Hostile Takeover: The Indiana University Media School’s plan to converge student media and why the students hate it (Part IV)

(EDITOR’S NOTE: This is the final part of a multi-part series on the decision of the IU Media School to unilaterally converge its student media outlets, the Indiana Daily Student, WIUX and Indiana University Student Television. Part of the plan calls for the elimination of the final print edition of the IDS, something upsetting to the students.

If you want to help the students keep their print paper, they have listed this link as a way to do this: https://forms.gle/cisJyhvAxuQbC4co7.

If you want to tell Dean David Tolchinsky what you think about this situation, you can email him here: mschdean@iu.edu

In case you missed them, here are Part I, Part II and Part III.)


Dynamics of Writing has obtained this exclusive footage of the IU Media School announcing and attempting to implement its plan to converge student media without consulting the student media outlets.

One of the questions I had for Dean David Tolchinsky involved the mechanism by which the Media School could impose this plan. The radio station and the TV station both have club status at the university, meaning they get housed under a department or college. They can also beholden to whoever holds their FCC license and their status makes them unable to earn revenue in the way a student newspaper can.

In short, someone else holds the leash on these media outlets and the staff knows it.

“They just expect us to change,  but none of them are brave enough to be like, ‘You need to have the IDS on your NewsHour,’ or ‘You guys need to do music on the TV station,’ or ‘You need to do this,'” Trevor Emery, the president of WIUX radio, said. “And while they do have a point (that) it is quite wasteful and confusing when everyone has their own equipment and everyone has to move money differently for that, that’s not a problem that we have any control over.”

But does the Media School have control over the fate of the IDS?

“We’ve kind of been wondering that as well,” IDS co-Editor-in-Chief Marissa Meador said in a recent interview. “We aren’t even sure what authority they have to make that decision. Our organization, it has a charter that was developed by the Board of Trustees, and so I could understand the Board of Trustees potentially having the authority to do this, but the media school, I’m not completely sure how that happens… We are asking those questions as well, and haven’t gotten an answer so far.”

Several media reports have referred to the IDS Charter as the controlling document. The charter refers to the board of trustees approving the agreement and the dean of the school appointing the director of student media in consultation with the faculty. Aside from that, it’s difficult to see who is in charge of what outside of the IDS ecosystem.

The IDS doesn’t receive funds from the university. In fact, it is required to pay some sort of financial tithing that a previous president created, so it’s basically paying rent. It pays its full-time professional staff both salary and benefits. (Tolchinsky mentioned something about the Media School chipping in on bennies in one of his letters, but the students assured me that the paper is on the hook for the brunt of the bill.) The IDS also covers student wages, equipment purchases and travel costs.

I could imagine the Media School could claim some sort of investment in the place, having helped clear the $1 million debt the IDS had on the books.  As part of an hour-long panel discussion on Indiana Public Media’s Noon Hour, Associate Dean Galen Clavio mentioned that the Media School had taken financial responsibility for the paper’s accounts, although how that all worked was not clearly discussed. That said, that’s not the same as owning a controlling interest in the actions of an organization.

The only real “authority” that is clear from the documents provided here appears to be at the board of trustees level. This is why I asked Tolchinsky for some sort of document or agreement that provided the school with the right to do this. I’d try to make an open records request for whatever they’ve got on this, but given IU’s track record on transparency, I’ll probably be dead and buried before I get something back.

So that leads to the next question: What if the IDS just said “no” to all this?

“We are kind of wondering the same thing,” Meador said. “We’re thinking, you know, what, if we just said no. I don’t know if it’ll come down to this, but we’re even thinking, ‘Is there a way that we can, as students, independently fund-raise or pay with our own money?’ … I think the key thing that they have, the key bargaining chip that they have is that I believe that they have the power to discipline our professional staff members. And our professional staff members are the ones who sell the ads and, you know, handle the print contracts and all those things. So that’s kind of our one concern there.”

SO WHAT DO WE ACTUALLY KNOW?

When I decided to put a week’s worth of blog posts into this, I wasn’t entirely sure what the best answers were, but as I talked to the students and got the runaround from the administration, a lot of things came into focus.

Here are the things I clearly know:

Student media outlets at IU are starving: The radio station, and presumably the TV station, don’t get enough money to fully thrive in the ways they once did. Emery told me his staff doesn’t get paid and that an adviser is getting a tiny stipend to keep everything afloat. When the place went from getting 70 cents per student to zero, it was just a matter of time before the clock ran out on them. During that Noon Hour panel discussion, IUSTV news director Ashton Hackman said the TV station just recently gained space in the media school, operates without professional staff help and generally has to subsist on crumbs. Why this happened is beyond me, but that’s the situation and the center can’t continue to hold.

The IDS still generates money, but it’s unable to continue to spend what it currently spends without some level of assistance from the university. That assistance could come in the form of a student fee, removing some of the red tape that prevents them from tapping other streams of revenue or even allowing work-study money into the newsroom in some way. The April report on the IDS was clear: You can’t keep expecting them to do more with less and it’s not fair to force this place to run at a profit in this current environment.

Print, at this level, still matters: The one-day-per-week model for the IDS makes money, according to the information I was provided. It also connects the IDS to the larger community it serves, provides the community with a signpost to let folks know they’re still working and helps draw eyes to their content. Even more, it teaches students how to design traditional print products and keeps those skills sharp. For all the excitement the Media School seems to be putting forward about retaining special issues in print, it’ll be a pretty ugly set of special issues if the students’ design skills atrophy.

One of the arguments Clavio made about cutting print (aside from cost, which we’ll get to later) was that newspapers keep dying at a pretty steady clip. He cites a Northwestern University study that says these are going away at the rate of about 2.5 per day. True, but that means there are still approximately 6,000 papers out there that need people who can design to spec, write headlines in holes and generally publish something relatively well composed. That doesn’t account for the hundreds of other jobs in which  students could bring to bear design skills for printed or print-related items.

Beyond that, it matters to the students right now. They have a connection to this print edition that might not make sense to other people, but it is a motivating and galvanizing factor for this staff. Any alleged financial savings this generates will be dwarfed by the loss in morale this ham-handed approach to killing it has created.

These organizations are extremely incongruent: To say these organizations have little in common is a massive understatement. The IDS is really the news driver here, while the entertainment comes from the radio station in the form of events and on-air music/shows. The TV folks declined to respond to requests for interviews, so it’s unclear to me what they do and the information I got from the folks I did interview was as clear as mud in this regard.

When the positives of the plan were discussed by students, it was primarily Hackman who noted the benefits that would come to his media outlet through this approach. That’s not the same as embracing the new cross-platform, digital-primacy model the Media School is touting.

In a lot of cases, it makes sense to put certain operations together. Most of the convergence efforts I saw were of news-oriented operations, in which all of the participants valued the idea of putting out news content across multiple platforms. This was also helped by the ability for each organization to bring something particularly important to the table that the others were unable to bring. When all of the organizations saw the benefits each other brought to the table, in that shared senses of congruity, things worked out. When they didn’t, it got bad quite quickly.

As I said in an earlier post, this isn’t like putting a bunch of soup cans from three shelves onto one shelf. This is more difficult than that.

This could not have been done in a worse way: People are far more likely to agree to things, and be motivated to participate in them, when given an opportunity to participate and they are treated with respect. In the Self-Determination Theory, autonomy is a primary cog in making people feel like they’re engaged, valued and part of a process.

In one study we did involving SDT, we had people doing a Boggle grid and they were in one of several conditions. In one situation, they were given the ability to pick either a blue, a pink or a yellow grid without seeing what was on the grid. In another, they were told which grid they had to take, also without seeing what was on the grid.

The people in the group that got a choice felt better about the experience, tended to do better in finding words and felt like they would enjoy persisting in the activity, even after they were no longer required to do so.

The kicker? All of the grids were exactly the same. What mattered was the perception of choice and autonomy.

In the radio show, IDS Co-Editor-in-Chief Jacob Spudich made the case that he and his co-EIC were never consulted about the changes, let alone the cut to print, as part of the process. Clavio rather derisively noted that previous IDS students had been part of the plan back in April and that to expect the university to just keep rebooting its plans every time the IDS had leadership turnover was not feasible.

To his point, the original report from April included the names of the co-EICs from the newspaper and, no, you can’t start from scratch each time someone new comes in. However, Spudich’s larger point was that a lot happened between that April report and the one issued in October, none of which involved IDS student input (or input from any other students, it would seem).

Clavio noted that much of the work was done over the summer, when students weren’t present. Back in my student media days, we called this the “Dump the Garbage Time,” as it was a lot easier to do things that might upset students when they aren’t around to make a fuss. I’ve seen people hired and fired, attempts to cut athletic teams and generally unpopular “restructuring” occur during the summer. It’s like going on vacation for a week and finding out your roommate sold all your furniture and redecorated.

Even more, they had TWO MONTHS after school started to call in the students and say, “Here’s what we’re thinking, this is why we’re thinking it and we want to know what you think.” That, of course, is if they actually WANTED input. As co-EIC Marissa Meador noted in an earlier post, the IDS was supposed to find out about all these changes an hour before they went public.

That’s not a good-faith effort and unless Clavio is a total idiot, he knows that to be true.

A MODEST PROPOSAL FOR THE IU MEDIA SCHOOL

I know it’s easy to sit back in Snarkville and lob shots at people who are actually attempting to do something. It’s a lot harder to actually find ways to fix things.

I lack a time machine, so I can’t technically undo this. I also am still stuck on the whole “Can the Media School mandate what the IDS does or not?” aspect of this. Even more, I have no actual authority here whatsoever, which might actually be the exact same level of authority the Media School has, but I’m not going to pretend I have any.

That said, here are a few things I would recommend going forward:

Money comes first: Before you think about engaging in anything you have planned here, get a handle on the money. Whatever requests the Media School needs to make to the university to get funding should be done now. Whatever requests it needs to do to loosen some of the red tape on outside earning potential should be done now. Whatever decisions need to be made to make sure the budgeting works should be made now. Technically, it should have been done well before the plan was released, but, again, I have no time machine.

In short, if the money isn’t in the proper places it needs to be, moving forward makes no sense.

Too often, and believe me I’ve seen this a lot, academics make these broad-based plans or grandiose project outlines with the idea that money somehow will arrive as needed at some time in the future. Promises are vaguely made about “being supportive,” but the admin never locks down specifics, and thus everything ends up falling to pieces rather quickly.

To quote a Jean Shepherd book title: In God we trust, all others must pay cash.

Get hard numbers with in-writing commitments from people authorized to say “yes” or slam the brakes on this whole thing.

