recommendation in 12 minutes after some kid I knew three semesters ago emails me with a desperate need and I don’t want them thinking I’m an uppity jerknugget.

However, I try to explain to people that for me to be the thing they want me to be (read: functional, helpful, valuable, intellectually on the ball etc.), I need to avoid burning out. In other words, “Do you want the thing done or do you want it done well?”

 

LEARN WHAT TO CARE ABOUT: If you write every headline in 100 point bold, screaming, you’ll never know what you should care about and your audience will tune you out. Same can be said about dealing with people.

When some professor in the history department makes some snide comment in front of a class about the newspaper or your major or a club you run, let it go. People who think they know what you do while actually having no clue about what you actually do in any of these areas are plentiful. No sense getting bent out of shape over an academic twerp. When the head of the journalism department says, “Your (club/paper/group) sucks. We’re cutting your funding and kicking you out.” That’s something to care a bit more about.

I often go back to the line about “Is this the hill you’re willing to die on?” when considering how stressed a situation should make me. I also find that people who can’t make this kind of distinction tend to think every hill is the one that EVERYONE around them MUST die on EVERY TIME. Learn to avoid these people and learn to avoid becoming one of these people.

 

HAVE A GOOD CREW IN YOUR CORNER: I remember watching a documentary about the “Thrilla in Manila,” the third and final fight between Joe Frazier and Muhammad Ali. By the time the 14th round ended, the fighters were completely spent and both of their respective teams knew it.

Ali looked like he was going to have to quit in the corner, something his crew refused to allow him to consider. Frazier, who later revealed that he had been fighting for most of his career only able to see out of one eye, had his good eye swollen shut by repeated poundings to the head. The legendary trainer Eddie Futch told Frazier that he know the fighter couldn’t see and it was time to throw in the towel. Frazier responded, “Don’t worry. I can visualize him.” Futch refused to listen and ended the fight.

Futch lived to the age of 90 and until his dying day, he said he never once regretting stopping the fight, despite what it meant to Frazier’s legacy and Frazier’s own bitterness toward his former trainer. All that mattered was he wanted to keep his fighter safe.

I guess this is my way of rolling this series all the way back to the boxing analogy from the first piece. One of the most important things to have around you at all times is a good “corner-person” who knows what you need at any given point in time.

(A quality “cut-person” and a good  “hype-person” are nice additions as well.)

In student media, this should be the newsroom adviser: The wizened one who has seen it all and knows when you need a motivating kick in the keester and when to throw in the towel for you. They have to see the bigger picture as you simply plow ahead, round by round. In college, a variety of other advisers can serve this role, such as an academic one or the one overseeing your group, organization or club. It could be anyone out there you know who knows how you tick.

(Side note: In my life, it’s Amy. She’s like a human divining rod when it comes to what I need, when, where and why. If you find someone like that in your life, hang on to that person with all you’ve got.)

The idea here is that sometimes we don’t know ourselves as well as we need to in order to keep ourselves out of trouble. Surrounding ourselves with people who understand us and are able to get through to us can be a saving grace when we are too stubborn or stupid for our own good.

The Popularity and Perils of the Police Blotter

The Oshkosh PD police blotter is not only a bit more pedestrian than many other departments, but it almost needs a Rosetta Stone to translate it…

THE LEAD: The Wyoming Tribune Eagle ended its publishing of the police blotter as news this month, noting that despite people’s interest in the material, the ethical and legal concerns were just too risky:

People love the police blotter, because it includes tiny nuggets of drama, intrigue and joy. For instance, in Gillette, Wyoming, cars get “cheesed,” meaning people will cover them with slices of American cheese. Who doesn’t love reading about a good cheesing?

But along with the weird and wacky things that show up in a police blotter are numerous inaccuracies that follow people for life.

“There’s a lot of problems with blotters in general,” Secrest told me. “An initial charge can change really easily. They can up the charge, they can lower it, they can dismiss it entirely. Things can get challenged pretty quickly. Also, people can be acquitted.”

COP TALK 101: For those uninitiated in crime news, the blotter is a list of all the incidents law enforcement officials within a department deal with in a day. It usually lists a mix of things, including the time of the incident, the name of the person involved, the place where the incident occurred, the date of birth of the person involved and any criminal charges associated with the situation.

The blotter only represents what the law enforcement officials are doing at the front end of a situation, not the resolution of the case or any changes made later that day (or week or month).

So, for example, let’s say I’m driving to the aluminum recycling place to turn in some beer cans when I hit an icy patch on the road and skid into the ditch. The cop sees beer cans all over my car, notices that I totaled my vehicle and wants to check me for drunk driving. However, I’m too woozy and messed up from the crash to do field sobriety and the ambulance takes me to the hospital, where instead of a breath test, they do a blood draw.

The officer might list Operating While Intoxicated as an expected charge, pending the results of the blood test. So, it goes into the the blotter as an OWI. However, it turns out I’m as sober as a judge, so the charges eventually get dismissed.

If all the paper is doing is publishing the blotter info and not really following up, that can lead to several problems, like one noted in Poynter’s story on the Wyoming situation:

Although the staff received some pushback when they announced the change, “now that it’s gone it doesn’t seem to be missed,” Secrest said. “Also, this week we had a man call us and tell us that his booking sheet incorrectly designated his charge as a felony and our publishing of that, prior to this policy, caused him to lose his job. We will be able to correct that once he provides the court document confirming the charge. But that was published about 10 days before this policy took place. It felt like a good reminder of why we did this.”

A CHECK OF THE INTEREST ELEMENTS: One of the things we always talk about is balancing people’s right to know something versus people’s right to be left alone. A key way we do this is looking at the FOCII elements (Fame, Oddity, Conflict, Immediacy and Impact) to figure out if we should be doing something or not.

The blanket publication of the blotter tends not to showcase any of these elements other than Immediacy, but as we note in the book, Immediacy always has to be tempered against accuracy. In short, fast and wrong is worse than slow and right.

That said, the Oddity element often shows up in the blotter, which means checking it for information still merits value. The Fame element can also come into play, as people who are well known often end up on the wrong side of the law.

Here are two examples I remember from working with the crime beat:

At UW Oshkosh, the Advance-Titan used to run blotter items under the heading of “Busted!” In looking at the revelations put forth by the Wyoming paper regarding accuracy, that probably wasn’t the best of titles.

In one case, Busted! featured a brief bit of news in which two students were caught having sex in the middle of the day behind the giant UW-OSHKOSH sign on the main drag of campus. When the officer began to write the students up for this tryst, the guy begged the cop not to do this, because he said he knew it would end up in Busted! and thus his girlfriend would find out about his “extra-curricular activities.”

At another place and time, we had a blotter item that really tickled our irony meter. A local radio personality who went by the moniker “The Altar Boy” got busted for OWI. He apparently also gave the cops a bit of a rough time in arguing with them over the bust, noting he was someone of great import.

The folks in Wyoming noted that in cases like these, obviously, the information would be covered, but done so in a more complete way. Meanwhile, minor incidents involving regular folks would not make the paper.

DISCUSSION TIME: Does your media outlet have a blotter section of some kind and how popular is it? What kinds of things do you think are fair game and what feels like a bridge too far? Also, how would you feel if the minor indiscretion you committed in college suddenly became something anyone could find on the first page of a Google search? A lot of student newsrooms have struggled with balancing this, so it’d make for an interesting classroom discussion.

“It’s not a riot. It’s a large, prolonged disturbance.” Working through fact-checks and BS-checks (A Throwback Post)

When it comes to fact checking and BS detecting, I often tell students about a story I wrote involving the Mifflin Street Block Party about 30 years ago. The party got way out of hand late at night, with students setting bonfires in the middle of the street and even burning a car. When firefighters arrived to extinguish the blazes, the party participants repelled them with bottles, rocks, cans and anything else they could throw.

With the fire truck damaged and the firefighters outnumbered, the police eventually went in with riot gear and battled for control of the scene, as the party folks chanted, “F— THE PIGS!” at the top of their lungs.

The next day, I’m talking to the public information officer from Madison PD and I ask if, since it was the first time they donned riot gear since the Vietnam War, if they called out a 10-33, Riot In Progress.

“Don’t you dare call this a riot,” he told me.

I then explained I’d seen what had happened and the carnage that was left behind, so if it’s not a riot, what was it?

“It was a large, prolonged disturbance,” he told me before hanging up.

We are apparently entering another period of Jedi Mind Trick 101, in which people in power are telling the media, “Don’t call this a war. It’s not a war.” Therefore, I thought it might be a good time to pull this post the fact-checking exercise along with it out for another run.

Journalism 101: Facts matter, so don’t feel bad about forcing people to get them right

Screenshot

THE LEAD: In a blinding flash of the obvious, the Washington Post reported that politicians don’t like being told they’re wrong about things via a journalistic fact check. In other “water is wet” news, Donald Trump and his campaign seem particularly outraged by the temerity of journalists who actually researched topics and can prove he’s full of beans from time to time:

Trump nearly backed out of an August interview with a group of Black journalists after learning they planned to fact-check his claims. The following month, he and his allies repeatedly complained about the fact-checking that occurred during his debate with Vice President Kamala Harris, berating journalists and news executives in the middle of the televised debate.