Make a hard budget decision at the IDS: This is likely to be as popular as bacon on Good Friday, but I’d recommend a serious look at where most of the money for the IDS goes. I was told that about $300K goes to the professional staff, and that can’t be wiggled. I also know print costs and web costs are pretty well fixed, but likely they represent a small fraction of the budget.

I would imagine a large swath of cash goes to student employees, which is where the cut would need to happen. In listening to Tyler Emery, I heard that IDS students get a certain amount of money per story or per piece they create. I’d cut that, as it’s likely something that would go a goodly way to biting into the budget deficit. I’d also strongly consider where the other editorial salaries are and see if there are ways to cut them down, either by eliminating additional positions (assistant, assistant editors) or by whacking down on the payroll per position.

I hate the idea of students doing work for free and I surely hate the idea of cutting student wages in general. That said, if the IDS wants to make the statement that all sorts of other student newspapers get X, Y or Z from the university, they also have to understand that most of them don’t pay staffers at the lowest levels. In addition, most editorial salaries are more of a gesture of goodwill than they are actual salaries. Based on what I’ve seen at other places, and given what the radio station kids are doing, it is possible to get quality help without having to cough up an inordinate amount of cash for it.

If you can make the budget work that way, it could be a chance to keep the ball in your court moving forward while you figure out other revenue streams to augment your finances.

Leave print alone: I get why the Media School wants to kill the print edition as part of this: It gives them some sort of “convergence cred” by shedding the “old media” as part of what’s going on with this merger. It also has that surface-level look of saving money, as printing a dead-tree edition of a publication always costs more than just sticking stuff online.

One problem is that they’re not really killing print, but rather attempting to cream-skim some special issues while dumping the weekly issue for that “cred” they want. A second problem is that this isn’t really saving money at all, given the way the math works outs.

Perhaps the most telling aspect of this entire argument about the print edition came on Noon Hour. When the hosts asked about the cost vs. revenue associated with the print edition, Clavio did the whole, “That’s almost impossible to quantify” thing, but assured everyone that it was a money pit. Student Media Director Jim Rodenbush didn’t have much in the way of a concrete answer either, keeping his focus elsewhere.

Spudich  then said, “Here are the numbers” and laid out what it cost to print (about $60K) and what the revenue associated with print was ($90K). He also explained how he got the numbers and that he checked them with both the IDS and Media School’s finance people.

Clavio then said something to the effect of, “Those numbers are not accurate, based on the data we have.”

Did he present that data? No.

Have they presented that data elsewhere? Not that I can find.

Could he explain it now? “This requires more than a five-minute discussion here,” he said in a tone I’d characterize as part annoyance, part bluster. It kind of felt like this to me.

A lot of what he said on the air fits this same approach of applying vague generalities and deflections to the concrete questions people asked of him.

Even if none of those other concerns about print were taken into account, killing the print edition is doing more harm than good to the overall morale of the IDS.

Call it a mulligan and back off of print.

Less convergence, more JOA: Based on what I’ve been able to ascertain, these three media outlets have almost nothing in common. That might be something that could change, but not here, not now and not with this plan being crammed down everyone’s throat.

In addition, it’s clear there’s a financial imbalance in terms of revenue generation, expenditures and even student pay. These things are likely to cause friction throughout any process to bring everyone together to sing kumbaya in a converged newsroom. Add in the idea that these people have almost nothing in common in terms of background and goals, this forced editorial connection is going to short circuit at best and blow up at worst.

That said, I’d recommend the idea of creating kind of a Joint Operating Agreement (JOA) that covers the business ends of these programs. I know our newspapers in Madison had one, in which everything from ads to bills got handled by the Madison Newspapers Incorporated (I’m sure the name has changed over time). Meanwhile, the Cap Times and State Journal newsrooms operated independently and were freely capable of trying to beat the crap out of each other each and every news cycle. A couple times a year, there were joint projects that were based on finance, like a graduation tab that ran in both publications. However, for the most part, the places were left to their own devices.

A JOA would get the finances in order without having to make the more uncomfortable part of convergence work as well at this point, particularly since the pieces, as they stand, don’t fit well.

I somehow doubt any of this will get through to the people in charge, but my hope is that if the staffs at these places see these options, it might give them some ammunition to fight the fight as they see best.

Hostile Takeover: The Indiana University Media School’s plan to converge student media and why the students hate it (Part III)

This clip is both an accurate assessment of the IU situation with the exact level of specificity the university seems to be offering as to how this will all work.

(EDITOR’S NOTE: This is the third part of a multi-part series on the decision of the IU Media School to unilaterally converge its student media outlets, the Indiana Daily Student, WIUX and Indiana University Student Television. Part of the plan calls for the elimination of the final print edition of the IDS, something upsetting to the students.

If you want to help the students keep their print paper, they have listed this link as a way to do this: https://forms.gle/cisJyhvAxuQbC4co7.

If you want to tell Dean David Tolchinsky what you think about this situation, you can email him here: mschdean@iu.edu

In case you missed them, here are Part I and Part II.)


THE CULTURAL CONCERNS

In looking into the convergence model decades ago, it became readily apparent to me that this wasn’t a situation where technology or news values would be the sticking point. It would be the culture of the newsrooms and the social identity those newsrooms created.

The general gist of all of this comes down to the idea that you can’t just pour a bunch of people together into a media operation and assume this is going to work. In fact, the opposite is true, as we reaffirmed more than a decade after that first look. A few things have to happen if this kind of convergence is to work:

  • It has to be a self-directed, organic movement. The few operations on the student level that have worked out tend to be those in which the staffs themselves decide this is a good idea and want to participate. Outside influence and demand tends to dramatically undermine convergent operations.
  • There must be a heavy investment in new resources. One of the easiest ways to get kids to play together is to give everybody new, cool toys. That works for my 3-year-old nieces and it works for most corporate organizations. If you come to the party feeling like you have “your toys” and that people want to take them from you, things are going to get ugly. Even more, in a situation in which resources are limited, groups tend to hoard things for themselves, even when a more equitable distribution might benefit the greater whole. Although university officials insist there will be investment in additional professional help, most of this is aimed at adding master’s students with professional backgrounds to the mix. As both a former grad student and someone working through a project that involves the use of grad-student labor, I can assure you it isn’t the same thing as dedicated, trained professional staff.
  • The groups must have the appropriate shared goals and vision. One of the primary reasons early convergence operations hit some significant rough patches was that the newsrooms tended to have mutually exclusive goals. In the world of journalism, being first (a.k.a. getting the scoop on the competition) is a primary goal.
    At the time, television had the advantage of going live first, so when newspaper people found out something of value, they tended to keep it quiet so they could publish it in print the next day. Instead of seeing the goal of getting information out to the audience in a timely fashion, regardless of platform, it became, “I want to be first.” This was a microcosm of what tended to go wrong due to a lack of shared goals and vision.
  • People must value and appreciate the importance each group brings to the collective.  The best way I have found to describe how this works is like this: I, as a writer, don’t have to do what you, a videojournalist, does to make this operation work. I do have to understand what you do, appreciate what it brings to the table and find ways to augment what you do in a meaningful way.

This last one might be one of the biggest sticking points for this IU effort, based on how the students explained their own operations and those of their potential convergence-mates.

WIUX President Trevor Emery said that the media operations tend to remain siloed and that they don’t have any sense of what each of them could do for the other.

“Us and the newspaper, don’t talk about it. Us and the TV station don’t really talk about it,” Emery said. “These guys are kind of on their own game, creatively, for sure, like we are. I’m gonna be completely honest. We’re primarily music station and that is our main focus. And the newspaper mainly does news. Their arts column is kind of piddly, and the TV station is, I don’t know, they do like everything. I’m not super familiar with them… sometimes (The IDS will) interview an artist that we booked or something, but other than like news and sports, there’s not a whole lot of crossover that’s possible because we mainly do music and entertainment.”

IDS co-Editor-in-Chief Marissa Meador said she had brief contact with members of the radio station and the TV station after the announcement broke. Although she hasn’t had a lot of interaction with the broadcasters, she said what she does know doesn’t fit the model established at the IDS.

“From what I’ve heard, I feel like WIUX, the radio station, is kind of fundamentally different,” she said. “They put on a music festival, and a lot of their people are just interested in music. They aren’t journalism majors at all, and so the idea that they’re now supposed to be generating a profit or generating revenue and selling advertisements? From what I’ve heard from the few representatives I’ve spoken to, they aren’t super excited about that idea.”

In terms of convergence efforts, Emery said the specifics have been horribly lacking.

“They really want us to combine all the podcasts,” he said. “They want us to be on an app together. It’s very, very confusing, and they’re kind of like, “You guys are going to be steering the ship for this thing you don’t want to do, but we’re also not going to fully support anything you’re doing, either. It’s very confusing.”

The student leader of IU Student Television did not respond to interview requests for this piece, so it’s unclear how engaged or enthusiastic the staff there feels about this situation. As part of an hour-long talk show on IPM’s Noon Edition, IUSTV news director Ashton Hackman spoke in favor of the plan, in large part because of the resources the TV station would be getting.

Hackman said the station has often operated in an inequitable position, only in recent years getting studio space in the Media School and having no professional staff to help them. Although Hackman praised the plan, he rarely mentioned the editorial convergence opportunities the school has been pitching and mostly focused on the benefits the TV station would obtain in this model.

Meador said earlier that she could understand why some aspects of this plan look great for IUSTV.

“I think that they’re, at least publicly, their organization is taking a positive position,” she said. “They seem to be publicly very supportive and celebrating this decision, which, to an extent, I think makes a lot of sense. They started with no professional staff members, and now we’re going to share the professional staff members’ work and time among all three organizations… I do see how this would be a step in the right direction for them.”

Speaking of people who see this as a step in the right direction…

 

THE UNIVERSITY SPEAKS (SORT OF)

IU Media School Dean David Tolchinsky seemed extremely happy and excited to announce this master plan to converge the student media outlets when he put out this press release.

“Successful media organizations are not afraid to reinvent themselves, and we have big dreams for student media at IU,” said Media School Dean David Tolchinsky. “We are proud of our tradition of excellence in student media. Through innovation, we will amplify the storytelling our students already do so well by reaching audiences where they consume content and generating revenue to support the organizations, enabling them to become the best learning labs they can be.”

In spite of student disagreement, Tolchinsky doubled down in a letter to the editor of the IDS, as he gave the “rah-rah” speech to end all such speeches:

We acknowledge the loss the IDS community feels for its weekly print edition. “Journalist” is not just a job; it’s an identity. 

We hear you: Why can’t IU just give student media more money? Actually, that would be a lot easier than what we’re doing. But subsidizing a business model on campus that does not reflect the ecosystem off campus won’t adequately prepare students for the career landscape they’re entering.

Remember those vanishing newsrooms? Someone has to do something about those. And our goal is to turn out creative and bold graduates equipped to solve that problem — and many more. 

You can do this. WE can do this. The Media School will always support student media.

The letter says, “‘Friday Night Lights’ with Coach Taylor telling us, ‘Clear eyes, full hearts, can’t lose.'” The photo says, “Joe Pantoliano’s character, Cypher, in ‘The Matrix.'” Y’know, the guy who sold out the whole crew.

Given all that, I figured he’s be more than happy to answer a few questions, so I offered him a phone interview, but included a half-dozen questions in case he or his associate deans were too busy to chat.

The response was underwhelming:

Thank you for your interest. I’m going to primarily refer you to the web storyFAQs, and plan on our website, and will add that our ad hoc committee that presented the recommendations this plan draws from included representatives from the IDS, WIUX, and IUSTV. Many operational details, such as the questions you raise in #6, remain to be decided under the purview of Director of Student Media Jim Rodenbush.
I did reach out to Jim Rodenbush, whom I’ve known for a number of years through various student media organizations. He’s a good guy, a strong free-press advocate and really invested in the IDS newsroom. That said, I didn’t get much from him either. He politely declined to talk about this, noting that they were “working through the process” and that the details “would come into focus over time.”
It felt like this in some ways:

I don’t blame him for not talking, because a) if he really loved the thing and told me, the newsroom kids would probably consider him a heretic or b) if he really hated the thing and told me, he’d be going directly against his boss without the protections of tenure or a guaranteed job.
What I didn’t account for was c), which emerged when Rodenbush asked a question of his fellow media advisers on a group’s listserv, explaining that his dean had asked him to draft a confidentialy agreement for the two of them:

Quick background: The recent announcement by the Media School was leaked in advance to the IDS, and my Dean is largely trying to avoid this sort of thing from happening again. I wasn’t the person who leaked the announcement, but here were are regardless. All that said… Are any of you aware of similar agreements existing at any other university between a Dean and Student Media director? Are any of your part of such an agreement? If so, could I see the language? Overall, is there anything I should be concerned about?

So let’s see if I have this right: The dean is so excited about this whole convergence thing that he’s basically declined to comment to a blogger about it and then the guy he has charged with commenting on behalf of the entire process is now being asked to sign a confidentiality agreement?
I wonder what background and relevant experience gave him the idea this was smart…
THE IMDB DEAN
According to the bio on the Media School website, Tolchinsky is pretty impressive: Degrees from Yale and USC, former position at Northwestern University and a content-creation background.
He also has a wicked IMDB.com page, as the entirety of his career prior to landing the dean gig at IU has been linked to cinema. That might be great for some things, but not when it comes to understanding how student newspapers, radio stations and television stations work.
This was one of the main concerns critics raised back in the 2010s when the school decided to shift from a journalism school to a media school. The prevailing theory at the time was that journalism would get the shaft, especially if other folks who had no predicate knowledge or interest in how it works took over. If the design and presentation on Tolchinsky’s website are any indication, these people might have been more prescient than we could imagine.
I don’t think Tolchinsky needed to be long-time journalist, a war correspondent or even a local newspaper publisher to understand that this entire approach was bass-ackwards. Any degree in a news-related field would have told him that you can’t hide stuff from journalists, and that journalism folks tend not to like being pushed around by “the man.” In addition, all research related to newsroom culture found that a) it exists and b) it persists beyond any one individual or group. In short, things don’t just change in a newsroom because you want them to.
A degree in public relations would have helped him see that you can’t just Jedi-mind-trick everyone into thinking the way you do by issuing a few blanket statements and then hiding under the bed when people come to ask real questions. You also can’t tell someone they need to be “confidential” and then have them speak on your behalf. (That’s especially true if you want them to be believable.)
In this field, you can’t just call for a script doctor or some CGI to bail you out when things aren’t to your liking.
NEXT TIME: OK, so now what?

Hostile Takeover: The Indiana University Media School’s plan to converge student media and why the students hate it (Part II)

Jacob Spudich and Marissa Meador pose next to the famed Ernie Pyle statue outside Franklin Hall after speaking to the Student Media Board during the application process to become co-EICs. Photo courtesy of Marissa Meador.

(EDITOR’S NOTE: This is the second part of a multi-part series on the decision of the IU Media School to unilaterally converge its student media outlets, the Indiana Daily Student, WIUX and Indiana University Student Television. Part of the plan calls for the elimination of the final print edition of the IDS, something upsetting to the students.

If you want to help the students keep their print paper, they have listed this link as a way to do this: https://forms.gle/cisJyhvAxuQbC4co7.

If you want to tell Dean David Tolchinsky what you think about this situation, you can email him here: mschdean@iu.edu

If you missed Part I, you can find it here.)


THE ANNOUNCEMENT

Trevor Emery, the president of WIUX at Indiana University, knew something was going to change for his radio station in a fairly substantial way.

He just didn’t know what it would be or how fast it would hit.

“On Monday, we all get an email in the early afternoon, and it was three, four o’clock,” he said in an interview. “It said, ‘We’re all gonna meet Wednesday and talk about some big news for student media.’ And then Tuesday I’m my home… I get out of the shower and I look at my phone, and I have four missed calls from one of the IDS editors, and I call him back, and I’m like, ‘So what’s going on?’ He was like, ‘Have you seen what the media schools posted?’ I’m like, ‘No.’ Then they bugged me for a quote.”

The editors had received a leaked copy of a plan about massive changes coming to student media. The Media School stated it would merge the student media under one umbrella operation. It would also kill the final print edition of the IDS, shift the professional staff around to cover all the media branches and create additional media options, including a newsletter and an all-encompassing digital app.

“Then Wednesday, the next day, we all go into this meeting, and the dean starts off with, ‘Oh, the IDS got this report in a leak, and we just preempted them by posting it directly,’ The whole meeting felt like they were telling us, ‘We are here to inform you of this decision anyways, whether you like it or not,'” he said. “So then that says to me I was never going to be asked about anything in the first place.”

The mood at the IDS wasn’t any better, as the staff scrambled to make sense of what they had seen and tried to inform their readers about the issue. Co-editors-in-chief Marissa Meador and Jacob Spudich had planned to attend a meeting on Wednesday, where they thought they’d be asked for some input on a plan people had been working on since April.

“I think there was kind of like an assumption from Marissa and I that this meeting was going to be more of a constructive meeting where Marissa and I’s input would be valued somewhat, and I think that became clear that that was not the case that Tuesday,” Spudich said in an interview.

Meador said they found out the school had planned to meet with faculty Wednesday at 2 p.m. to clue them in, speak to her and Spudich at 3 p.m. and then make the formal announcement at 4 p.m.

“It’s hard to believe that anything we said was going to have an impact on their final decision if they had planned to release it right after our meeting,” she said.

With that in mind, and a copy of the plan in hand, the IDS crew went to work as reporters. They built both a story that provided the news of the plan and people’s reactions to it as well as a letter from the editors in which they expressed “no confidence in the Media School’s plan.”

“I feel we should have been considered in this decision,” Spudich said. “This is about more than just the money aspect. It’s about  staffing, the abundance of our newspaper stands around town, and the visibility that we have there. There’s just a lot of things that we don’t feel were taken into consideration. And really the only way they would have been is if a representative from our newsroom was there to voice those concerns early on in this process.”

Emery said the radio station also felt let down by the plan and the approach the administration took in announcing it.

“It did come out of nowhere, and it would have come out of nowhere on Tuesday, or would have come out of nowhere on Wednesday,” he said. “I don’t really have a difference on the day of the week that I’m getting screwed over. But it was very confusing.”

 

AT LEAST 99 PROBLEMS

When it comes to the financial aspects plan itself, the members of the IDS had several, specific concerns:

  • The cutting of the print edition didn’t make sense. The paper version of the IDS was revenue-positive, and it was a key way to reach the community, both for older people who still preferred that platform and as a signal on news stands that the paper was still publishing. Furthermore, the original committee’s recommendations did not include cutting print. The plan calls for the retention of special issues, but how those are done and which ones will happen remain a mystery, the students said.
  • Continual cutting had not solved any significant problems for the IDS to this point. As its name indicates, the IDS once published a daily print edition, but over the years, in response to dwindling revenue and loss of print readership, the staff had cut the paper and print run. The race to the bottom of printing still left them in debt.
  • This plan was created without transparency and then forced upon the staff. As Meador noted in an interview, the previous cuts or changes the IDS undertook to fix the finances were done by the IDS itself. This would be the first time print cuts or organizational changes were mandated by an external agency.
  • The resources aren’t there to make this work. Much like the convergence efforts of yesteryear, this one looked to get fewer people doing the work of more people. The comparatives the Media School was drawing to other converged student media operations involved far more professional staff and much higher buy-in from the institution, they noted.
  • It’s unclear who will be paying for what. The specifics about cuts are clear, but the revenue-generation portion and such are exceptionally vague. The radio and TV stations do not generate revenue, so the cost of the professional staff will have to come from somewhere else. Currently, the IDS pays their salary and benefits, but it’s unclear how that burden will be spread moving forward.

As far as WIUX was concerned, the problems were even bigger.

“The newspaper really is like the elephant in the room,” Emery said. “They’re consistently $300,000 over budget… The newspaper as a thing works, and they know that it is profitable. What isn’t profitable is paying like five or six adult-level salaries to people with health insurance and whatever else. And we don’t have any of that. We have a faculty adviser, and she does the work of like 10 people, and she gets paid a small stipend from the school just to help out.”

Emery said the three organizations rarely interact, primarily because they all have different interests, different needs and different purposes. The student newspaper produces local news content, while music and community events drive the radio station. (A representative from IU Student Television did not respond to requests to participate in this series.)

“I sit in these meetings with the media school, with the staff and the dean at times, and I point out that we are definitely much more student-life based,” he said. “We connect with the community. We were trying to get people out in public by doing events, things like that. We just finished up our whole week of events and a fundraiser to keep our station going. None of the two other clubs that we’re talking about do that.”

With both broadcast groups run as student clubs, Emery said they were not allowed to do certain things to earn money. In exchange, they both used to receive money through student life via student fees. However, around 2020, he said, the stations got cut off from that funding without much explanation.