And this month, Trump declined to sit down for an interview with CBS’s “60 Minutes” because he objected to the show’s practice of fact-checking, according to the show.

<SNIP>

The moves are the latest example of Trump’s long-held resistance to being called to account for his falsehoods, which have formed the bedrock of his political message for years. Just in recent weeks, for example, Trump has seized on fabricated tales of migrants eating pets and Venezuelan gangs overtaking cities in pushing his anti-immigration message as he seeks a second term in office.

THE BACKGROUND: The joke I always go back to is the familiar one of, “How can you tell when a politician is lying? Their lips are moving.” The idea that politicians fabricate situations is not a new one. Nixon’s “I am not a crook,” Clinton’s “I did not have sexual relations…” and Mark Sanford’s “hiking on the Appalachian trail” are some of the more infamous ones, as they intended to cover over embarrassing personal failings and limit political fall out.

Even more, politicians invent people they saw, they met and they heard, all in the service of some anecdote about salt-of-the-earth farmers getting the shaft, military leaders praising their brilliance or other similar moments of self-aggrandizing puffery. And of course there is the myth-making that surrounds some politicians, like George Washington’s cherry tree or Reagan’s trickle-down economics…

As far as this election is going, Tim Walz was fact-checked on his claims about his service, his presence in China during the Tiananmen Square protests and his family’s use of IVF services, each of which resulted in some disparities. Kamala Harris is also ringing up a few “false” ratings from Politifact on some of her claims regarding illegal drugs and her own previous political efforts.

Still, most of this is piddly stuff compared to what Trump does on a daily basis, both in terms of frequency and intensity. If Walz’s “carried weapons of war” statement is a leak in the truth boat, Trump is continually bashing the Titanic into the iceberg and flooding every compartment.

WHY DO WE CARE AS JOURNALISTS: Despite what the former president of the United States things, facts have a definition:  things that are known or proved to be true. The job of a journalist is to get the facts and report them, so that people can make informed decisions on important things in their lives. If you strip away everything else from journalism, that’s the beating heart at its core.

Telling journalists you will only talk to them if they promise not to fact check you is like telling me, “You can come to our party, but only if you promise to not be a bald, middle-aged white guy.” It’s what I am, so that’s going to be a bit hard to square that circle.

People rely on facts to have a shared understanding of reality, so that society can function. It’s why when we bring a shirt to the check out kid and that shirt is priced $19.99 plus tax, we understand it’s probably going to cost about $21 or $22, give or take your part of the country. If the kid says, “That price is fake news. You owe me $150 and can’t leave until you do,” that breaks the whole “shared understanding of reality” thing.

For years, journalists have been telling people, “You’re entitled to your own opinion, but not your own facts.” Somewhere along the way (I blame the internet), it actually became, “Pick your own facts and then be outraged when someone disagrees with you.”

EXERCISE TIME: Pick out a TikTok on any hot topic that’s going on today (politics, Diddy trial etc.) and write down whatever statements these people are declaring to be facts. Then, go fact check them against

UNC policy allows the U to record classes without telling professors or students, while students aren’t allowed to record at all

If you feel like this, you might be working at UNC…

THE LEAD: The University of North Carolina has implemented a policy that dictates who can and can’t record classroom content, which includes a terrifying Big Brother option for the university itself:

The University may record a class or access existing classroom recordings without the permission or knowledge of the instructor being recorded for the following purposes:

  • To gather evidence in connection with an investigation into alleged violations of University policy, when authorized in writing by the Provost and the Chief Human Resources Officer; and
  • For any other lawful purpose, when authorized in writing by the Provost and the Office of University Counsel, who will consult with the Chair of the Faculty.

 

BACKGROUND: The university had run into several issues related to recordings of professors over the years, only to figure out it really had no policy in place to deal with such things.

The tipping point appeared to be when UNC decided not to renew business professor Larry Chavis’s contract after reviewing recordings of his classes. Chavis noted he had no idea the university was recording him.

When called to account for this surreptitious move, the U fell back on the “well, we’re a one-party consent state” thing, which is true but a bit wobbly at best.

 

A FEW BASIC OBSERVATIONS: I found myself thinking about a couple aspects of the policy that either people haven’t considered very well or they just hope they won’t have to deal with in the future. Consider the following:

Rules for student recordings: I’m not sure exactly how this came into play, but the document makes it against UNC law for students to record in the classroom, except under specific circumstances:

Students may not record classes, including online classes, without express advance permission from the instructor teaching the class they wish to record. Students approved for recording as a University Compliance Office (UCO) accommodation to address a disability, pregnancy, or religious accommodation must notify instructors of their approved accommodation by sending an accommodation notification plan in advance of any recording. The approved accommodation plan must indicate the means by which the recording will be accomplished and any other details pertaining to the recording or its use.

Well, for starters, how are you going to monitor that, given students carry about 97 digital devices on them at any point in time? I guess if I’m in my computer lab at UWO with 20-some kids, maybe I might notice a kid’s phone set to record, but most likely not. In a UNC pit class, though? Not a chance in hell.

Add that to the lack of a specific “or else what” in this policy and I’m thinking this thing is going to be relatively toothless when it comes to enforcement. I’m not an expert on university policy or UNC’s policies in particular, but I don’t see a “If you do X, you will suffer Y” in this document. The document also doesn’t say, “See POLICY X for punishments” so I’m left to wonder if the kids will record anyway depending on how strict the policy and problematic the punishment.

 

Martyrs to the cause: Most of the kerfuffle I’ve seen in relation to classroom recordings getting out into the world is related to students trying to “expose” professorial bias. We’ve covered a few of these here, and there are dozens more cases elsewhere in which a student records a professor doing or saying something that upsets a large group of the perpetually offended. Once that match of outrage hits the kerosene of social media, the professor’s goose is cooked.

With that in mind (and the previous point in mind as well), I somehow doubt this kind of thing will stop. Even more, I imagine that a kid who “exposes” a professor via an illicit recording at UNC will now be hailed as a martyr to the cause if any punishment befalls that kid.

(“Let’s all remember the brave sacrifice of Jimmy, who recorded Professor Jones misgendering a piece of wicker in Underwater Basketweaving 385. That ‘stern talking to’ he got from the dean will haunt him always…”)

We have a world in which social media rules, “gotcha fame” is aspirational and people are way too full of themselves around the academic world. Recordings are going to happen.

 

To Chill or Not To Chill: I’ve studied the concept of the Willingness to Self-Censor for a number of years and found that many people have an innate sense of how willing they are to speak out or shut up when faced with controversy. Certain topics tend to spark this more in all people, but many topics spark it in specific people. In short, there are a lot of reasons why people will hold their tongues and it’s not always because they don’t have something to say.

Conversely, I’ve dealt with academics all my adult life and I found that many of them apparently have some sort of condition that makes them think everyone should hear what they have to say about everything, regardless of the circumstances.

 

Michael Palm, president of UNC’s chapter of the American Association of University Professors and associate professor in the UNC Department of Communication, said faculty members are aware they may be monitored by the University or even outside groups.

“My sense is that most faculty, at this point, just assume they’re being watched,” Palm said.

<SNIP>

“I think it is unquestionable that there has been a chilling effect on campus and that many more faculty now than at any other time that I’ve been a faculty member — and I’ve been at UNC for 18 years — are self-censoring out of fear for what might happen if the wrong people disapprove of the content in their classes,” Palm said.

If I’m being honest, there are days I have a “come at me, bro” vibe going on when it comes to my classroom. If you think I’ve said something stupid, childish, offensive or whatever… well… take a number, I guess. Then there are other days where, if I think about all the potential ways something like this could screw me, you couldn’t pull a needle out of my keester with a tow truck.

What I foresee here is that the students are going to lose a lot, thanks to this policy. The professors who really SHOULD be curbed a bit in regard to their histrionics and side-rambles will be the ones thinking, “Well, that’s for other people…” The folks who are more like academic prairie dogs, popping their little heads out of their holes juuuuuusssst enough to see if the coast is clear, will stay under ground for fear of getting whacked.

You can call ‘This is How a Child Dies of Measles’ an act of ‘creative non-fiction,’ but where I’m from, we call it ‘lying’

The opening of the story about “your children” and “your” experience watching one of them die from the measles.

DISCUSSION STARTER: This is a good opportunity to have students read the story, “This is How a Child Dies of Measles,” before digging into this post to see how they feel about the approach, particularly if they are unaware of the truth of the story.

(The story is behind a paywall, so you might need to get creative to gain full access to it. Some school libraries have it on file, while some of you might have your own subscription. Maybe it’s even worth it to pay the $1 for six months thing and then cancel after the class. Just a head’s up in case you hadn’t planned for this.)

We did this a couple times over the years in my features classes, where they read the standard “almost journalism” stories of “Hack Heaven,” “Jimmy’s World” and “A Rape on Campus.”

Once they read through it and you make the reveal, a discussion about their thoughts, their concerns and maybe their willingness to do or not do something like this could be good. Then, if they want to pick through the blog post and argue with me, that could be fun, too.

 

THE LEAD: The story, “This is How a Child Dies of Measles,” by The Atlantic’s Elizabeth Bruenig has gained significant attention for the way in which it walks the readers through a child contracting the measles and eventually dying of it.

The problem? It’s fiction.