“We were getting, at one point, like 70 cents a student, undergraduate student on the Bloomington campus,” Emery said. “So that ended up being like $30 or $40,000 a year. And we managed that to where we had a pretty big surplus. By the end of where that landed, like three or four years ago, we had like $150,000 to $200,000… Over the past four or five years, that’s dwindled down.”

With the Media School calling for a three-year phase in, Emery said he’s worried that time and funding might run out for the station.

“They also are like, you’re going to have three years to implement this, and it’s obviously not going to make money in that meantime while we figure out what systems to use and build a client base, etc., etc., and they won’t tell us how much money we’re going to be supported with during that time,” Emery said. “I’m assuming that they’ll cover the salaries of the newspaper, and they’re like staff, the pro staff. But for us, I don’t know what that means. That’s essentially the time when we run out of money in our account.”

 

NEXT TIME: The problems with convergence and the background of the guy trying to make it happen at IU.

 

 

 

Hostile Takeover: The Indiana University Media School’s plan to converge student media and why the students hate it (Part I)

The Indiana Daily Student’s first issue from 1867.

(EDITOR’S NOTE: When I started digging into the Indiana University Media School’s plan to merge the Indiana Daily Student, IUSTV and WIUX, I thought this was going to be a quick post on one week and then a Q and A with the staff, if I got lucky.

However, in looking into this more deeply, this officially started getting out of hand over a week or more. Thus, I wanted take a couple bites at the apple to try to understand what this is, how we got here and why one of the best student media operations in the country is in this situation. Buckle up. Stuff gets weird…. — VFF)


In early October, the Media School at Indiana University announced its plan to converge multiple student media outlets in an attempt to save money and develop synergistic editorial efforts. The Indiana Daily Student, WIUX radio and IU Student Television would be gathered under one umbrella, whether they liked it or not. In addition, the plan called for the elimination of the final print edition of the IDS, something that was clearly upsetting to the students.

The students published several pieces, including an editorial and an article, that outlined the general problems with this approach and the ham-handed way it was presented to them. For the IDS, this was like a mob hit: They never saw it coming and now they’re left picking up the pieces as they grapple with what could be a new reality for them.

“Obviously, we’ve been looking for ways to address our deficit for quite a while now,” Co-Editor-in-Chief Marissa Meador said in a recent interview. “We’ve been cutting print from five days a week to two days a week to one a week and that was part of that process. All of those previous print cuts were made by IDS professional staff in consultation with student leaders, not the Media School. So that’s a key difference here: This proposed cut of the weekly print edition is not supported by our professional staff, by student leaders, was not done in consultation with Jacob or I, and is being conducted by the media school and not the IDS. So that’s an important distinction.”

The paper faced both a deficit built up over time as well as one that was likely to continue into the future. How this happened is a big part of the story…

THE SITUATION

Not to overstate the obvious, but newspapers in the United States are dying at an unprecedented rate. More than a decade ago, it became clear that newspapers were essentially getting killed due to several market forces: Decline in advertising revenue, expansion of options for consuming content, decline in journalists creating content and a drop of interest people had in reading newspaper papers. A Medill Report from 2023 found that nearly one-third of all U.S. newspapers that existed in 2005 would be gone by the end of 2024. That would leave about 6,000 papers in the country, compared with nearly 24,000 in the early 20th century.

Campus newspapers found themselves facing a similar problematic future along those same timelines. The salad days of ads pouring in, as advertisers rushed to the only platform that could deliver them the campus market, ended and students were left to scrambling to deal with the change. A 2013 report from the Pew Research Center found that these publications were engaging in many of the behaviors as their professional counterparts for many of the same reasons.

The Indiana Daily Student is both the oldest and largest member of the student media on the IU-Bloomington campus. It is also one of the most award-winning college media outlets in the country. It has experienced many of the problems outlined above, despite weathering them better than many of their peer publications while receiving no financial support from the university itself. The paper had a $1 million reserve as far back as 2005 and had maintained a reasonably stable financial condition into the mid-2010s.

However, a confluence of events, including cuts to print, decreases in national advertising, university-mandated payments and COVID led the IDS to run a debt of nearly $1 million as of early 2024. In July 2024, Media School Dean David Tolchinsky emailed the IDS staff and said an arrangement with the provost’s office had led to the decision to wipe clear the million-dollar debt. However, underlying financial issues meant the IDS was likely to build that debt back up.

According to Meador, the paper appears to be on pace for another deficit-spending year to the tune of around $300,000

THE REPORT

Part of the decision to let the paper run a deficit in the first place back in 2021 was the agreement that the IDS and the administration would put a plan in place to both fix the deficit and prevent it from coming back. James Shanahan, dean of The Media School at the time, and Jim Rodenbush, who remains director of student media, issued a press release together, explaining the goal of this maneuver:

As we work together to secure the long-term future of the IDS, and with agreement from the Office of the Provost, the IDS will be permitted to operate at a deficit for three years beginning in the 2021-22 fiscal year. Any remaining deficit after that time will be covered by The Media School. There will be no immediate changes to the professional staff structure.

Discussions on the future of the publication have been in progress for some time. Media School administration and faculty have continued to work behind the scenes while responding to urgent modifications to teaching and staffing models necessitated by COVID-19.

As with most things put on a multi-year plan, things languished for a substantial portion of that time, with no real movement toward any reasonable solution. The IDS staff was concerned and said as much, while various options, including selling IDS swag, closing the campus yearbook, using newspaper racks for advertising on campus and other cash-raising options, were not allowed by the administration.

Tolchinsky commissioned an ad-hoc committee to figure out what was going on and what was the best path forward. In April 2024, the committee, which included representation of professional staff from the three student media outlets, issued its report. A few key takeaways were:

  • Student media at IU is not unique in its struggle to persist in the face of changing dynamics in the areas of newspaper, radio and TV operations.
  • The university red tape regarding marketing and sales rights has hamstrung student media in any attempt to generate revenue beyond the distributed content created by the student media outlets.
  • The university is out of step with the trend of current student media paradigms, as most colleges and universities provide student media with some form of financial support.
  • The administration needs to start thinking about student media the way it thinks about other learning opportunities that exist on campus and stop thinking about it as a profit-making enterprise.

The recommendations from that report were two-fold:

  1. Unify the operations under one umbrella as both a cost-cutting and editorially synergistic maneuver. This would eliminate redundancies while connecting students across the media platforms in a way that could improve content.
  2. Get the university to pony up some significant cash to keep these operations running. The report noted a $6 per semester student fee could allow the publication to continue as it stands while remaining in the black.

“Their overarching point there was that any plan moving forward should treat the IDS as an educational experiential learning opportunity, not as a business,” Meador said. “That was a big point. A major part of it was asking for some sort of direct University support, maybe in the form of a mandatory fee, which a lot of other college newsrooms have.

“What was not on our radar at all was that they were considering cutting the weekly print edition. We did not think that was that was on the table. It was no one talked about it in the report, and yet, that’s one of the few things in this October report that actually is being implemented right now. All the other things are, you know, future, future things. So, you know, we’re kind of, we knew this whole time that they were developing their plan, but we had no idea that it was going to involve print until the report got leaked to us and then it got announced on Tuesday.”

UP NEXT: The plan to converge and the fall out.

 

Indiana University administrators unilaterally killed the still-profitable print edition of the Indiana Daily Student in order to try a “convergence” model that we proved to be a failure back in 2002

“Here is your news robot, Mrs. Burgess! It’ll beam content into your brain until you forget that the Indiana Daily Student used to have a newspaper you liked!” (screenshot from the IU home page; sarcasm naturally grown in Wisconsin)

THE LEAD: In yet another ham-handed, “we grownups know best,” maneuver, administrators at Indiana University decided to kill the weekly print edition of one of the country’s best college newspapers, without discussing it with anyone involved at the Indiana Daily Student:

The IU Media School plans to eliminate the Indiana Daily Student’s weekly print edition beginning this spring as a key part of its plan for student media, claiming the move will save money and help make a converged IDS, WIUX and IU Student Television operation revenue neutral within three years.

The school announced the plan publicly Tuesday afternoon before consulting with student media leaders or the IU journalism faculty, even though the school had scheduled meetings with both groups Wednesday. Most of the IDS’ student staff members, including the designers that work to design a print product each week, were unaware of the change when it was announced.

THE FALLOUT: Well, for starters, not telling someone that you’re about to do something painful to them, without their consent or input, only to have them find out on their own is not really going to build confidence in the approach.

(It reminds me of when Zoe had to get her 18-month boosters and no one mentioned it until the nurse came in and plunged three needles into her leg before Zoe got a glance. The fourth needle hit and she began to sob uncontrollably as she looked at me with the, “Why hast thou forsake me?” look and I wanted to die.)

The IDS staffers, who were supposed to have a meeting on Wednesday to talk about this with administrators, found out when a draft of the plan leaked early (because of course it did) and a press release leaked (because, y’know, these kids are good journalists who find stuff).

Let’s just say their letter from the editor reflected that sense of betrayal, but also the clarity of a newsroom that understands big, sweeping changes may sound great, but they impact granular-level aspects of daily life:

We believe this plan was made with good intentions, but we do not believe it was made with proper consultation of the people who know the most about the IDS. That is clear throughout the report, where many ideas that sound good in theory have left our professional and student staffers wondering how they will work.

Since 2017, the IDS has undergone multiple reductions to its print edition, as well as its professional staff members — decisions that were made to combat the growing financial burdens that plague newspapers nationally. Years later, these cuts have not solved the deficit. The Media School’s latest decision — the first time a print cut has been mandated by administrators — will only perpetuate the problem.

We believe slashing print will have unintended negative consequences for our revenue. The plan poses a host of logistical problems associated with a reduced paper delivery schedule, such as the challenge of retaining delivery drivers.

(NOTE: I’ve got emails out to the editors and advisers at the IDS and we’ll do more on this Monday if those things bear fruit. If not, I’m sure I’ll still have enough outrage for a post or 12 in the next week or so.)

WELCOME TO 2000: One of the primary things the university has cited here is that by converging the media operations, not only will things run more smoothly from a content-delivery standpoint, but the university can save money.

If this sounds vaguely familiar, it’s because we’ve tried this before. Convergence was a concept that popped up in the late 1990s, but really became prevalent in the early 2000s. Laws had previously created walls between various media operations, so only a few operations like the Tampa Tribune, WFLA and TBO could exist in this converged environment. Once those laws went away, bean counters… er… corporate media titans found ways to couple up and thruple up as many of their organizations as possible.

The goal was multifold:

  • Eliminate redundant financial operations and general day-to-day expenses. (Why have three websites when you can have one? OR Why have three front-desks staffed with workers when you could have one?)
  • Expand advertising packaging to improve sales across multiple platforms (This is why you still get a landline with your cable and internet package, even if the last time you used a landline was never)
  • Create synergistic content creation among reporters, editors and media professionals from previously competitive backgrounds (Hold on to that one. We’ll get to it later.)
  • Dominate a particular area against the sad one-platform operations (Presupposing, of course, that bigger is always better. Is it? Asking for a friend…)

DOCTOR OF PAPER FLASHBACK: I first heard of convergence when my doctoral adviser came in from a weekend conference at the University of Kansas in a huff.

“Some jackass out there said that KU had already started working on some aspects of this convergence thing and that it planned to roll out some ideas in the next year or so,” she said. “I stood up and told them we had a guy who was already ahead of all that from a research standpoint and was probably doing his dissertation on that topic.”

Yep. I was dead.

WHY IT SUCKED: In researching the topic and how it was being portrayed in the world of media, any reasonable person would have thought this has a real chance to change how journalism works. What I found out, using the concepts I’d learned in my outside doctoral area of social psych, along with what I’d found out by working in student media, was that this thing had massive flaws that no one wanted to admit:

The forced nature of change: If you want to make sure people absolutely hate something, force it upon them without consulting them or without giving them a voice. The problem that most of these convergence-happy idealists faced was that they didn’t realize this isn’t like moving cans of soup from three shelves onto one. This was going to be about forcing people to do things they didn’t want to do for reasons that made little to no sense to them.

Social identity theory: One of the most obvious flaws I saw a mile away was that for eons, studies of newsrooms demonstrated that they retained the same dynamics as any other group in which social identity was strong. The basic idea is that you tend to relate to your group whether it’s an ethnicity (Proud to be Polish), a fan base (Go Guardians) or any other collection of like-minded individuals (Elect Smith). Newsrooms develop their own little community identities and you can’t just pour people from them together in one pot and figure, “Hey they’re all journalists” any more than you can pour baseball fans together and say “Hey, all their teams are in the playoffs right now.”

The folks at BYU figured this out the hard way almost a decade before anyone else did. In 1995, they tried this whole “converge to save money and supercharge the news” thing without involving the people actually getting stuck together. It turned out that at the end of the five-year experiment, nothing was better than when things started, including finances, content or staff attitudes. In fact, the students could only agree on three things:

  • They liked “their people.”
  • They hated “the other people.”
  • They hated convergence.

This was the starting point for my dissertation and when I surveyed professionals about convergence and the idea of converging their operation with other operations in the area, social identity reared its ugly head. Follow-up studies I did in the years to follow showed this was still the case, even as we all stopped using the word “convergence.”

The price of cost savings: The old joke of “How can you drop 15 pounds of ugly fat in a minute? Cut off your head.” seems appropriate here. No matter how much people claim convergence saves money or improves a product, it has never been shown to do both simultaneously. In fact, you usually go the other way with it, as costs rise from things you failed to account for and quality falls because you cut a bunch of positions/people.

You might have one fewer administrative assistant and say, “Look at the salary we saved!” but you never account for the wasted time of the 12 people left over who are trying to figure out how to make things work as well as that person did. You might remove the cost of one day’s worth of print, but you might also lose out on hundreds of extra eyeballs on ads that inspired local businesses to invest their promotions budget with you. This is the dirty secret of convergence that doesn’t make the front page of E & P when the whole process goes to hell on a rocket ship and the people who decided to force it upon the organization are now off somewhere else making money on the latest batch of snake oil.

DOCTOR OF PAPER HOT TAKE: Never in a million years did I ever see this happening at IU or with the IDS. This publication is one of the best in the country and I should know, as I was constantly trying to beat it for my five years at Ball State.

Every national award, we were both up for it and we usually both got it. I remember it being harder to win first place in the Indiana Collegiate Press Association newspaper division than it was to win a Gold Crown from Columbia University or a Pacemaker from ACP. Indiana was just stuffed full with amazing places from IU, ISU, Purdue, Notre Dame and Ball State to name the ones I remember in our division.

In the past decade or so since I left, they haven’t slowed down, either. I still see IDS stories showing up in national contests I judge and state ones as well. The work they do is phenomenal from the designing of print to the deep-dive investigative journalism the kids there produce. If this media school had any smarts about it, it would pour buckets of cash into this thing and thank God it was lucky enough to do so. If these people at the IU Media School had any idea how hard it was to build a consistently excellent winner like the IDS, they’d understand that.

If the kids want to keep one day of week for print and the rest of this is humming along well, leave them alone. You can’t BUY enthusiasm and motivation, especially in the jaded world of journalism. They’ve already made cuts and taken on sacrifices, so they are willing to work with this institution to keep things from getting out of hand.

In the mean time, the students are asking for people to help. Here’s the link they posted in that regard, if you are so inclined.

 

Four potential story ideas for student journalists heading back to school

QUICK REMINDER: I’m trying to gather information for folks about what students use AI for and what would make them avoid using it to cheat in class. If you are interested in helping out by reaching out to your students, here’s the link to the survey again:

https://forms.gle/WH9nzpHNT2XbMX5KA

Now, on with the show…

With the start of the semester, it can be a bit tough to get back into the swing of things in terms of coming up with some good fodder for the student media outlets out there. Here are four things that came to mind as I was trying (and failing) to come up with something more profound to launch the blog this year:

COVID COMEBACK: According to the Centers for Disease Control, COVID is making a big comeback, with several new variants getting into the act. When we first faced this mess back in 2020, we were isolating like it was a zombie apocalypse and washing our mail before opening it. Today, it’s treated less like the start of the apocalypse and more as a potential annoyance.

That said, what are the policies your school is rolling out for this? Is COVID now covered under traditional illness policies your school has? Is it still a “get out of class for a week” card? What alerts have the schools enacted regarding shared on-campus housing, dealing with workers who have diminished immune systems and more? Your school’s approach might be nothing and it should be something, or it might be a whole lot more than it needs to be.

FAFSA FAILURES: The Free Application for Federal Student Aid, better known as FAFSA, hit more than a few snags this year thanks to an “improvement” to the online application system. What that meant was hotly debated in the spring and the summer, but now we should be able to see what the actual impact is.

A recent national survey found that the freshmen classes are smaller than expected, with fewer overall financial aid applications  and less diversity in their populations. The individual impact obviously varies from school to school, so it would be a good idea to pull the FAFSA data for your school for the past five years and see where things sit today. Anecdotes will also help if you can find people who took an unintended gap year due to these problems or people who otherwise monitor the enrollment situation at your school.

HOT HOT HOT: Regardless of where you live, late August and early September are ungodly hot, compared to other times of the year. It’s also the time in which students are expected to move back to campus, leading to potential health and housing issues.

A number of news outlets in Minnesota, Wisconsin and other normally not that hot states have done the “it’s hot as hell but they’re moving kids into the dorms” stories, so there’s always a good follow up on that kind of thing. It’d be interesting to see about any medical calls (Hey, dads aren’t going to let some BS heat index stop them from hauling a freezer up 15 flights of stairs…) during the move in as well as any follow up about lack of A/C in student housing. It’s also probably not a bad thing to check on off-campus housing with landlords not keeping the air on or otherwise making the places inhabitable.

HOUSING HELL: The cost of housing in the country has become a focal point of everything from news articles to the presidential campaigns. In many cases, the focus tends to be on single-dwelling homes and hedge-fund maneuvers to corner the market on rental units in big cities. That said, every campus has its own challenges when it comes to housing space and getting students put into it.

I remember a few old stories about the dorms (residence halls, excuse me…) being booked beyond capacity, forcing some students to live in shared spaces until at least a few kids dropped out of school or got kicked out for trying to grow weed on the roof of the com building. Then there is this story out of Madison, Wisconsin that says the housing available to students is well outside their price range. (Paywall. Sorry. But Kim is a great reporter and pretty much the sole reason I’m shelling out whatever I’m shelling out to keep a subscription to the State Journal these days.)

What’s the situation out by you? Do they need to build more residence halls or have Silicon Valley billionaires bought every scrap of land around Northeast West South-Central University to corner the housing market? Also, what kind of living situations are people dealing with these days due to these pricing situations? (I’m always amazed when a student tells me they’re sharing a four-bedroom, one bath home with seven other people. I have no idea how that works…)

Hope this helps! Have a great start to the semester!

Vince (a.k.a. The Doctor of Paper)

Filak Furlough Tour Update: Hanging out with Wichita State University and The Sunflower Staff

Repping my Sunflower T-shirt for the Sunflower staff at Wichita State University. A nice photo of the group, although I never photograph well. I think it’s that my eyes always look closed and my mouth always looks open. It’s like a demented baby bird or something. (Photo courtesy of Amy DeVault)

 

The Filak Furlough Tour’s final stop of the year is the one I was most excited to make. Amy DeVault at Wichita State University is a great friend and colleague. She advises the Sunflower, the student newspaper there and does an incredible job with some incredible students.

I also have a history with these folks, in that we were blogging about the little …. um… people in student government a few years back trying to slash the paper’s funding and kill the publication. In the end, things worked out well, but I’ve always had a soft spot in my heart for the underdog in the fight, which is why I will always do anything I can to help The Sunflower.

Wichita State University — WICHITA, KS

THE TOPIC: The folks there wanted a basic critique of the newspaper itself as well as the opportunity to do some Q and A stuff, so that’s what we did. I had a chance to see the publication a couple times over the years, including a recent review of it for the Kansas College Media contest.

BASICS OF A CRITIQUE: If you want to see a really great, well-rounded news publication that covers its niche well, grab a copy of The Sunflower. They have a great mix of big pieces and small news bits. They have a strong collection of writers, photographers, designers and graphics folks. I loved a lot of what they did, so I made it clear that pretty much any critique was of the “here are some polish points” variety as opposed to a “Dear LORD do you need a wrecking ball and a blowtorch to get this thing into shape” collection of grievances.

Here are some observations I hoped might be helpful to them, and might also be helpful to you all as well:

  • Size versus value: In some cases, stories can get out of hand a bit, particularly when it comes to pieces that feel investigative, but don’t really add up to a lot. For The Sunflower, one piece in particular had a lot of content to it, but it really didn’t add up to a lot. The story looked at allegations of racial animosity during a rec center basketball game. The reporter dug into every allegation and every explanation offered to counter them, but in the end, the story was basically that a couple dudes got out of control playing basketball and nobody could fully corroborate either side of the argument.
    The story could easily have been cut significantly to reflect that reality and the graphic used to create the front-page centerpiece didn’t really add a lot to the storytelling either. This is one of those cases where the size didn’t mirror the value of the piece. It can be tough to see a lot of hard work essentially amount to less than we would hope for as journalists, but it’s worth remembering that the readers need to see value if they’re going to invest a ton of time in a piece. Whacking the hell out of something can be painful, but your readers will thank you.