When I initially read Bruenig’s story, I was stunned: An Atlantic staff writer’s unvaccinated child had died of measles in the 2020s, and now she was writing about it? At the end of Bruenig’s piece, though, there’s an editor’s note: “This story is based on extensive reporting and interviews with physicians, including those who have cared directly for patients with measles.” That was the point when I sent a gift link to my mom group: “as far as I can tell this piece is fiction. What do we think about this choice? I am very conflicted!!!” My conflict stemmed from my concern that, though the piece was heavily researched, it was not a true story.

 

THE BACKGROUND: The story is written in second person and provides excruciatingly detailed information about everything from the way in which the illness can be passed among children, to the scene-setting elements of propping a kid up on a couch to watch “Bluey.”

Each paragraph provides the reader with a more and more desperate sense of inevitability in terms of “your” children suffering from to something we thought we had eradicated.

Given your son’s fever, runny nose, and evident discomfort, you feel a grim sense of resignation when his measles test comes back positive. You are, however, alarmed when you discover there’s nothing his doctors can do about it. Had he been seen by a doctor within 72 hours of his first exposure, they could have given him a prophylactic dose of the MMR vaccine to protect him from infection. But it’s too late for that now.

(SIDE NOTE: Few writing approaches are more jarring and risky than the use of second person. That’s true when it comes to simple things like, “UWO is hosting a blood drive and you should donate,” but even more so with big, complicated stories. 

I love Jay McInerney’s work from soup to nuts, but his novel “Bright Lights, Big City” is a massively painful read for me because “you” are the main character and “you” are doing stuff that, quite frankly, I can’t really imagine “me” doing, not the least of which is referring to a woman as “the sexual equivalent of fast food.”)

The finality of the piece is like one of those “Friday the 13th” movies: Just when you think this is all over, the terrifying specter rises again to finish off its victim:

For roughly eight years, you will believe that your family made it through this crisis without suffering a tragedy…

As the neurologist examines the results, she will note the presence of Radermecker complexes: periodic spikes in electrical activity that correlate with the muscle spasms that have become disruptive. She will order a test of his cerebrospinal fluid to confirm what she suspects: The measles never really left your son. Instead, the virus mutated and spread through the synapses between his brain cells, steadily damaging brain tissue long after he seemed to recover.

You will be sitting down in an exam room when the neurologist delivers the diagnosis of subacute sclerosing panencephalitis, a rare measles complication that leads to irreversible degeneration of the brain. There are treatments but no cure, the neurologist will tell you. She tells you that your son will continue to lose brain function as time passes, resulting in seizures, severe dementia, and, in a matter of two or three years, death.

After all that, you get kind of a semi-disclaimer that doesn’t exactly disabuse of you of the notion that this is real:

This story is based on extensive reporting and interviews with physicians, including those who have cared directly for patients with measles.

THE AUTHOR EXPLAINS: In a Q and A with the folks from the Nieman Lab, Bruenig walks through her approach to the topic and her decisions that led to the piece. She then makes kind of a sweeping statement about the greater good she feels she is doing with this fact-based fiction:

Owen: Where do you expect this piece to be shared and who do you expect to read it? Do you think people who choose not to vaccinate their kids will read it, and if so, how will they come across it? Have you heard any reactions from readers so far?

 

Bruenig: I have heard from several readers, one of whom had a heartbreaking experience with measles involving a family friend who died of the virus. People have been generally very encouraging! I have no doubt that there are a lot of people out there who are unhappy with the story or reject its premises, and they are entitled to their interpretations. I get it.
But my job is to report the truth about the world — and I use all kinds of literary, and narrative devices to do that. I do it because telling the truth is important in its own right, whether or not anyone finds it persuasive.

 

A FEW OF THE 932 REASONS THIS APPROACH WAS A BAD IDEA: First, let me say, I’m a huge fan of vaccines. Got all of mine, my kid got all of hers, my wife is a nurse who gets shot up like a dart board every year… This isn’t about the ethics or efficacy of vaccines, but rather the ethics and efficacy of this kind of journalism.

 

First Problem – Deception: Journalism is about fact-based reporting, which this piece has, but it’s also about providing information to the audience in an honest and trustworthy fashion. When we deceive the public, even if it’s for a good cause, we destroy the credibility we need to survive.

 

Bruenig says she’s reporting “the truth about the world,” which to me sounds both self-aggrandizing and disingenuous. She did rely on the facts as they related to the illness and she did draw from experts to understand how the illness works. However, and it bears repeating, WHAT SHE WROTE ABSOLUTELY DID NOT HAPPEN TO A KID IN THIS WAY.

 

This reminds me of when politicians would tell stories about “regular folk” who brought up dire concerns or who were traumatized by something specific. When journalists couldn’t find that “regular Joe Farmer” who lost everything thanks to a terrible government plan or that “regular Jane Business Owner” who had to give up her life savings to keep her staff paid, the politicians would always backtrack it and say it was an “amalgamation” of the stories they’d heard over the years.

 

In other words, they were lying, but hey… it’s the bigger picture that counts!

 

Then there’s this weird thing Chuck Schumer did, creating a fictional family based on the types of people he felt he represented:

 

 

I mean, yes, those kinds of people exist, and yes, those kinds of concerns are real, but again, you can’t just Frankenstein a bunch of pieces of people together and call it good.

Also, the supposed “disclaimer” doesn’t come right out and say, “This didn’t happen to one kid, but rather is a collection of all of the terrible stuff that can happen to an unvaccinated kid.” It’s almost like the author is trying to avoid accusations of writing fiction while doing as little as possible to make it clear that this literally did not happen.

When we are deceptive, we end up doing more harm than good. As I made the point in an earlier post, when my students read stories like “Jimmy’s World” and “A Rape on Campus,” they were angry, hurt, scared and otherwise emotionally wrought. When it came to light that Jimmy didn’t happen and that the attack on Jackie did not happen, they were really, really ticked off. They also felt less likely to trust the pieces they would read in the future.

As much as I prefer “non-denominational skepticism,” I definitely don’t want to prod it along with some borderline fraud.

Second Problem – Hyperbole: This comes back to the whole amalgamation of potential impacts issue, and how piling it all on to this one hypothetical kid is really overkill.

A number of the things she lists as symptoms of measles happen in many cases, ranging from the spots and fever to the cough and pain. However, when we get to the areas of pneumonia, we’re down to about 6 percent of all cases that end up here. Even more, the degenerative brain disorder that flares up years later happens to about 1 in 1,000 measles victims. In justifying the conclusion where “this is how your kid eventually dies,” Bruenig said:

I wanted to highlight this complication specifically because I sense that there’s widespread belief among anti-vax parents that since most healthy children will survive a measles infection, there are no important long-term consequences. But that’s simply not the case. Measles can seriously damage the body, and in rare and tragic cases, can result in death many years after the symptoms pass.

OK, but that’s a massive outlier for this disease and, again, that’s on top of the 83 other things that could or couldn’t happen that you saddled “your child” with in this story.

It would be like me stating, “I laid in the hospital, facing the grim specter of death. As the pain shot from my gallbladder, time ticked away in the day, each moment a chance I might die. Surgery, hours away, I pondered what would happen when my light was extinguished by an organ I’d long forgotten I had.”

Well, yes, I was in the hospital and yes, that gallbladder hurt like hellfire. And yes, if a person’s gallbladder ruptures, there is a chance the person goes septic and dies. However, that’s somewhere between 2 and 11 percent of all cases. I could make the argument that it was for the larger good that I painted this hyperbolic picture, hoping people will take gallbladder attacks seriously. However, I think most people would just say I was being a drama queen.

Third Problem – Laziness: I wholeheartedly believe in telling stories in journalism for the greater good of society. I also know there are an unfortunate number of children who have died after contracting measles. Telling a story about these deaths might inspire people to vaccinate, to change their minds about the severity of the illness or otherwise impact a broader discussion on the topic.

So, don’t be lazy. Go find an ACTUAL story of a measles death that happened to a REAL kid and tell that story.

Here’s one that even involves that rare illness that killed Bruenig’s hypothetical child:

That’s not to say you need to tell the story in this kind of staid news format. You can do more of the narrative work, using the parental recall, photos, medical records and expert interviews to paint a more vivid picture.

Strong interviews with the parents of a child can give you that emotional angst of anxiety, fear and despair. Spending time looking at photos can give you the “favorite blanket” and “watching Bluey” details that paint a picture in the readers’ minds. The experts can walk you through the files so you can describe in detail how each cough wracked the child with pain or how the fever created a mix of burning and chills that couldn’t be sated.

This takes a ton of work. You have to find a case where a kid died, you have to find parents willing to talk, you have to find experts who understand what happened to the kid and you have to spend time gathering granular-level elements through observation. Doing this also puts the reporter at risk of some significant emotional trauma, as they relive the death of a child in such a gut-wrenching way.

So, I can kind of see how it’s more appealing to just go to a handful of experts who can give you the clinical stuff and then just whip together a “Hypothetical ‘You’ Mom” character to tug at the emotional heartstrings of the readers, without fully acknowledging that’s what you did.

However, if you want the reward of the tough story, you really have to take the risks associated with the tough story. Doing it this way only codifies the certainty of people who don’t already believe you and undercuts your standing with people who do.