 

  • Keeping it local: Overall, there was a TON of great local coverage in the publication. My only minor grouse was a common one on the arts/entertainment page: movie and music reviews. If you can give people something they can’t get anywhere else, fine, do those reviews. If not, leave that stuff for the IMDB’s and Richard Roepers of the world and go cover some local bands or some local theater.
    If you’re asking yourself, “OK, so when WOULD I do a movie review?” my answer is an example from a student paper I critiqued years ago. The paper was from a small religious school out west and it reviewed the movies from the perspective of the faith base. The reviews noted how much violence or sex or whatever was in there and how people who practiced certain levels of the faith’s orthodoxy might be more or less offended by this content. I’m not getting that level of clarity on Rotten Tomatoes.

 

  • Use your voice: The opinion page was solid, and it’s often difficult to critique an opinion page, because it’s often at the mercy of whatever is going on around you. When the paper was under attack all those years ago, the opinion page thundered against the stupidity of the student government with the fire of a white-hot sun. That’s not always possible to do when you’re faced with some “meh” news days. Even more, it can make things worse if you’re trying to gin up some false-front rage for the sake of feeling like you’re wielding the power of the press.
    That said, I did note that they shouldn’t be afraid to go in the corner and fight for the puck when news merits their viewpoint on behalf of the student body. If something needs to be called out, it’s the publication’s duty to use its voice effectively to do so.

PICKING FILAK’S BRAIN: Here are a few of the things that came up in our time together. The questions aren’t direct quotes, but more of the general gist of what we were going after. Answers fit the same pattern:

QUESTION: What kind of balance do you think should be present in the publication between the kinds of things people like and the things people need? Is there a percentage split on something like this?

BEST ANSWER I COULD COME UP WITH: I’ve had a version of this question in a number of other stops on the tour and throughout my time working with student media. What I’ve tried to convey is that ALL information should be geared toward things that provide value to the readership, whether that value is in the form of entertainment, editorial insights, informational alerts or knowledge-building content.

What tends to happen is that we present content without a strong sense of WHY readers should care. In other words, people tend to blow off the “newsier” stories because as writers, we don’t make a strong enough “this matters because” statement for them.

My suggestion, therefore, is to worry less about trying to get people to eat their vegetables by force-feeding them dry news pieces and worry more about trying to make those pieces clearly personally relevant to the readers so they’ll be drawn to those stories.

 

QUESTION: What does it take to make a profile really work well as a profile and not feel so blah?

BEST ANSWER I HAD AT THE TIME: A lot of profiles fall flat because they lack observational elements that add flavor and meaning to them. The SCAM model can help you better find ways to capture the setting, character and action of your source through spending time with that person. You can then convey meaning by making sense of how those first three pieces work together to inform the readers about the overall “vibe” of this person.

You don’t have to describe every hair on the source’s head, all the way down to the worn heels on their cowboy boots to do a good job of describing a person. In fact, the opposite is almost always the case. You need to paint a word picture so that I can see this person in my mind’s eye while I’m reading the story. That can be their physical presence, if that’s crucial to the story. It can be their emotional presence, if that matters more.

Case in point, I was reading a profile today that one of my kids wrote about a young woman who is on a national-championship-winning gymnastics team here at UWO, while also having committed to the Army ROTC program. The programs seem ridiculously disparate: One requires individuality, and glitz, while the other required uniformity and plainness. Gymnasts tend to be tiny and Army folk tend to be giant. So, to more fully understand how that worked in one person, we needed to have a physical sense of this kid.

In another instance, the person was describing a religious leader who used his own struggles with faith and his practical nature here on Earth to help others find their way. In this case, whether he was giant or tiny was less important than the emotional interconnectivity he displayed in life.

Whatever route you go is fine, but you need to do a lot of observation of that person to truly capture the source’s essence and communicate that effectively to the audience. In doing so, you can focus less obsessively on getting every detail about the person’s life in there, like you’re crafting a resume.

 

QUESTION: The people around here in the upper reaches of power tend to like to route everything through the marketing department or just issue statements when we want interviews. How do we get around that kind of thing?

BEST ANSWER I COULD COME UP WITH: This is a trend with a lot of folks, and it happened here as well for a while. The general consensus is that if you don’t actually do an interview, you can’t say something stupid. This is supported by the idea that statements get about 23 people revising them before they go out to the public. Meanwhile, a mouth can yield a lot of problems when someone forgets to put their brain in gear before opening it.

The problem with statements, other than the general reek of bovine excrement that wafts from them, is that there is no chance to ask follow-up questions, refute basic assumptions in them or generally cut through the fog of obfuscation they offer. Thus, getting the interview is vital to making sense of some things reporters are covering.

I argued that you should always push back against the statement approach and track people down who decline to respond to your email requests. The university leaders have offices. Go there. Professors have teaching schedules. Track them down after class and walk with them. Set up camp outside their faculty office or generally be a persistent pain in the rear end. If they refuse to answer questions, turn THAT into part of the story:

“Professor John Smith refused to engage with a reporter who met him after class, instead saying he would ‘have someone issue a statement on the matter.’ When the reporter noted that a statement would be insufficient, Smith went from a slow walk to a brisk trot toward his office. He quickly entered and slammed the door behind him. Knocking to rouse him was unsuccessful.”

In short, as I said to the staff, “Tell the administrators, ‘You mean to tell me that someone of your educational level is afraid of an undergraduate student who works for a newspaper named after a pretty yellow flower? Come on!'”

 

FIN: And that’s where the Filak Furlough Tour came to an end. Thanks so much everybody for letting me be part of your lives and for making my furlough fun.

 

Earth to Universities: You can’t like free expression only when it’s expression you like

A print of artist Phil Hands’ cartoon on free speech hangs on the wall of my office, with a nice message from this incredibly talented person. I think this message matters now more than ever.

THE LEAD: Universities are pushing back on speech and assembly efforts in the wake of pro-Palestine protests on campuses throughout the country. Both on campuses and at the federal level, concerns regarding antisemitism and Islamophobia have led to inquires and crackdowns.

Zoom in: Tensions at Columbia bubbled over last week after university president Minouche Shafik called in the NYPD to disband a pro-Palestinian encampment at the center of campus.

  • The University of Michigan said it would draft a new policy on punishable disruptive behavior following a pro-Palestinian protest at its convocation.
  • The University of Southern California canceled its valedictorian’s commencement speech, citing safety concerns that the student called a “campaign of racist hatred.”
  • Stanford University banned overnight camping in February to end an encampment populated by dueling pro-Palestinian and pro-Israeli tents, citing student safety, extreme weather and rodents.

FIRST-AMENDMENT BASICS: The First Amendment to the Constitution allows for freedom of expression in a number of ways, including speech, press and assembly. State actors (meaning public officials, public organizations or otherwise government-ish people or groups) cannot step in and deny these rights without some exceptional circumstances.

The law requires a risk of “imminent lawless action” or “clear and present danger” to exist for the government prohibit these kinds of expressions. Examples of this kind of risk include things like inciting a crowd to destroy property or chanting “We are going to kill the chancellor” during a march. That’s why yelling “Mike Pence is a traitor” isn’t the same as yelling “Hang Mike Pence” during the Jan. 6 incident in Washington, D.C.

In some cases, the law can allow for restrictions based on the time, place and manner of the expression, but it also states that the restrictions must be content neutral. In other words, if the mayor of your town refuses to allow a “Pro-Vegetable” march at 5 a.m. because it would be disruptive to the sleeping habits of the citizens, that mayor can’t then allow a “Pro-Beef” march to occur at 5 a.m.

For a more complete view, check out this great primer at the Freedom Forum.

KEY FREAKOUT POINT: This is what happens when the vaguely educated (Congress) asks questions of the overly educated (Ivy League university administrators) and fear is a driving force in the discussion.

Back in November, the presidents of Harvard University and the University of Pennsylvania resigned after they reacted to questions of campus antisemitism the way my dog does when I present her with a physics textbook.

Congress, trying to make a point, asked if “calling for the genocide of Jews” violated the campus speech codes and neither of these esteemed educators could find a coherent answer. (As these are both private institutions, they get more leeway about what can and can’t happen on their campus than do public institutions. More on that later.)

What happened next was what always happens next at a time like this: More administrators get called to answer similar questions under a totally disingenuous guise by people who have no interest other than “pwning” these folks.

Thus, to avoid being the next university egghead on the chopping block, these folks force everything 180-degrees in the opposite direction, to the point where saying “bless you” is somehow a hanging offense. Fear drives the silencing of certain voices that people worry might not be as popular as others. The goal is to “run clock” for a while, in hopes that everything will just calm down once the kids find a new TikTok challenge or something.

Words are scary, particularly when you are being accused of certain things. Nobody likes being accused of antisemitism, Islamophobia, homophobia, racism, sexism and other such things. Certain words carry with them a permanent stain, and that can be terrifying enough to make people do or not do certain things. I often think back to this clip from “Apt Pupil” in that regard:

 

REALITY CHECK: As much as it would be great if we could all just get along about everything, that’s not the way life works. This is why we have laws in place to deal with what can and can’t happen when people feel the need to disagree.

The law is clear on how speech and assembly work: Unless you can demonstrate that whatever these people are saying or wherever they are going will lead to lawless action, they have the right to say what they want to say and go where they want to go. The law isn’t here to protect popular speech, but ALL speech.

This is why, as much as it can infuriate folks that a group of Nazis can march through a predominantly Jewish part of Illinois, or that a group of “religious” folks can show up with signs at a military funeral proclaiming “Thank God for dead soldiers,” speech can’t be suppressed for being repulsive alone.

The Foundation for Individual Rights and Expression explicitly explains why even calls for the genocide of a particular group remain protected under the First Amendment.

DOCTOR OF PAPER HOT TAKE: Everyone has a level at which they think a line should be drawn when it comes to speech being problematic, but quite literally, the cure for bad speech isn’t speech suppression. It’s MORE speech. It’s also been clear that there are always risks that unpopular speech may lead to violence, but we have laws to deal with that violence once it actually occurs. Stopping speech because it might end poorly has the same internal logic as the traffic cop who pulls over the Corvette driver because the car “looks like it could go fast.”

The administrators of these schools need to have stronger intestinal fortitude when it comes to supporting free speech, even if it’s going to be wildly unpopular or allow some senator from Bumbledirt, Wyoming to call them all sorts of names on the Senate floor.

Yes, it sucks when you have to deal with difficult situations, but standing for principles is supposed to be administrators’ resting pulse. If you think having people say mean stuff about you on Twitter/X is rough, read this piece by David Goldberger, a Jewish attorney who represented the Nazis in the Skokie case. Members of Jewish Defense League showed up at Goldberger’s office with baseball bats trying to beat the hell out of him. The rabbi at his parents’ synagogue gave a speech denouncing Goldberger personally for taking the case.  He was threatened and called a self-loathing Jew for his troubles and yet in retrospect, he remains as stalwart in his beliefs as ever:

To this day, I have no doubt that the ACLU’s commitment to equal rights for all is a backbone of our democracy — no matter how offensive our clients are. Chipping away at this commitment will open the door to the erosion of the First Amendment as a bulwark against rule by tyrants.

In short, if you want your free speech, you have to be willing to stand up for everyone else’s speech as well.

A PROMISING POST-SCRIPT: As I was finishing this off, a friend forwarded this article about how student journalists on these campuses are not only covering the situation, but taking strong editorial stances in favor of free speech.

As we always say in student media, “Leave it to the kids to lead the way.”

 

5 Basic Rules For Writing Opinion Pieces That Will Keep You From Coming Across Like An Arrogant Chucklehead

There are many ways to convince people to come around to your way of thinking when you are writing a column. You can offer facts, you can present solid analogies or you can find ways to empathize with your readers.

In reading through a lot of contest entries, from both college and professional publications, I’ve found there appears to be a little less of those options and a little more hostility lately.

Consider the following opening to a column I read as part of a contest I judged over the break. I pulled the name of the paper and the byline in an attempt to avoid publicly shaming the author:

Over the past few weeks, I have written several columns talking about things like the “Barbie” movie and Taylor Swift. Some of you may be begging for something that’s a little less surface level, and I hear you.

Unfortunately for you, I make the rules here, and I will once again be talking about something shallow. You want something different on the opinion page? Join (PAPER’S NAME) and write your own column.

 

I feel bathed in the warmth of the writer after that, and I’m just desperate to hear what comes next…

 

Another piece opened with this salvo:

I don’t care what you do. I don’t care if you eat at (RESTAURANT). I don’t care if you shop at (STORE). I don’t care if you wear (ITEM OF CLOTHING). I don’t care if you listen to (ARTIST).

 

Right… Just like your mom doesn’t care if you ever call on her birthday…

Truth be told, opinion writing is part art, part science and even the best columnists swing and miss. I know that because George Hesselberg, who spent decades at the Wisconsin State Journal writing amazing columns in ways I will never come close to, said that even he remembers writing “a few stinkers.”

George also noted, “Everyone thinks it is easy. It isn’t.”

If you are college student  in an opinion-writing class or student media columnist who is DESPERATE to become the next big-name column writer, consider these rules to help you along:

 

Rule 1- You’re not writing for yourself.

The first and worst mistake most columnists write is that something happens to them and they feel that they need to share it with the world.

When you feel this urge, back away from the keyboard, go take a nap and come back to writing when this urge has passed.

Column writing is not group therapy. The goal in giving you a column isn’t to help with your self esteem and make you glad you shared. The goal of a column is to engage the readers and give THEM something to think about, something to learn or something to do.

In other words, it’s not about you. It’s about them. If what you’re writing doesn’t have a direct tie to the audience or doesn’t in some way involve your readers, you’ve failed before you get off the starting line.

 

Rule 2 – Know your audience

Getting to know the people for whom you write means first learning rule #1. Once you realize that you need to write for somebody else, you need to figure out who they are. Don’t assume they are “all exactly like me,” which is what one particularly arrogant columnist told me. Even if she were very similar to many people, she can’t assume that they all share her issues and concerns.

Markets defined in various ways. You have geographic interests (what’s going on around campus this weekend), demographic interests (what can you do if you’re under 21; what’s the college scene look like) and psychographics (interests, activities etc.). If you can figure out what your audience is, where it is and what it likes/dislikes, you’ve got a pretty good handle on to whom you are speaking with your columns.

 

Rule 3 – Stay local

Great columnists for “national media outlets” get a pass to write whatever they want in many cases. I’m not saying it’s a good idea, but it’s what they do. The reason is that they’ve done this job long enough and well enough to have sources on these big issues and thus they can serve as an influencer of opinions.

That’s not most of us or our publication. Think of it like the scene from Bull Durham where they discover fungus on Tim Robbins’ shower shoes.

If the purpose of a column is to reach an audience and get them to do something, chances are you’ll have much better success in doing this if you look around you and talk about things happening in your own backyard.

Yes, you want to write about why the NFL should avoid a lockout or why Joe Biden should annex Puerto Rico, but remember rule 1. You’re not writing for you. You’re writing for your readers. The chances are pretty good that our president isn’t going to hold a press briefing today and say, “My fellow Americans, I had committed to a hands-off approach in relation to the fighting in Ukraine. However, in reading Carl Smith’s column in the University of Wisconsin-Oshkosh’s Advance-Titan, I have learned the errors of my ways…”

You can, however, influence local policy. The best column ever from that perspective was a scathing piece on why the university suddenly started charging a “cup fee” for water at the student eateries. The university had no real answer. Prices hadn’t changed, water was still plentiful and they just figured no one would notice or care. They were wrong and they changed back after the editorial and subsequent online uproar about it.

Seems small and insignificant, but it was something the readers cared about. Thus it mattered.

 

Rule 4 – Don’t become part of the noise

When it comes “the big issues,” there are going to be about 20 percent of the people who will agree with you, 20 percent who don’t agree with you and the middle 60 percent who will say, “Well, I don’t care. I’m going to TikTok.” Unless you have something particularly important to add to the discussion, don’t just add to the noise on these things.

Issues like abortion, gun control and more are important and tough issues. However, piping in with “Here’s MY take on this…” adds nothing to the sum of human knowledge. It also violates rule number 1. If you’ve got something that REALLY adds to the discussion or some way of REALLY tying it to your audience in a way that most mainstream media don’t, that’s fine.

Here’s what I’m talking about: I have a thing against movie reviews in college papers. I can get this stuff online from 1,002 other sources, so why would I read it here and care about what you think?

Well, I was critiquing a paper from a religious based school and I noted that they did movie reviews, but from a very audience-centric angle: They talked about issues of sex and violence in the films and to what degree people of their faith would find these acceptable or not. That’s something the folks at Rotten Tomatoes aren’t going to hit on and that made it valuable to their readers.

Same thing with “the big issues.” If they’re building a massive memorial wall to something in Washington, D.C. and you’re in Idaho, you’re probably not adding much to the discussion. However, if the issue of gun control comes up and your campus has just made it legal to carry a concealed weapon on campus, you’ve got a reason to write.

 

Rule 5 – Don’t write beyond your own level of competence

Wanting to do something and being able to do something are two completely different things. When my kid was 3, she wanted to go ice skating so I took her. Half way through, she was skittering toward the speed skaters and my wife wasn’t fast enough to catch up with her. I was going to be the hero, so I skated fast, and caught up. The kid cut in front of me and it was either maul my own kid or take a header. I took the header and wound up with a bleeding black eye that swelled shut and a shoulder injury that took six months of physical therapy to overcome.

The point is, I went beyond what I was competent enough to handle. And I paid the price.

If you don’t know what you are talking about, don’t talk about it. If you have an interest in something, research the hell out of it before you write about it. Don’t just look for things that support your point or things that seem like they’re in your area.

A columnist is supposed to be an expert on a topic, so make yourself that expert before you go after that topic. You’re not just trying to talk about something. You’re trying to convince people of something. Your charm isn’t enough to make that happen.

Liberty University, an “unprecedented” fine and why student journalists should spend some time examining their own campus Clery Report

THE LEAD: When your school ponies up fines related to campus safety that total more than those associated with Larry Nassar and Jerry Sandusky combined, you know something has gone horribly wrong.

Liberty University has agreed to pay an unprecedented $14 million fine for the Christian school’s failure to disclose information about crimes on its campus and for its treatment of sexual assault survivors, the U.S. Department of Education announced Tuesday.

The fine is by far the largest ever levied under the Clery Act, a law that requires colleges and universities that receive federal funding to collect data on campus crime and notify students of threats. Schools must disseminate an annual security report that includes crime reports and information on efforts to improve campus safety.

BACKGROUND: According to the Clery Center, “The Clery Act requires colleges and universities to report campus crime data, support victims of violence, and publicly outline the policies and procedures they have put into place to improve campus safety.” The act was named for Jeanne Clery, a Lehigh University student who was raped and murdered on campus in 1986. Clery’s parents sued the institution, arguing that had the family known of the university’s record on violent crime, Jeanne Clery never would have attended the school.

Each year, colleges and universities that participate in the federal financial aid program have to report data related to violent crimes on and around the campus. That report has to be publicly available , and instances of non-compliance can lead to fines from the US Department of Education.

Liberty University has long pitched itself as a safe place and had the data to back it up. That’s because it often either under-covered the cases of sexual assault or trying to nudge folks to not really think of sexual assault as being sexual assault:

Federal investigators cited a case in which a woman reported being raped, with the attacker telling her he had a knife, the final program review stated.

Liberty’s investigator “unfounded this case based on a claim that the ‘victim indicates that she consented to the sexual act,’” the final program review stated. “In point of fact, the victim’s own statement merely indicated that she ‘gave in’ in an attempt to get away from the perpetrator.”

 

RANDOM SIDE NOTE: Just for the hell of it, I went to the website for The Liberty Champion, the student newspaper at Liberty University, to see what kind of coverage this situation got.

None. As in, zero.

 

 

The most recent mention of “Clery Act” found through a search of the site is from 2019. Checks for things like “fine,” “$14 million” and “rape” brought back no results attached to this situation. That said, there were some nice stories about the women’s hockey team, an open house to kick of Women’s History Month and the 40th anniversary of The Champion.

If anyone ever asks why a free and unfettered student press matters on campus, consider this the mic-drop answer you’ve been looking for.

WHY THIS MATTERS TO YOU: If you are involved with Liberty University or are you a person who supports sexual assault survivors, the answer is pretty obvious. If you are looking for an answer beyond that, it lies in the underlying concept of the Clery Act and the gap between what the data should tell us and actually does tell us.

One of the inherent flaws to data of any kind is based in who collects the data, for what purpose and with what intention in mind. The goal of the Clery Act was to force universities to disclose all violent and property crime so that people could get a good look at a campus to determine its level of safety.