“He put himself in that situation:” The reason why people can justify the shooting death of Alex Pretti

In reading through the articles and posts related to Saturday’s shooting death of Alex Pretti in Minnesota, I forgot the most basic rule associated with the internet:

“Don’t read the comments.”

However, in digging into the comments and hopping amongst media bubbles, I found a few trends in terms of people who usually support the Second Amendment and the right to carry and how they squared the circle involving Pretti’s death:

  • Pretti was threatening the officers with a gun, and the officers had the right to defend themselves.
  • Pretti put himself in harm’s way as a purposeful instigator, thus leading to his untimely death.
  • Pretti had the right to carry and the right to record their actions, BUT when he chose to interfere with law enforcement, he forced the officers’ hand in terms of use of force.

(There are tons of other claims, including one weird-as-hell, AI-photo with Pretti wearing a female body suit made of tattoos and a set of curled horns, but this trio is among the most common.)

If you are asking the question right now of, “How in the hell can people believe this stuff, when we can all see the DAMNED VIDEO?” I have an answer that starts with some research I did about 20 years ago that reflected this dichotomy perfectly.

A few of the front pages that I still have from these two shooting deaths. I was the adviser for the Ball State Daily News in the early 2000s.

THE HISTORY: During my first year at Ball State University as the student media adviser for the Daily News, the campus had a number of students who died in some shocking ways. The two at the heart of this discussion are Michael McKinney and Karl Harford.

In November 2003, McKinney was  21-year-old student at BSU. He spent a Saturday night drinking with friends at some near-campus bars and had planned to stay at one of those friends’ homes, rather than driving home that night.

In his inebriated state, he went to the wrong home and banged on the back door to get let in. The home owner called 9-1-1 to report this person trying to force their way into her home and Ball State police officer Robert Duplain responded. Duplain was 24 years old and had been on the force for 7 months. He had not yet attended the Indiana Law Enforcement Academy when this incident occurred.

Duplain entered the fenced backyard of the home through the only access point and confronted McKinney, who attempted to flee. Duplain shot several times, hitting McKinney with four rounds and killing him.

Subsequent investigations found no wrong-doing on the part of Duplain, who returned to the force briefly before resigning.

Less than six months after that shooting, on March 6, 2004, 20-year-old Ball State student Karl Harford was found shot to death in his car, which was abandoned on the city’s east side.

Police investigations determined that Harford was at a campus party when he offered three individuals a ride home. Experts later stated that Harford had a blood alcohol content of 0.16, which would be twice the legal limit for driving and would have likely impaired his judgment. One of the men had a gun, which he used to force Harford to drive to an abandoned building. The three men forced Harford to his knees, robbed him of $2 and shot him to death. The trio then stuffed his body into the backseat of the car and fled.

Police eventually arrested Brandon Patterson, 18, Damien Blaine Sanders, 21, and a 14-year-old juvenile in connection with the killings. Patterson and Sanders had previous interactions with law enforcement that involved incidents of car theft and gun possession. Patterson pleaded guilty to a “robbery resulting in severe bodily injury” charge and was sentenced to 45 years in prison. Sanders pleaded guilty to robbery and murder and received 85 years. The 14-year-old was held for 15 months in a juvenile facility and subsequently released.

THE RESPONSES: The Daily News covered both shootings extensively and the online coverage drew readership that was disproportionately large in comparison to all other stories the paper had posted at that time. In addition, the comment sections under the stories for these pieces were extremely active.

Many of the responses to the McKinney story had people offering sympathy to Duplain as well as McKinney. People were saying things like, “Rest in Peace, Mikey,” but also things like, “I feel bad for that officer who has to live with this for the rest of his life.” Others noted how this was a “senseless tragedy.”

What I remember most, however, was the way in which a good number of posters were trying to hang some, if not all, of the blame on McKinney. People had commented that he was “way too drunk” and that “he put himself in that situation.” Some people speculated that he had something in his hand that could have been mistaken as a gun. Others noted that he “rushed” at Duplain, leaving the officer no choice but to fire his weapon.

Things kept getting uglier as time went on, with people saying negative things about McKinney and even how he was raised. I still remember one post that McKinney’s sister, Rosie, put on one of the stories, begging people to just stop this, as her parents were seeing all of these negative statements. The posters then turned on her.

In the case of Harford, the commenting was much more cut and dried. Harford was the victim and “those cold-blooded murderers should pay.” Rarely did any of the comments deviate from this pattern and the few that did were quickly shouted down by other posters.

THE STUDY: In all honesty, these shootings devastated the Ball State community, and I know my heart just bled for these families who lost these children. As is the case with most things, when I am in a state of difficulty, I tend to dig into the topic and do some writing (thanatology researchers call this “instrumental grieving), so I looked into doing a study. My buddy Pritch and I decided to look at why it was people reacted so differently to these killings via their online media posts.

I won’t bore you with the details of the study, but if you want to download it and read it, you can grab it here.

Sufficient to say, the statistical data bore out the general vibe we sensed: People in the Harford postings were much more dichotomous in where they placed sympathy (Harford, his family, his friends) and where they placed blame (Patterson, Sanders and the 14-year-old). Meanwhile, the sympathy and blame were much more spread in the case of the the McKinney posters who were much more willing to blame McKinney for his own demise while also feeling sympathy for Duplain.

The “why” came to us from two areas of research: Human cognitive processing and the way in which news stories (especially crime stories) tend to follow “scripts.”

The Harford situation fit a stereotypical news-as-script pattern to a T: White kid, trying to do a good thing, meets with criminal black element that is his undoing. Police find the evil-doers who are subsequently punished.

The McKinney situation doesn’t do that. McKinney was a white kid who got shot by a white cop. Nobody was arrested and nobody eventually was punished for it.

For the people reading this story, there was suddenly a cognitive disconnect: Good white people don’t get killed by white cops for no reason. Also, deaths like this need some form of resolution, in which blame and punishment are effectively assigned. This situation didn’t fit into the expected patterns of action, so people desperately sought SOMETHING the rationalize why this happened.

(NOTE: We couldn’t code for race, but a number of people did mention their own race in posts and it was almost entirely a white audience. We did see that amplification of  both the racial element between the situations as well as finding it easier to sympathize with Duplain as as well. We had a whole section on that, but any academic will tell you, a lot gets cut on the way to publication, thanks to anonymous reviewers.)

When something terrible happens and it doesn’t fit the patterns pre-established in people’s minds, they need to make sense of it and that usually means they bend reality to fit their assumptions:

O’Sullivan and Durso (1984) found that when information being processed ran counter to the established understanding of how a situation was supposed to unfold, individuals did not alter their perception of what should be happening. Instead, they attempted to cognitively reposition the new information to make it congruent with the prior script.

Goleman’s (1985) work also shows that when individuals are faced with an anxiety-provoking alteration to their standard scripts, they actively seek ways to block information or rationalize it in a manner that allows them to return to their comfort zone.

In short, people aren’t going to change their minds when something like this happens. They’re going to change reality to fit what they believe.

BACK TO PRETTI: In bringing this around full circle, a lot more of what people who want to rationalize Pretti’s death are saying starts to make sense. In this world view at least a few of these things are held as fact:

  • Law enforcement officers are the “good guys.”
  • People have a legal right to safely carry guns, as per the Second Amendment.
  • White people and U.S. citizens = good, Non-white and non-citizens = bad

So, when you have a white, citizen who is legally carrying a fire arm that gets killed by law enforcement officials, now what? The thinking has to start shifting the reality.

Just like McKinney, Pretti must have done something wrong to provoke the shooting.

Just like McKinney, Pretti shouldn’t have been there in the first place, so it’s really on him.

Just like Duplain, these officers clearly had to act defensively because they had a reasonable fear of what this individual might do.

The more I read the Pretti coverage, the more I found myself finding parallels to what happened with McKinney.

  • In both cases, stories trying to find “more dirt” on the victim hit the press: A recent story on Pretti said he had previously scuffled with the feds, leading to a broken rib. (DHS says it has no record of this.) A story after McKinney’s death said he had previous encounters with police, including one leading to a charge being filed against him. (That turned out to be a ticket he received for trying to steal a STOP sign for his room.)
  • In both cases, the families were pleading with people to stop smearing their kids. The NY Times presented this piece quoting those who knew Pretti, while I remember what Rosie McKinney went through in regard to the postings about her brother.
  • In both cases, the official narrative painted the shooters as having absolutely no choice but to respond in the way they did.

Even more, as evidence continues/continued to come out in cases like these, people continue to find ways to bend the reality to fit their narrative. For example, a preliminary DHS investigation did not state that Pretti “brandished” his weapon, directly conflicting with DHS Secretary Kristi Noem’s original statements. However, that hasn’t stopped people from pressing the point in comment sections that Pretti put himself in harm’s way or that the officers had no choice but to shoot.

Then, there are people like this guy at NewsMax who are stretching reality a little more.

This is why no matter which side of the issue continues to gain ground, there will still be people with a strong attachment to seeing things the way that best fits their prior beliefs. Expecting something different is to expect human nature to change.

Random Journalistic Thoughts After The Shooting Death of Alex Pretti

(The front page of the AP online story about the memorial to Alex Pretti, who was shot and killed in Minnesota on Saturday morning.)

One of the first things I tell student media practitioners whenever a major event hits is not to just be part of the noise. If you have something unique to say in a way that matters to your specific audience, do so. If not, you are just as likely to be subtracting from the sum of human knowledge as you are in adding to it.

The death of Alex Pretti on the frozen streets of Minnesota brings out in me so many more thoughts and emotions than I can honestly and fairly express right now, so I’m doing my best to follow the credo I outlined above. Please know it doesn’t mean I am not feeling what so many others have already said, written, shown or expressed.

What comes below are the bits and bites of my thoughts as a journalism professor, former media adviser and citizen of these United States that might be helpful to you in your classrooms and student newsrooms today as you discuss the killing and the coverage:

 

JOURNALISTS (OF ALL KIND) ARE MY HEROES: They say that journalism is the first draft of history, and the work these folks in Minnesota are doing is absolutely incredible, given the great personal risk people are apparently faced with at this point and time.

The television coverage has been both deep and restrained in terms of saying only what is known, but also not sugarcoating things. That this is so well done is doubly impressive given that it’s happening on a weekend.

When most media outlets hit the “weekend shift,” you end up with a lineup of a recent grad anchoring the desk, providing whatever the regular staff canned up on Friday along with a lite-brite on some Saturday Festival. Add that to an intern holding down the wire desk, some rando doing the weather and an overly excited 14-year-old doing sports, and it’s a recipe for disaster if something really big happens. The networks out there managed to “scramble the bombers” and get everyone doing big work in difficult circumstances and trying times.

In particular, KARE 11 has always been a top-flight news organization that demonstrated the ability to cover all of the things involving the Twin Cities and beyond, and this situation is no exception. Here’s the lineup of stories that KARE has covered since the shooting.

On the front lines has been Jana Shortal, an accomplished broadcast journalist with several decades on the job. She not only covered the scene, but then returned to the studio having been pepper-sprayed (or whatever the hell they’re using) while trying to comply with officers’ commands:

(SIDE NOTE: The woman in the middle is Lauren Leamanczyk, who is featured as one of the media pros in the “Dynamics of News Reporting and Writing” textbook. She’s also one of my former students, which is another mind-boggling part of this whole thing for me.)

I’m always a fan of student media and the folks at the Minnesota Daily also made sure these moments of history were captured to inform the present and remind the future of what has happened here. The photography, the stories, the videos and the relentless pursuit of information has been exceptionally impressive.

Above all else, the citizen journalists, who would likely count Pretti as one of their own, put their lives on the line to gather the videos that have showcased exactly what happened during this situations and others like it.

High-end media outlets like the Wall Street Journal have the capability to stitch together frames from a dozen or more videos to showcase exactly what happened here or in the shooting of Renee Good. However, they wouldn’t have those videos without the brave souls who availed themselves of their First Amendment rights at a time in which individual rights seem to be less and less inalienable.

 

DON’T BE AFRAID TO POKE A SOURCE: Just because a source is saying something, it doesn’t follow that they are making sense or answering a question. Far too often, we fall into the “get a quote” mode when it comes to doing our work, like we’re checking off a chore or picking up a dozen eggs at the grocery store. This is where the concept of active listening comes into play. If you are merely focused on getting the information from the source, and not really listening to that information in real time, you aren’t going to get what your audience needs.

Here is a perfect example of a journalist poking back at a source. Dana Bash had Border Patrol Commander-at-Large Gregory Bovino on air for a 20-minute interview, in which she was trying to get answers to a few basic questions regarding the shooting. Far too often, situations like this escalate like one of those stupid sports talking head shows, with two people screaming at each other. 

In this case, Bash was respectful and focused. She admitted missteps in her own language while still pushing Bovino to actually answer a question. Literally, any question:

She did make points that a) what Bovino was saying was not what she was seeing, b) she might not have been privy to the same type/volume of evidence Bovino had as a law-enforcement officer and c) she would be willing to accept Bovino’s statements if he could provide proof they were accurate.

This is the essence of journalism: Report, question, verify, disseminate.

 

CHECK YOUR SOURCES: In listening to the press conferences and press appearances of Bovino and U.S. Secretary of Homeland Security Kristi Noem, it is clear they have a common approach and shared vision of what happened in this shooting. That doesn’t mean they should be quoted with impunity. 

In the case of Bovino, his version of ICE and DHS situations has repeatedly been called into question by those who were present at certain events. In one case, a federal judge in a civil suit found that Bovino’s statements related to ICE actions in Chicago were “evasive” and “not credible,” adding Bovino was “outright lying” about his actions. In regard his comments regarding the Pretti situation, Bovino stated the presence of federal officers was related to a “violent, illegal alien” in the area, something that Minnesota’s Department of Corrections has strongly disputed.

Noem has frequently been accused of misrepresenting reality in terms of deportations and crime. The numbers related to how many people have been captured during her tenure, what crimes the have committed and how successful and welcomed ICE agents have been strongly contradicted through even some cursory reporting. Also, a civil court filing in this case includes testimony from two witnesses who dispute Bovino and Noem’s statements, including one deposition by the “woman in pink” who was literally feet away from Pretti during the shooting.

Saying a politician has lied is kind of a “Dog Bites Man” story, but in the case of both of these situations, it’s a bit more. If it’s any indication, Minnesota’s Department of Corrections felt these folks were so wrong so often, the DOC launched a website for the “combating of DHS misinformation.”

This is also a perfect point to remind everyone why “said” is my best friend. I don’t know what these two people think, believe or know about this situation, nor would I feel comfortable stating the things they have said as unattributed facts. However, putting out there that Noem or Bovino “said” certain things and letting my audience compare that to their own reality is exactly why I cherish attributions with “said” on them.

 

DEALING WITH LANGUAGE CHOICES: The way in which people are trying to frame this situation comes down a lot to the language choices we’re seeing out there. This is also why parroting a source (in non-quote format) is a bad idea.

Bovino referred to Pretti as the “suspect” in the situation, a term that implies someone sought for a crime and isn’t usually used to refer to someone shot multiple times on the ground by law enforcement officials. When Bash referred to Pretti as a “victim,” Bovino attempted to invert that term to apply to the border patrol officers, who he deemed “victims” of whatever he thought Pretti was doing.

Language coming out of the administration has included the term “illegal” and “alien” to refer to the individual the officers sought that day, which, again, paints a picture different from terms like “migrants” or “immigrants.”

Whatever terms you choose to use in situations like this, you’re going to be shaping how people look at a situation, so you want to both follow AP style when applicable and also make sure you are remaining neutral

Beyond that, you want to make sure your terms are correct. For example, I’ve read stories that refer to the federal law enforcement officers as “ICE” and “Border Patrol.” Officers in these groups are both housed under the U.S. Department of Homeland Security, but the terms that describe them are not interchangeable. A good primer on who does what and how they differ can be found here.

A number of opinion pieces, social media posts and so forth have referred to the shooting death of Pretti with a variety of terms, including “assassination,” “execution” and “murder.” Each of these terms is defined specifically, both in law and in journalistic style, so no matter how you feel about what happened, you need to take care in using these terms.

Here’s AP’s version of what’s what:

If we consider AP style our rule book, we need to follow the rules, even when we don’t like them.

Finally with language, there is something to be said about how people say things so that something can be factually accurate while also being deliberately misleading. Here’s an example of a statement from Noem’s press conference:

“An individual approached U.S. Border Patrol officers with a 9mm semi-automatic handgun.”

There are two facts in that sentence that are accurate, at least to a reasonable degree:

  • Pretti, the “individual,” approached a scene with U.S. Border Patrol officers at it.
  • Pretti was armed with a 9mm semi-automatic handgun.

However, putting them together in this way could lead a reasonable person to think that Pretti approached a group of officers with his gun present in a way that threatened the officers. Noem later used the term “brandished” the gun, although every attempt to get Bovino to provide proof of such a thing led to a dead end.

The point here is why we don’t a) take things people say at face value without proving them for ourselves and b) don’t extrapolate beyond what people tell us. I often tell students that if a police officer says something like “alcohol was believed to be a factor in the crash” or “the driver was operating while under the influence,” you don’t want to say the person was a “drunk driver” as those are two different things. The driver might not have been legally drunk or the driver might have been baked out of their mind on weed.

 

NOBODY KNOWS NOTHING: I keep going back to that saying because I remember how reporting on crimes and disasters was always a random lottery of “will I have to write a correction tomorrow?” moments. As much effort as journalists put into getting things right, nobody really has any idea of what we will find out as this continues to unfold. It also doesn’t help now that anyone with a phone and an internet connection can say anything they want with absolute certainty, regardless of its veracity, and we all get to hear it.

“Nobody knows nothing” has always been true, as new witnesses could emerge, more video could show up, interviews with the agents have yet to be completed and more. Hell, we’re still trying to figure out if Babe Ruth really called his shot in the World Series almost 100 years later, so I have no doubt that things are going to evolve here.

I also have no doubt that various groups involved in any situation have their own motives for releasing or withholding information from the public. To that end, a lot of what we learn will be based less on the totality of information, but rather the totality of AVAILABLE information.

This is why we need reporters, not stenographers, in the media today. Good journalists will always find a way to pry loose a fact, debunk a statement filled with “bovine excrement” or get a source to finally explain what’s what. When they do, we all tend to be better for it.