No university is going to see an uptick of enrollment if they look like a haven for murders, rapists and thieves, so it isn’t in the best interest of universities to be overly expansive in how they approach this data. Even if they’re not actively doing the “Nope, she enjoyed it. Can’t be rape” crap that Liberty was accused of doing, there is still some significant leeway in how universities shave the data. What counts as “nearby” campus is in the eye of the beholder, as does “student” housing.

This isn’t to say that many universities actively game the system when it comes to the Clery report. However, it’s important to look at the data in comparison to what local police reports, campus news reports and other media coverage has showcased during that period of time to make sure the pieces match up before considering the data to be gospel.

EXERCISE TIME: If your school falls under the Clery Act, find a copy of the most recent three years of reported data. (The degree to which this is easy or hard might make for a story in and of itself.)

Pick through the data to notice any specific trends or shifts in the numbers. In some campuses, the most violent crimes like rape and murder will see huge percentage gains or losses over one or two incidents. In other cases, a particular type of crime might have a consistent set of high or low numbers that merit examining.

Also, dig back through your campus media outlets to see about any coverage related to some of the higher-level crimes from the data. To what degree does the media coverage mirror the data?

Quality endures while quantity fades: Three helpful hints for finding ideas for rich, deep stories

I always liked this clip because it showed the importance of quality over quantity in some cases. That and it was essentially the moment Ford launched what I consider to be the greatest car ever made: The Mustang.

The nice people at the Texas Intercollegiate Press Association put this together to promote my Furlough Tour stop. All I could think when I saw this pitch was, “Dammit… I better be good at this…”

The Filak Furlough Tour hit Texas recently, as I got an opportunity through the Texas Intercollegiate Press Association to address students and advisers across the Lone Star State. The whole thing started with a basic request:

“One thing I see my students struggling with — and no doubt other campuses are the same — is staying on the surface. I’m seeing a dearth of deep dives, investigative and data-driven journalism, watchdog journalism, in-depth features. What we do have in abundance are truckloads of fluffy editorials.”

So, what’s the best way to get into all of this? Well for starters, here is Rule #1 to start you off in the right direction: You aren’t writing for yourself. You’re writing for an audience.

One of the main reasons people end up doing “fluffy editorials” is because they want to write things they care about. OK, that’s fine, but ask yourself this question: Does anyone else care about that thing?

I once had a student tell me that he planned to write an editorial for our student newspaper about how the U.S. should annex Puerto Rico. I remember asking him, “OK, but why should the readers of the Advance-Titan on the UWO campus care about this?” He stiffened up and said in a rather haughty voice, “EVERYONE should care about this!”

Um… OK… But a) do they? B) why should they? and c) what’s the point of it for a student newspaper on a regional campus in the middle of Wisconsin?

He didn’t get it, but my point was this: Writing about things you care about without thinking about your audience and what matters to the people out there is like deciding to become a chef at very nice restaurant because you like to eat. A chef is cooking for OTHER PEOPLE, so that’s where the joy and purpose lives. I wouldn’t want to go somewhere, order a steak and lobster dinner, only to have my server return with a plate of weird green stuff, explaining, “The chef feels strongly that people should be eating more organically braised kale, so enjoy!”

In terms of writing surface stuff, the reason why we end up doing it is because it’s easy and we’ve been trained to grind out pieces. There’s nothing wrong with learning how to bang out speech or meeting stories if you can find things that matter to your audience (see rule 1 above). However, as much as journalism is about quantity, it’s also about quality. You can’t just spend your whole life doing nothing but menial stories or you’ll want to throw yourself in front of a bus at some point in life.

Besides, quality endures while quantity fades.

Here’s what I mean. Every year, students come to campus and set up their apartments. They go to Walmart or Ikea and find a $50 tagboard piece of crap kitchen table and build it for the year. There’s nothing wrong with that kind of thing for students on a budget, especially if you’re sharing a house with people who view vodka as a food group and throw more parties in the place than a birthday clown on meth.

However, it’s never going to retain value or have lasting power. Throughout the year, I see broken ones of these tossed on the side of the road in front of apartment row on campus. A leg gave out, a side fell off, the top broke. At the end of the semester, none of those things is still around.

Contrast that with the table my great grandmother bought the year my grandmother was born. It lived in her house for decades and it was where all the meals of the family were eaten, the bills paid, the problems discussed. When holidays came, they tossed a couple leaves in there to make it big enough to accommodate everyone who could attend.

After she died, her son took the table with him and used it at his art studio. It withstood easels being banged on it, paint being dripped on it, brushes drying out on it and more.

When he died, my mom had to clean out his apartment. We saw the table there, just beat to hell and my mom said, “It’s a shame. That was where we used to have all of our best family gatherings and now it’s just done…” I told her, no way. I was taking it with me. I took it home, stripped off all the crap on the top, sanded out the imperfections and re-stained the whole thing. I then coated it all in a rockhard top coat. Today, 103 years after my great grandmother bought it, that table is beautiful and it’s in my dining room at my house.

The point is, you can’t just rely on throw-away crap if you plan to have any kind of value in this field. Sure, that table of my grandmother’s probably cost more than your $50 Ikea wonder, but it’s worth more, it carries on and it retains value. That’s where you want to be in this field at least some of the time.

So, how do you get there you might ask? Well, here are three things I think might help you find those stories and stick with them:

 

OPEN YOUR BRAIN: Freelance writer Jenna Glatz is fond of noting that coming up with a story idea is about learning to think that everything you experience could become a story. “Once your brain has opened up to this kind of idea generating, you’ll be amazed by how much more perceptive you’ll become in general,” Glatzer writes in Make a Real Living as a Freelance Writer. “Conversations you overhear will trigger ideas for new articles. An event you witness in a parking lot will trigger another. Moments before drifting off to sleep, you’ll think of your most compelling idea ever.”

I spend a lot of time driving to work each day along wide open roads and I do my best to open my brain. I try to notice what’s on the billboards along the highway or what vehicles are more prevalent around me. I listen to local radio to see what’s in the news and what’s on the ads. I also think about whatever the people in front of me at Kwik Trip are yammering about while buying their donuts and vape.

One of the first exercises I have my reporting and feature writing kids do is to leave their phones, their headphones and every other device in the classroom and then just go wander around for an hour with an open mind and open eyes/ears. When they come back to class, they have suddenly noticed all sorts of things they never knew were there before.

 

LEARN TO WONDER: Little kids are great for a variety of reasons, not the least of which is their sense of wonder.

A 4-year-old’s favorite question is “Why?” Kids want to know how stuff works, why it happens and the answers to all sorts of other important questions.

At some point, we stop incessantly asking “Why?” because we fear of looking stupid or because we stop caring about how things work. We stop engaging with the world around us and we no longer enjoy the wonderment we once experienced as little kids.

That’s a shame, because wondering more will lead to some incredible stories. Pair some of the 5Ws and 1H with the phrase “I wonder” and you’ll get some pretty interesting story ideas. Here are a few that rattled through my brain just this week:

  • I wonder why I can’t get a Diet Coke out of one of our vending machines. On our campus there is only one place I can actually buy a Diet Coke: A convenience store. Every place else, all I can get is a Diet Pepsi, which to me tastes like I’m licking a piece of chemically treated sheet metal. Why? Because our campus has a vending contract with the Pepsi Mafia, so I’m stuck. That said, I wondered why we got stuck with Pepsi. How does your university decide who gets the vending contract on your campus, how long is the contract and what kind of cash does the U get for exclusivity? Who has the say in where that money goes?
  • I wonder what the hardest scholarship to get on my campus is: What is the least-often claimed scholarship on your campus and what makes it a difficult one to achieve? (A scholarship for professional banjo players of Bohemian descent? A scholarship that requires perfect attendance since kindergarten?) Every year, we give out tons of scholarships, but there are those that go unclaimed every year because nobody applies or nobody is qualified for them. What is the longest untouched scholarship for your school and what other weird ones are out there?
  • I wonder if that law really exists. There are tons of urban legends out there about laws and rules at various schools and institutions. The one that makes the rounds from time to time is that certain housing set ups on campus are illegal if more than X number of women live together, as it technically qualifies as a brothel. It’s been debunked time and time again, but it still shows up.
  • I wonder what other people are wondering about: The Freedom of Information Act and state open records make certain documents to the public. If you are at a public university, you can get all sorts of information, including people’s salaries, departmental budgets and contracts the U signs with outside agencies.
    One thing that most people don’t think to request? A list of the open records requests that people have made over a given period of time. (I had a student do this once. When I asked him why he did it, he said, “I just want to know what other people want to know.” Good point.)

 

GIVE A DAMN: The best bit of advice anyone ever gave me about writing a bigger piece was that I needed to make sure I cared about what I was doing. Charles Davis, now the dean of journalism at the University of Georgia, was one of my professors for my doctorate at Mizzou when he told me this. He explained that completing a dissertation, a giant monstrosity of research that no one would ever read, was only possible if you made sure you cared about what you were doing and you wanted to find the answers to the problem you were tackling.

“It’s like a marriage,” he said. “It’ll be with you in good times and in bad, in sickness and in health, until death or degree do you part.”

I think about that a lot when I’m writing a longer blog post, a book or anything else that is more than a brief but courteous email to a student explaining that, no, I’m not changing your grade after I filed it with the university. It’s not my fault you missed so much class that we almost held a candle light vigil for you.

Case in point: I read this fantastic story in the Milwaukee Journal Sentinel recently by a reporter named Mary Spicuzza. In 1978 in Milwaukee, her cousin Augie was killed by a car bomb, something her family never spoke of for decades. Over the past year, she dug into the history of her family, her cousin’s various transgressions in life and how a powerful mob boss in Milwaukee likely ordered the bombing that took Augie’s life. In reading this piece, you can sense the amount of work that went into it and how much deep digging it took. Why did she do it? She NEEDED to find the answer and thought her audience would want to know as well, given how famous this incident was all those years ago. In short, she gave a damn.

When I think back on the stories I wrote that I liked the most, they were the ones where I gave a damn. I cared about breaking a story about how the KKK was distributing pamphlets on newspaper racks in grocery stores. I gave a damn about being right when it came to whether a local dog track was going to close down, costing hundreds of jobs and thousands of dollars to the local economy. I really felt it was important to do a six-part series for the blog on mass shootings, so much so, I wore a bulletproof vest everywhere I went for six days.

Even with the books I write, I think less about what I want to tell you, and more about what you really want and need to know and how best I can help you and your teachers get that stuff.

If you care, you’ll get into it and you’ll be like a dog with a Frisbee: You won’t let go until you’re satisfied.

And that can do a lot for you and your audience.