Four Questions To Help Journalism Professors Rethink Finals

I’m sure it really feels like this when taking the exams in some courses, particularly when you forget that just because you didn’t show up for 21 class periods, it doesn’t mean we didn’t talk about anything that day… 

Whoever said this is the “most wonderful time of the year” clearly wasn’t a college student or professor. As the winter semester comes to a crashing conclusion, papers come flying in at the last minute, pleas for extensions clog email in-boxes and exam cheating operations make James Bond plots look simplistic by comparison.

If you could bottle the tension and stress in your average college at this point in the term, you could power every car Elon ever built for the rest of time.

Finals week always bothered me for a number of reasons, which I explained to a student last week:

“Essentially, each class you take is choosing the exact same time to have you complete one of the most difficult and comprehensive parts of the class, thus spreading you incredibly thin and almost guaranteeing you won’t be capable of putting forth your best effort. In addition, each of these parts carry with them an extremely high percentage of your grade, all at a time in which you have the least amount of time or motivation to complete them. Oh, and it’s highly likely you’re either sick or getting sick and you have everyone on earth asking you to tell them when they can expect to see you for the holidays.”

I get that comprehensive finals in a single time period is a tradition, but then again so was throwing a virgin into a volcano for a while. I also understand that these kinds of exams are crucial for certain fields, like nursing. The last thing you want is to be assigned a nurse who tells you, “Oh, yeah, I bombed the final on passing medication to patients, but it was only 10 percent of my grade and I made up for it with some extra discussion points. Now, which of these little blue thingies am I supposed to give you?”

That said, in journalism and other media-related fields, we aren’t in a life-or-death situation and I often wonder why we feel it necessary to back load courses with these monstrous projects, papers and exams. As a result, many years ago, I shifted a few things around when it came to finals in an attempt to address some of the flaws in the system I listed above.

Here are a few questions that led me to certain choices I made, especially in regard to my media writing and reporting courses. I don’t know if they’ll change anyone else’s mind but I’d like to think they’re worth pondering:

 

Should it be a paper, a project or a test? Ask 100 students what they prefer for a final assessment of their work and you’ll get a wide array of answers. Professors tend to break things down into final papers, final projects or final exams, each of which can be dialed in based on the type of class they are teaching and to what degree each method best assesses learning.

And of course there are those of us who do whatever requires us to do the least amount of grading while we’re grading 112,001 other things at that point in the semester.

There are a number of reasons to reconsider whatever it is we’re doing for this grand finale. Term papers used to be a bulwark against cheating on tests, but with AI, that’s no longer the case.

Exams used to give professors more control, but with the broad range of special accommodations available to students, it can feel more variable than ever.

Group projects always seem like a good idea, until the whole process feels like trying to herd cats and there always ends up being one kid who basically has to “LeBron” the whole thing to get it over the finish line.

Given all of this, it’s a pretty good idea to do a few pro/con lists on these options.

 

Does this need to be cumulative? In a lot of cases, tests do need to be a full recounting of the entire semester. However, not every class has that need, and to make a test cumulative actually draws attention away from whatever you were doing in the second half or final third of the course (depending on if you do midterm and final or five-week, 10-week, final exams).

In my media-writing classes, we don’t do cumulative exams, per se, in that if they ask for multiple choice questions, they don’t have to cover the entire pile of content we discussed. Obviously, there is some level of “culmination” going on, in that when they’re writing, it takes into account all the things we learned about writing. I can’t have a kid writing sentences without a verb in them because, “Well, we covered verbs in the first half of class and you said this wasn’t cumulative.”

 

How much should this be worth? When I was an undergrad many years ago, I took a class I absolutely loved on Greek mythology. The professor was engaging, the TAs were great and I still have the text packets in my house somewhere to this day.

What I didn’t love was the final, as it was somewhere in the range of 50-60 percent of the course grade and it was insane. The guy brought in 100 slides for a slide projector and each slide contained a piece of pottery, a sculpture or a mural that depicted some aspect of Greek myth. We had to write a short block of text for each one that identified and explained each myth.

About 100 slides, 120 minutes and several blue books later, I realized that I could itch my right elbow with my right hand, thanks to the massive writing cramps I had just experienced.

To this day, I still see almost no point in doing this to a group of students. A class that covered 16 weeks basically came down to a two-hour block of time for no real reason. Also, the professor had people scouting the place like Secret Service agents, seeking out potential cheaters because so much of the grade relied on this one element.

So there were three inherent problems associated with this approach:

  1. Students could either save or kill their grade with one “Hail Mary” throw to the heavens.
  2. The incentive to cheat was magnified because this thing was worth so much of the grade.
  3. Nothing I was asked to do in that exam proved anything, other than I could write with my hand in excruciating pain.

Once I became a professor, I identified another problem: Me.

For starters, I realized as much as the kids weren’t on their game, thanks to the deluge of work they were facing, neither was I. After digging through a massive mound of exams or papers or whatever, I found that after 85 kids did a specific stupid thing, I was really likely to take out my frustration on the 86th kid who did it as well.

I might have been sharp on the first couple dozen papers while spotting AP errors, but some tired eyes might let a few compound modifier issues slip later. Maybe a spelling issue slipped by on the first couple, but I figured it out later and thus there was an imbalance of fairness.

All of this led me to decide having a mega-final wasn’t really a great idea, so I started cutting back on the percentage of the course value any final project was worth. It made it easier on the kids, who could then dedicate more time to other finals that were significantly overvalued. It also made it easier on me, so that I didn’t feel like I was disarming a bomb with every point I was deducting or adding.

 

What’s the value in the exercise? I have found over the years that students will dislike a lot of things I do. It’s the nature of the beast, particularly when I’m teaching media writing to people who either a) hate writing and don’t want to do it or b) have always been told they are god-like in their writing, only to find out that they aren’t.

Still, in spite of all of the complaints, I’ve rarely gotten students saying what I had them do was unfair or pointless. I’d like to think the reason for that is because I make sure to tell them the point of what they’re doing as they’re doing it.

My reporting kids have called my midterm “The Midterm from Hell,” but they all seem to survive it and they learn something. In this case, they learn how to operate under tight deadline constraints, work around unforeseen problems and generally that journalism is never done, it’s just due. They aren’t thrilled, but they get it.

One of the PR classes I took over had a group project built into it and I thought about scrapping it due to issues of fairness. (Read: I was always the kid who had to “LeBron” the thing at the last minute because I wasn’t going to lose my grade because Beavis McGee decided he wanted to repeatedly clear a six-foot bong  this weekend instead of writing up his part of the project.)

However, in talking to the professor of the class, she explained that group-based work (particularly when forced to work with people you don’t agree with) in PR was crucial to being a functional member of an agency. So, I kept it and explained that to the kids. It seems to have worked, as there was less grumbling than I would have expected.

I tend to think that everything I do in class has a purpose, which is why I hold myself to the standard that I need to tell a student why something is valuable if they ask why they need to do it. If I can’t fully explain why I’m doing what I’m doing, I can’t expect buy in from the students at any level. At that point, it just feels like I’m a kid chasing ants around with a magnifying glass on a sunny day.

So, in the case of an exam, what’s the point? Do I want them memorizing things so they can recite them on the spot? If so, why is that important? Do I want them analyzing a social media post for errors. If so, what can they do with that later in their school or professional careers? Do I want them writing under deadline pressure? If so, how will this improve them as they prepare for life outside of school?

A final exam, paper or project needs to have that “This matters because…” explanation or the whole thing is likely doomed from the start.

 

I’d love to hear what your thoughts are on this or if you have a strategy for finals that goes a different way. Feel free to post in the comments below.

Tell me how to help people with money I might not actually get: A look at the Anthropic AI lawsuit and its $1.5 billion settlement

As if this semester hasn’t been weird enough, I got this email from a colleague on Monday:

In case you hadn’t seen this, Anthropic is being sued for copyright infringement.  Two of your books were swept up by them, and you are entitled to file a claim for damages: https://www.anthropiccopyrightsettlement.com/ 

 

Abiding by the “if your mother says she loves you, go check it out rule,”  I did a search on the site and found that he was right.

I’m honored that someone considers my work worthy of theft…

It’s Doctor of Paper 2, AI Pirates 0, apparently:

In one of the largest copyright settlements involving generative artificial intelligence, Anthropic AI, a leading company in the generative AI space, has agreed to pay $1.5 billion to settle a copyright infringement lawsuit brought by a group of authors.

<SNIP>

The settlement, which U.S. Senior District Judge William Alsup in San Francisco will consider approving next week, is in a case that involved the first substantive decision on how fair use applies to generative AI systems. It also suggests an inflection point in the ongoing legal fights between the creative industries and the AI companies accused of illegally using artistic works to train the large language models that underpin their widely-used AI systems.

 

BACKGROUND: Anthropic trained its AI using a ton of content, including a boatload of books and other copyrighted material. In the case of things that were open to the public or properly purchased, this was apparently fine, based on the “fair use” doctrine associated with copyright.

The argument the lawyers for Anthropic made was that the training of AI on these books was a transformative effort, meaning that the books themselves were changed into something else entirely through this process. Transformative acts have often been protected as fair use for years and it’s why Google could digitize books as part of a search-engine service and Andy Warhol could present Campbell’s soup cans to the world.

(It’s also why Roy Orbison is likely spinning in his grave over 2 Live Crew’s version of “Oh, Pretty Woman” or why we get thumbnail images before clicking on a link to visit “Perfect 10” magazine, so maybe it hasn’t always been the greatest of things… )

That worked for a lot of the content they fed the AI beast, but unfortunately some of the stuff they fed it came from sites that pirated copies of texts:

(The judge) also found that Anthropic had illegally acquired millions of books through online libraries like Library Genesis and Pirate Library Mirror that many tech companies have used to supplement the huge amounts of digital text needed to train A.I. technologies. When Anthropic downloaded these libraries, the judge ruled, its executives knew they contained pirated books.

Anthropic could have purchased the books from many sellers, the judge said, but instead preferred to “steal” them to avoid what the company’s chief executive, Dario Amodei, called “legal/practice/business slog” in court documents. Companies and individuals who willfully infringe on copyright can face significantly higher damages — up to $150,000 per work — than those who are not aware they are breaking the law.

 

If this dude thought getting the books the legal way was a “slog,” he should try writing a book once…

In any case, I reached out to Sage and they are on this, noting I should be getting a letter or email from them to explain what to do and how to fill out a claim form. News stories noted that authors could get up to $3,000 per text, but I’m pretty darned certain there’s no way I’m getting that.

Sage is really the aggrieved party in this, given that the folks there put in the “slog” to get this book built, shipped, marketed and in the stores in time for the Christmas rush. There’s a mention of royalty percentages, so I might get like 5-10% or whatever of whatever the actual amount is. Then again, I might get nothing.

That said, let’s do the thing we all do when we buy that Mega-Millions ticket: Plan to spend money we might never get…

FUN WITH MONEY: As I noted on the “About” page, comedian John Oliver is my spirit guide in everything I do here. One of the things I love most about “Last Week Tonight” is when Oliver does something incredibly weird to sponsor something he finds particularly important.

It’s why he bought Russell Crowe’s leather jockstrap from the movie “Cinderella Man” and stationed it in one of the last remaining Blockbuster Video stores in the country. It’s why he wrote a book about Vice President Mike Pence’s pet rabbit (Marlon Bundo) and turned it into a fundraiser for the Trevor Project and AIDS United. He even managed to buy the website “John Oliver’s Junk” and use it for an auction that raised more than $1.5 million to support public broadcasting.

I’m sure I lack that kind of star power and I might end up getting $50 and a ham sandwich out of this, at best. Still, not for nothing, but Oliver’s weird fundraising efforts got a Koala Chlamydia Ward named after him, so let’s reach for the stars on this one…

Here’s the deal: Whatever I get, I’ll see if Sage would be willing to match it. Then, whatever we scrape together, we’re gonna do something with it that you think is fun, weird, good or all three and more.

Either post below or use the contact form on the website to tell me what you want me to do with my pirate’s booty, whatever of that I actually get.

A few thoughts came to mind already:

Honestly, it could be anything, or nothing if we get shut out. The point is, let’s plan to do something to commemorate this one time where the words “Vince Filak” and “lawsuit” is a cause for celebration, as we make a point to help someone or something important in a random and oblique way.

Thanks for reading as always.

Vince (a.k.a. The Doctor of Paper)

If you can make an easy decision and not feel torn about it, you really didn’t have an ethical dilemma (A Throwback Post)

Around this time of year, we tend to cover ethics in a few of my classes. Granted, we talk about the importance of ethics all year in various ways, but this is when we hunker down and say, “OK. Let’s really dig into this.”

One assignment I’d given for years involved a scenario in which you are a reporter at your college newspaper and you get leaked some documents about an arrest earlier in the year. The football team’s star running back was picked up for driving under the influence and a search of the car found illegal marijuana (I’ve been doing this for so long now, I have to qualify that this weed is illegal…).

You know the documents are legit, so you go through the process of calling sources. The player pleads with you, the coach threatens you and basically you have a story if you want one. The editor leaves it up to you.

The variety of answers of what they would do always amazes me. The one thing at least one student tries to do is “split the baby,” even though it’s stated this can’t be done: You either run it or you don’t in what is the last publication before winter break. They always seem to think there’s a way to finesse the situation so they don’t have to make a hard choice.

Others make a stand that says the people have the right to know, while even more sympathize with the athlete, seeing themselves as college students with potentially problematic pasts that run parallel to this kid. The one answer that always bothers me is the decision not to run it because “It might hurt our football program.” They essentially see themselves as part of the “football tribe” more than the “journalist tribe” in all of this.

Still, it’s fun watching them come to grips with various ways of seeing a situation when it’s more about “should or shouldn’t” than “can or can’t.” To that end, here’s a throwback post that outlines an ethics assignment that turned out even better than the one noted above, although I don’t know if you can replicate it.

Enjoy.

 

The Accidentally Awesome Ethics Assignment

Trying to make ethics real to students isn’t always easy. Fictional scenarios only go so far, as students can be unrealistically brave (“I’d tell my editor to kiss my grits and I’d quit!”) or fall into “Lebowski mode.”

In my freelance class, we talked about the various elements of ethics (honesty, integrity etc.) as well as some of the crucial aspects of what makes life a little different for freelancers (You only eat what you kill. You might have differing standards for different editors. etc.)

That said, I think I accidentally bumped into one of the more engaging assignments of the entire class. Here’s the story:

I have no attendance policy for the freelancing class, other than to say, “If you skip class, you’re losing out on whatever important thing we’re doing that day.” I figure, hell, they’re paying for the class through their tuition. If they want to treat my class like that Planet Fitness membership they haven’t cancelled over the past six years, despite never actually going to Planet Fitness, well, fine by me.

Only half of the students dragged themselves to the 8 a.m. class in the bitter cold on the day we had the ethics lecture. After we mulled the ethics of ethics and so forth, I asked them to consider the following:

“How would you feel ethically if I decided to just give you 100 percent on the third (final) story you have for this class because you showed up today?” In other words, I waive the assignment, you get the points. It’s like you showed up and you got a free cookie for doing so.

It was like pulling teeth to get them to discuss it at first. Some were happy to take it, others said, “Well, I’d feel a little guilty, but…” Eventually, they kind of settled in with the, “Gee, I don’t know but it sounds nice in theory” outcome.

So, I told them, “I’m going to leave the room. You have 15 minutes to come to a conclusion on if this should happen or not for real. If you don’t all agree, nothing happens. If you all agree on getting the freebie, it will happen. Go for it.”

As I sat in my office, I could hear the arguing, the overlapping voices and the frequent of yelling of “YEAH, BUT, WAIT…” After the 15 minutes, the appointed spokesperson of the group tossed open the door and yelled, “UNNNNGGHHH! FILAK! WE’RE READY!”

They explained that they were going to take the freebie and why they thought it was OK. Some justified it as they were always there and other people tended to skip a lot. (“One of the people not here just Snapchatted me a picture of themself in bed, so I don’t feel bad at all about this…” one student noted.)

Some said they figure life is a lot of luck of the draw, so they just got the lucky draw. Others said the benefit didn’t technically hurt anyone, as it wasn’t like the people who DIDN’T get the free pass had to do MORE than they would have otherwise.

I then said that they had really touched on all the areas except for one that seemed a little obvious. I asked a student if she had covered a vintage clothing event she was paid to do as a freelancer. When she said she did, I asked, “So, what if, after you published this piece, the person who organized the event came up to you and thanked you for such a nice story and gave you a $100 gift certificate to her vintage clothing store? Is that OK? I mean, you’re getting a benefit for something you would have done anyway, right?”

The student just stared at me. The young lady next to her said, “I think I want to change my vote.”

Then one kid asked me, “Is this real? I mean… some of us weren’t really sure that you meant it.”

“No,” I said. “This is real. You get the freebie.”

“My stomach kind of hurts,” another kid said. “This just feels weird now.”

I dismissed the class and they kept talking about it as they walked down the hall, some arguing while others trying to reassure themselves this was fine.

I hadn’t planned this at all, nor did I really think of how it would pan out, but here are a couple things this exercise ended up emphasizing:

REAL LIFE ETHICS ARE HARD: In life, there are a number of decisions I’ve made that I look back on and think, “What if I’d gone the other way?” Almost all of them are ones in which ethics are deeply ingrained.

I’ve never been a fan of debating ethics in a classroom setting because it feels like a false front to me. It’s the same reason I have trouble teaching crime reporting in a classroom: I could do a fake press conference about a fatal accident or have kids “role play” a terrible scenario, but in the end, it’s not real. While ethical debates give the students some things to consider, the impact isn’t there.

The thing that made this situation hard for them was that there were real consequences. They got something for free, which they likely felt they didn’t earn. It was an all-or-nothing situation, which I have found many students don’t like, as they prefer to hedge their bets as opposed to putting it all on 23 Red and spinning the wheel. It was something they really wanted, but they also felt guilty about their good fortune when compared to that of their missing colleagues. Which leads to point two…

GUILT IS A BITCH: One of my favorite discussions ever happened during the weekend I got married. My best man, Adam, came from a traditional Jewish family, while I and the rest of my kin were mostly in the Catholic realm. During the downtime before the wedding, Adam sidled up to me and said, “You’re on to something about Catholic guilt.”

Over the years, we’d had these great debates over whose faith had the bigger slice of the guilt pie. He argued that the stereotypical “Jewish mother” guilt was both real and unrelenting when it came from people within one’s family, while I argued that the less-direct Catholic guilt was like the smell generated from one of those plug-in oil things: It is everywhere and it just hangs there all around you.

In the end, we kind of came to the agreement that this was like arguing Hank Aaron vs. Willie Mays or Mickey Mantle vs. Joe DiMaggio: It all depends on how you slice the argument, but both are more than worthy of greatness.  Guilt, be it Catholic guilt, Jewish guilt or other similar guilt is really a pain.

The situation in class drove that home for me. These kids were literally getting stomach aches and headaches as they tried to wrap their brains around the idea of what was being offered and if they should take it. The emotion most of them came back to was one of guilt.

I’m not saying that’s good or bad, although guilt has led me to both good and mediocre decisions in life, but to have so many people from so many different backgrounds have their mental state coalesce around one emotion really says something.

THERE IS NO GOOD DECISION: One of the things I tell students a lot is that if you end up dealing with an ethical dilemma and you feel perfect at the end of your decision-making process, you really didn’t have an ethical dilemma. Dealing with these kinds of things in journalism is a lot like this scene from “Argo:”

There can be situations where you feel better or worse about the choices and the outcomes, but at the end of the day, you really don’t get to feel like everything is perfect. The key is to learn from each situation and make better bad decisions as you move forward.

Damaging Daniels: Do ethics matter any more in showing gruesome visuals? (A throwback post)

The Washington football franchise seems to have the worst luck with the worst injuries for its best quarterbacks. On Sunday night, Jayden Daniels became the latest casualty in the “gruesome” category when a Seahawk defender fell on his left arm and bent it back about 90 degrees the wrong way.

(If you haven’t seen it, you can watch it here.)

It was clear he was in significant pain at first, but it was unclear why, as it seemed to me that it might be a leg injury, given how he fell and how his lower body was posed. Only after a replay did the arm issue become apparent, with an official report calling it a dislocated elbow.

However, that wasn’t the only replay we saw. It seemed like they kept playing it over and over, to the point I woke up the dog when I instinctively screamed, “For the love of God! STOP SHOWING THIS!”

This brought me back to thinking about another similar injury and a post about the ethics of showing stuff like this on TV. However, I’m wondering about the relevance of this kind of discussion these days.

As I’ve frequently told my students, not everyone in the media game plays by the same basic set of rules anymore. The democratization of content collection and dissemination has really changed the way in which we deal with things like this as professionals and as viewers.

In 1987, Budd Dwyer, a public official convicted of bribery, called a press conference the day before he was to be sent to prison and killed himself while some stations carried the event live. Footage of the event exists online, but not of that moment itself.

(I remember using a textbook that showed two photos of Dwyer that we were to debate using for a newspaper’s front page: One with Dwyer holding the gun in both hands, the other with the barrel of the revolver in his mouth. That still messes with me…)

Flash forward almost 40 years and the moment Charlie Kirk was killed, dozens of videos popped up with the entirety of his final moments. Some people added slow motion, while others did zooms. Some even had some sort of sound track of sorts on there. I’m not linking to any of them, but I’m sure you can find them if you want.

That might be the bigger concern: Even as some came down, more went up. The reason was both the cash-grabbing click-baiting end of the deal, along with the basic prurient interests that many people apparently had for seeing a man literally die in front of us.

Thus, the chicken-or-the-egg thing: Is it that we now have more access to more content that allows us to see things, so we go see them? Or is it that we always wanted to see these things and we now have people who are more capable of providing them?

In either case, this throwback post might help spark a discussion or two about how we handle things as professional media folk and what that might mean going forward.

 

Breaking Dak: The ethics of broadcasting injuries in sports

TRIGGER WARNING: There are some graphic videos here of traumatic injuries. Watch at your own discretion. -VFF

—

The outcome of the Dallas Cowboys/New York Giants game Sunday was completely overshadowed by an injury to quarterback Dak Prescott, who sustained a compound fracture and dislocation of his right ankle.

Prescott was scrambling for a first down when his body went one way and a sizeable portion of his lower leg went the other way.

(Here is the video if you want to see it. If you don’t want to watch this, I don’t blame you. My wife, Amy, a nurse who loves to talk about brain surgery over dinner and is an avid watcher of “Doctor Pimple Popper,” was really disturbed when she saw this.)

Tony Romo, who was in the booth doing color commentary for CBS, immediately realized something was horrible, proclaiming, “Oh no… Oh NO!” As a former QB, Romo has been on the turf for Dallas a few times with severe injuries. However, he seemed to almost want to magically wish this one away by saying, “You almost gotta hope it’s a cramp right there…” After about three replays, he knew that wasn’t the case.

As fascinating as this was, much like other things that are odd, chaotic and disturbing, I found myself watching it a few times and yet hating that I could see what had happened.

When it comes to gruesome sports injuries, the question for journalists is, “What is enough coverage?” The answer seems to vary from situation to situation and announcer to announcer.

Take the case of Clint Malarchuk, a goalie for the Buffalo Sabres, who caught a skate to the neck in a 1989 game against the St. Louis Blues. The gash sliced open his jugular vein and slashed through his carotid artery. If not for the presence of Sabres’ athletic trainer Jim Pizzutelli, a former US Army combat medic who served in the Vietnam War, Malarchuk would have likely died that night. 

As blood began hitting the ice, the announcers immediately implored the camera operator to stop showing the injury. Malarchuk actually skated off the ice after he received assistance from Pizzutelli and that was the only other shot of him. No replays, no slow-motion blood gushing. After that, the camera stayed in a distance shot of the ice until everything was cleaned up and play was ready to resume.

Contrast that with the case of former Raiders running back Napoleon McCallum, who sustained a career-ending knee injury on Monday Night Football at the start of the 1994 season. Ken Norton of the San Francisco 49ers hit McCallum low when he crashed into the pile, but McCallum’s cleat stuck in the turf, forcing his knee to buckle backwards at an almost completely right angle.

I remember watching this game on TV and the announcers kept showing it over and over and over again, going in slow motion to show each frame worth of knee distortion. Each time they did it, it was accompanied by an announcer saying, “Oh… You hate to see that” or “You might not want to watch this…” And yet, they kept showing it.

Perhaps the most famous Monday Night Football injury involved Washington Football quarterback Joe Theismann, who saw his career end on the field. Linebacker Lawrence Taylor, who made a career out of having no regard for his own body or that of quarterbacks, snapped Theismann’s leg in half. Immediately, Taylor popped up and started waving for the trainer as he held his head in his hands in disbelief.

As the officials tried to figure out what to do about this mangled man, ABC kept looking for the best possible angle to figure out what had happened, finally finding a reverse angle that will never leave your head if you see it once. To its credit, once ABC got there, the station didn’t show it again.

So, the question remains, “How much is too much?”

There might be an official code that outlines this, but I’m having difficulty finding one. Thus, what you see below is kind of a patchwork of various codes that could provide some guidance:

The Radio Television Digital News Association (RTDNA), which deals primarily with broadcast journalism, has a section in its ethical code about accountability  that touches somewhat on this:

Journalism provides enormous benefits to self-governing societies. In the process,it can create inconvenience, discomfort and even distress. Minimizing harm, particularly to vulnerable individuals, should be a consideration in every editorial and ethical decision.

(A similar approach came in this voluntary code of digital broadcasters, which seems to have come from the National Association of Broadcasters.)

The Football Writers Association of America, which deals more with college sports coverage,  lists of elements within its code of ethics to deal with issues happening on the field. Under “Minimize Harm,” it notes the following elements:

  • Show compassion for those who may be affected adversely by news coverage. Use special sensitivity with children or inexperienced sources or subjects.
  • Be sensitive when seeking or using photographs of those affected by tragedy or grief.
  • Recognize that gathering and reporting information may cause harm or discomfort. Pursuit of the news is not a license for arrogance.

(For reasons past my understanding, I can’t find the code of ethics for the pro version of these folks. Maybe it’s buried in the “members only” section.)

In contrast, the Society of Professional Journalists, digs into the ethics of the field at length in its code. Along with the minimize harm stuff that was in the other codes, here was an interesting add:

Avoid pandering to lurid curiosity, even if others do.

Obviously “pandering” and “lurid” are in the eye of the beholder, but it does provide the “If your friends all jumped off a bridge, would you?” line of logic on this one.
I always go back to the line I remember hearing at the State Journal, where we employed “The Breakfast Test.” If someone were picking up our paper and reading it over breakfast, would the images (or in some cases EXTREMELY vivid writing) make that person puke in their Cheerios?
 

And, yet, again, this is variable in a lot of ways. Papers up by us have no problem running photos of people who have “cleaned” deer and pose next to the gutted, skinned carcasses hanging from trees. The hunting community is used to that. For a lot of other folks, that’s going to be a breakfast showstopper.

In any case, the unfortunate answer to the question, “How much is too much?” when it comes this kind of coverage is like most ethical or “taste” situations: It depends.

The audience you serve, the expectations they have, the previous things you’ve shown them with or without problem and more come into this. However, even if you don’t have a concrete answer, it helps to discuss this to find ways to understand what to do when you find yourself in a situation like this. The more you can gain collective knowledge in advance, the better prepared you will be to make your choice.

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